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Sigrid Achenbach
David Anfam
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26 References
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Occurrence Dates: 1999
Anfam, David.
L’Expressionnisme
abstrait.
Translated by Olivier Meyer. Paris, 1999
.
Anfam, David. "New York: The American Century: Part One."
Burlington Magazine
141, no. 1160 (November 1999)
: 707–709
.
Ashton, Dore.
À rebours: La rebelión informalista
[1939–1968]
. Centro atlántico de arte moderno, Las Palmas de Gran Canaria, Spain, and Museo nacional centro de arte Reina Sofía, Madrid, 1999
.
Boenders, Frans. “De sjamanenkunst van Mark Rothko/De zielentocht van Mark Rothko.”
Kunst & Cultuur
[Palais des Beaux-arts] 32, no. 1 (January 1999)
: 4–6
.
Caltagirone, Sandra. “Rothko: Investigation au coeur d’un ciel intérieur.”
Art & Culture
[Palais des Beaux-arts, Brussels] 13, no. 5 (January 1999)
: 4–5
.
Cohen DePietro, Anne, ed.
Shaping a Generation: The Art and Artists of Betty Parsons
. Heckscher Museum of Art, Huntington, NY, 1999
.
Cohen DePietro, Anne. “The Art of Betty Parsons: Carpenters’ Throwaways and the Expanding World.” In
Shaping a Generation: The Art and Artists of Betty Parsons
, edited by Anne Cohen DePietro. Heckscher Museum of Art, Huntington, NY, 1999
.
Dückers, Alexander, et al.
Linie, Licht und Schatten, Meisterzeichnungen und Skulpturen der Sammlung Jan und Marie-Anne Krugier-Poniatowski
. Kupferstichkabinett, Staatliche Museen zu Berlin, Berlin, 1999
.
Flam, Jack D, Carol O. Selle, Charles E. Pierce, and William Griswold.
New York Collects: Drawings and Watercolors 1900–1950
. Pierpont Morgan Library, New York, 1999
.
Goldberg, Itzhak. "Rothko: la couleur métaphysique."
Beaux Arts Magazine
176 (January 1999)
: 62–69
.
Haskell, Barbara.
The American Century: Art & Culture 1900-2000 (Part I, 1900-1950)
. Whitney Museum of American Art, New York, 1999
.
Lorent, Claude. “Mark Rothko: La lente conquête du sublime.”
Art & Culture
[Palais des Beaux-arts, Brussels] 13, no. 5 (January 1999)
: 6
.
Lucie-Smith, Edward.
Lives of the Great 20th-Century Artists
. London, 1999
.
Muehlig, Linda, ed.
Masterworks of American Painting and Sculpture from the Smith College Museum of Art
. New York, 1999
.
Nihon Keizai Shimbun, Inc.
Modern Art at Harvard
. Tokyo, 1999
.
Nodelman, Sheldon. “Rediscovering Rothko.”
Art in America
87, no. 7 (July 1999)
: 58–65, 106
.
Paul, Benjamin. Rothko entry. In
Modern Art at Harvard
, by Nihon Keizai Shimbun, Inc. Tokyo, 1999
: 231-232
.
Rosenblum, Robert.
On Modern American Art: Selected Essays
. New York, 1999
.
Rylands, Philip, Sigrid Achenbach, and Chiara Barbieri.
The Timeless Eye: Master Drawings from the Jan and Marie-Anne Krugier-Poniatowski Collection
. Peggy Guggenheim Collection, Venice, Italy, 1999
.
Schmidt, Katharina.
White Fire, Flying Man: Amerikanische Kunst 1959-1999 in Basel
. Museum für Gegenwartskunst, Basel, Switzerland, 1999
.
Stewart, Jessica. “Chronologie.” In
Mark Rothko
, by Jeffrey Weiss et al. Musée d'art moderne de la ville de Paris, Paris, 1999
: 251–274
.
Ulmer Museum.
Stiftung Sammlung Kurt Fried: Internationale Kunst der 1950er bis 1980er Jahre
. Ulm, Germany, 1999
.
Vann, Philip.
Silence in Painting
. Crane Kalman Gallery, London, 1999
.
Weiss, Jeffrey, et al.
Mark Rothko
.
Musée d’art moderne de la ville de Paris, Paris, 1999
.
Weiss, Jeffrey. “L’espace inconnu de Rothko.” In
Mark Rothko
, by Jeffrey Weiss et al. Musée d’art moderne de la ville de Paris, Paris, 1999
: 59–74
.
Worthen, Amy N.
MCM-Y2K 1900-2000: A Century of Art on Paper
. Des Moines Art Center, Des Moines, IA, 1999
.
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