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Paloma Alarcó
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Francesca Pola
Claudia Puizza
Eliza E. Rathbone
Barbara Rose
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121 References

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Acton, David. Rothko entry. In The Stamp of Impulse: Abstract Expressionist Prints, edited by David Acton. Worcester Art Museum, Worcester, MA, 2001: 50.

Alarcó, Paloma. “Monet et l’abstraction / Monet and Abstraction.” In Monet et l’abstraction / Monet and Abstraction, by Paloma Alarcó and Jaques Taddei. Musée Marmottan Monet, Paris, 2010: 8-87.

Alarcó, Paloma. “Monet and Abstraction.” In Monet y la abstracción, by Paloma Alarcó and Michael Leja. Museo Thyssen-Bornemisza, Madrid, 2010: 317–328.

Alloway, Lawrence. “The Biomorphic Forties.” In The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938–1948, by Paul Schimmel, Lawrence Alloway, Dore Ashton, et al. Newport Harbor Art Museum, Newport Beach, CA, 1986: 33–36.

Ammann, Jean-Christophe. “A Fictional Museum for A Fabulous Collection.” In A Selection from the Daros Collection, edited by Walter Soppelsa. Zurich, Switzerland, 2012: 9–14.

Anfam, David. “A World Elsewhere,” in Abstract Expressionism — A World Elsewhere. Haunch of Venison, New York, 2008: 10–23.

Anfam, David. "An Unending Equation." In Abstract Expressionism, edited by David Anfam. Royal Academy of Arts, London, 2016: 14–49.

Anfam, David. “Dark Illumination: The Context of the Rothko Chapel.” In Mark Rothko: The Chapel Commission, by David Anfam and Carol Mancusi-Ungaro. The Menil Collection, Houston, TX, 1996: 6–15.

Anfam, David. “Notes on the Art of Marcus Rothkowitz: Between Time Past and Future.” In Against the Stream: Milton Avery, Adolph Gottlieb, and Mark Rothko in the 1930s, by Jill Snyder. Katonah Museum of Art, Katonah, NY, 1994: 24–31.

Anfam, David. “Rothko in the 1940s: Of Time and Tide.” In Mark Rothko: The Decisive Decade, 1940–1950, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012: 76–86.

Anfam, David. “Rothko's Multiforms: The Moment of Transition and Transformation.” In Mark Rothko: "Multiforms," Bilder von 1947–1949. Galerie Daniel Blau, Munich, Germany, 1993: 25–31.

Anfam, David. “The Art of Mark Rothko: Simplifying the Complex Thought.” In Mark Rothko, by David Anfam et al. Tokyo Shimbun, Tokyo, 1995: 12–21.

Anfam, David. “The World in a Frame.” In Rothko: The Late Series, edited by Achim Borchardt-Hume. Tate Modern, London, 2008: 45–57.

Anfam, David. “Walls of the Mind.” In Mark Rothko and William Scott: Continuing the Dialogue by David Anfam and Danielle Gaudry Cazeau. Anita Rogers Gallery, New York, 2023: 11–17.

Baigell, Matthew. “Mark Rothko.” In American Artists, Jewish Images, by Matthew Baigell. Syracuse, NY, 2006: 63–77.

Baigell, Matthew. “The Abstract Expressionists.” In Jewish Artists in New York: The Holocaust Years by Matthew Baigell. New Brunswick, NJ, 2002: 98–151.

Baum, Kelly. “Mark, Maker, Method.” In Rothko to Richter: Mark-Making in Abstract Painting from the Collection of Preston H. Haskell, edited by Kelly Baum. Princeton University Art Museum, Princeton, NJ, 2014: 10–28.

Birmingham, Mary. Rothko entry. In Montclair Art Museum: Selected Works, by Mary Birmingham, Twig Johnson, Diane P. Fischer, and Gail Stavitsky. Montclair, NJ, 2002: 143.

Boehm, Gottfried. “Das Lebendige: Rothkos Zugänge zum Bild.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 180–185.

