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121 References

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Fer, Briony. “Seeing in the Dark.” In Rothko: The Late Series, edited by Achim Borchardt-Hume. Tate Modern, London, 2008: 31–43.

Fine, Ruth. “Mark Rothko.” In El arte de Mark Rothko: Selección de la Galería Nacional de Arte de Washington, by Ruth Fine and Teresa Arcq. Museo de arte moderno, Mexico City, 2005: 60–78.

Fine, Ruth. “Mark Rothko.” In The Art of Mark Rothko: Selections from the National Gallery of Art, Washington, by Ruth Fine et al. Leeum, Samsung Museum of Art, Seoul, 2006: 23–31.

Fine, Ruth. “Meaning in Touch: Rothko on Paper.” In Mark Rothko: The Decisive Decade, 1940–1950, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012: 102–119.

Frank, Susan Behrends. “Amerikas Weg in die Moderne. Duncan Phillips und die Phillips Collection.” In Von Hopper bis Rothko: Amerikas Weg in die Moderne, edited by Ortrud Westheider and Michael Philipp. Museum Barberini, Potsdam, Germany, 2017: 8–25.

Frank, Susan Behrends and Miriam Häßler. “Farbe und Raum. Malerei in den sechziger Jahren.” In Von Hopper bis Rothko: Amerikas Weg in die Moderne, edited by Ortrud Westheider and Michael Philipp. Museum Barberini, Potsdam, Germany, 2017: 212–215.

Frank, Susan Behrends. “Künstlerbiographien.” In Von Hopper bis Rothko: Amerikas Weg in die Moderne, edited by Ortrud Westheider and Michael Philipp. Museum Barberini, Potsdam, Germany, 2017: 232–243.

Gamwell, Lynn. “Dream Archive.” In Dreams 1900 – 2000: Science, Art, and the Unconscious Mind, edited by Lynn Gamwell. Binghamton University Art Museum, Binghamton, NY, 2000: 211–300.

Gassner, Hubertus. “‘Das Entsetzen oder die Hoffnung’: Mark Rothko sieht Pierre Bonnard.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 166–178.

Hapkemeyer, Andreas. “The Perception of the Horizontal.” In The Perception of the Horizontal, edited by Andreas Hapkemeyer. Museion, Bolzano, Italy, 2005: 7-21.

Harrison, Charles. “Scenes and Details: A Rothko Sketchbook from the Late 1930s.” In Seeing Rothko, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005 : 179–199.

Hashimoto, Azusa. Rothko entry. In The 30th Anniversary: Collection of the National Museum of Art, edited by Atsuhiko Shima, Masahiro Yasugi, and Yuko Fujiyoshi. The National Museum of Art, Osaka, Japan, 2007.

Hayashi, Sumi. “Creation of an Intimate Place: Three Series of Murals.” In Mark Rothko, by David Anfam et al. Tokyo Shimbun, Tokyo, 1995: 44–57.

Hobbs, Robert Carleton. Rothko entry. In Abstract Expressionism: The Formative Years, by Robert Carleton Hobbs and Gail Levin. Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, 1978: 116-121.

Hobbs, Robert Carlton. “Early Abstract Expressionism: A Concern with the Unknown Within.” In Robert Carlton Hobbs and Gail Levin, Abstract Expressionism: The Formative Years. The Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, 1978: 8–26.

Hunter, Sam. “Surrealism in Transition: Paris and New York.” In The Surrealist Vision: Europe and the Americas, by Nancy Hall-Duncan and Sam Hunter. Bruce Museum of Arts and Science, Greenwich, CT, 1998: 35–60.

Israel, Ahuva. “Biographical Notes.” In Mark Rothko, edited by Mordechai Omer and Christopher Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007: 91–108.

Jachec, Nancy. "Myth and the Audience: the Individual, the Collective and the Problem of Mass Communication by the Early 1950s." In American Abstract Expressionism, edited by David Thistlewood. Liverpool, 1993: 129–145.

Kaiser, Franz-W. “Biografie.” In Mark Rothko: Uit de collectie van de National Gallery of Art, Washington, by Franz-W. Kaiser et al. Gemeentemuseum Den Haag, The Hague, Netherlands, 2014: 9–33.