Breitman, Ellen. Rothko entry. In The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938-1948, by Paul Schimmel and Lawrence Alloway. Newport Harbor Art Museum, Newport Beach, CA, 1986: 168.

Brüderlin, Markus, ed. “The Avant-Garde of Deceleration: Motion and Rest in Modern Art, from Goethe and Caspar David Fredrich to Ai Wei Wei.” In The Art of Deceleration: Motion and Rest in Art from Caspar David Friedrich to Ai Weiwei, edited by Markus Brüderlin. Kunstmuseum Wolfsburg, Wolfsburg, Germany, 2011.

Bruno, Vincent J. “Mark Rothko and the Second Style: The Art of the Color-Field in Roman Murals.” In Eius Virtutis Studiosi: Classical and Postclassical Studies in Memory of Frank Edward Brown (1908–1988), edited by Russell T. Scott and Ann Reynolds Scott. Studies in the History of Art [National Gallery of Art], vol. 43. Washington, 1993: 235–255.

Caldwell, John. Rothko entry. In American Drawings and Watercolors in the Museum of Art, Carnegie Institute, edited by Henry Adams. Carnegie Institute, Pittsburgh, PA, 1985.

Carandente, Giovanni. “Mark Rothko's Three Italian Journeys.” In Mark Rothko, edited by Oliver Wick. Palazzo delle Esposizioni, Rome, 2007: 33–39.

Coelho, Eduardo Prado. “Situations of the Infinite.” In Utopia Pavilion: 1998 Lisbon World Exposition. Lisbon, 1998: 77–90.

Cohen DePietro, Anne. “The Art of Betty Parsons: Carpenters’ Throwaways and the Expanding World.” In Shaping a Generation: The Art and Artists of Betty Parsons, edited by Anne Cohen DePietro. Heckscher Museum of Art, Huntington, NY, 1999.

Collins, Bradford R. “Beyond Pessimism: Rothko’s Nietzschean Quest, 1940–1949.” In Mark Rothko: The Decisive Decade, 1940–1950, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012: 47–59.

Compton, Michael. “Introduction into the Seagram Mural Project.” In Mark Rothko: Kaaba in New York, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989: 9–21.

Crow, Thomas. “Unknowing Parallels: The Last Artistic Thoughts of Mark Rothko and Eva Hesse.” In Late Thoughts: Reflections on Artists and Composers at Work, edited by Karen Painter and Thomas Crow. Los Angeles, CA, 2006: 55–61.

Davidson, Susan. "Feminism for the Most Masculine: How Two Women Launched an Art Market." In Abstract Expressionism, edited by David Anfam. Royal Academy of Arts, London, 2016: 86–103.

Davidson, Susan. "Focusing an Instinct: The Collecting of Peggy Guggenheim." In Peggy Guggenheim and Frederick Kiesler: The Story of Art of this Century, edited by Susan Davidson and Philip Rylands. Venice, 2004: 50–89.

Davidson, Susan. “La messa a fuoco di un istinto. Il collezionismo di Peggy Guggenheim.” In Da Kandinsky a Pollock: La Grande Arte dei Guggenheim. Palazzo Strozzi, Florence, 2016: 55–83.

de Brosses, Cordélia. “The Rothko Chapel: Painting the Night.” In Pagé, Suzanne, and Christopher Rothko, eds. Mark Rothko. Fondation Louis Vuitton, Paris, 2023: 285–295.

Falconer, Morgan. “Things Must be Pulverized: Abstract Expressionism.” In Painting Beyond Pollock, by Morgan Falconer. London, 2015: 10–45.

Faxon, Susan C. Rothko entry. In On Paper: Masterworks from the Addison Collection. Addison Gallery of American Art, Phillips Academy, Andover, MA, 2004: 208–209.

Fer, Briony. “Rothko and Repetition.” In Seeing Rothko, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005: 159–175.

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National Gallery of Art

Mark Rothko: Works on Paper will ultimately document approximately 2,600 works from public and private collections worldwide. Cataloging is ongoing, and works and information will be added to the site during the coming years.

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121 References

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