Kellein, Thomas. “Mark Rothko–Kaaba In New York.” In Mark Rothko: Kaaba in New York, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989: 31–47.

Kerrigan, Emily A. Rothko entry. In New Forms: The Avant-Garde Meets the American Scene, 1934-1949, edited by Kathleen A. Edwards. The University of Iowa Museum of Art, Iowa, IA, 2013: 45.

Kinghorn, George. “Images and Energy: Early Figures of the New York School.” In Image and Energy: Selections from the Haskell Collection, edited by George Kinghorn. Museum of Contemporary Art, Jacksonville, 2004: 11–23.

Koszinowski, Ingrid. “Colour – absolute, essential, analytical.” In Otto Ritschl, 1885–1976: Retrospektive by Ingrid Koszinowski. Museum Wiesbaden and Von der Heydt-Museum, Wuppertal, Germany, 1997.

Kremer, Gwendolin. Rothko entry. In Constable, Delacroix, Friedrich, Goya: Die Erschütterung der Sinn, edited by Ulrich Bischoff and Luc Tuymans. Galerie Neue Meister, Staatliche Kunstsammlungen Dresden, Dresden, Germany, 2013.

Kuspit, Donald. “From Vision to Dream: The Secularization of the Imagination.” In Dreams 1900 – 2000: Science, Art, and the Unconscious Mind, edited by Lynn Gamwell. Binghamton University Art Museum, Binghamton, NY, 2000: 77–88.

Lange, Christiane and Karin Koschkar. "Rothko in Deutschland." In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 186-193.

Lawrence, James. “The Watercolors 1941–1947.” In Mark Rothko: The Exhibitions at Pace by Arnold Glimcher. Pace Gallery, New York, 2019: 28–37.

Leder, Helmut. “Horizontality and the Psychology of Perception.” In The Perception of the Horizontal, edited by Andreas Hapkemeyer. Museion, Bolzano, Italy, 2005: 66-73.

M. Messinger, Lisa. Rothko entry. In Recent Acquisitions: A Selection, 1985-1986, by The Metropolitan Museum of Art. New York, 1986.

Mancusi-Ungaro, Carol. “Nuances of Surface in the Rothko Chapel Paintings.” In Mark Rothko: The Chapel Commission, by David Anfam and Carol Mancusi-Ungaro. Menil Collection, Houston, TX, 1996.

Mancusi-Ungaro, Carol. "The Rothko Chapel Paintings: A Personal Account." In Image of the Not-Seen: Search for Understanding, The Rothko Chapel Art Series, edited by K. C. Eynatten, Kate Hutchins, and Don Quaintance. Houston, TX, 2007: 79–87.

McCullagh, Suzanne Folds. “The Gecht Collection and the Chicago Tradition.” In Graphic Modernism: Selections from the Francey and Dr. Martin L. Gecht Collection at The Art Institute of Chicago, edited by Susan F. Rossen and Brandon Ruud. Art Institute of Chicago, Chicago, IL, 2003: vii–xi.

Nairne, Eleanor. “The Friction In Between.” In Mark Rothko, 1968: Clearing Away, by Christopher Rothko and Eleanor Nairne. Pace Gallery, London, 2021: 33–44.

The National Museum of Modern Art, Tokyo. Rothko entry. In Abstract Expressionism: Masterpieces from Japanese Collections. The National Museum of Modern Art, Tokyo, Tokyo, 1995.

Omer, Mordechai. “Cycles of Faith: Rothko, Kierkegaard, and the Sacrifice of Isaac.” In Mark Rothko, edited by Mordechai Omer and Christopher Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007: 67–89.

Paul, Benjamin. Rothko entry. In Modern Art at Harvard, by Nihon Keizai Shimbun, Inc. Tokyo, 1999: 231-232.

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National Gallery of Art

Mark Rothko: Works on Paper will ultimately document approximately 2,600 works from public and private collections worldwide. Cataloging is ongoing, and works and information will be added to the site during the coming years.

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121 References

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