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David Anfam
Daniel Arasse
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29 References
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Occurrence Dates: 1998
Anfam, David. “El arte de Mark Rothko: simplificando el pensamiento complejo.”
Kalias
10, no. 19–20 (1998)
: 106–122
.
Anfam, David.
Mark Rothko: The Works on Canvas Catalogue Raisonné.
National Gallery of Art, Washington, and Yale University Press, New Haven, CT, 1998
.
Arasse, Daniel. "La solitude de Rothko."
Art Press
241 (December 1998)
: 27–35
.
Chan, Mary. "New York School."
MoMA
, 1, no. 7 (November/December, 1998)
: 12–15
.
Coelho, Eduardo Prado. “Situations of the Infinite.” In
Utopia Pavilion: 1998 Lisbon World Exposition
. Lisbon, 1998
: 77–90
.
Dawson, Jessica Barrow. “Into the Black.”
Washington City Paper,
June 12, 1998
.
Dervaux, Isabelle, and Joseph Solman.
The Ten: Birth of the American Avant-Garde
. Mercury Gallery, Boston, 1998
.
Ferber, Linda S., and Barbara Dayer Gallati.
Masters of Color and Light: Homer, Sargent, and the American Watercolor Movement.
Brooklyn Museum of Art, New York, 1998
.
Galería Elvira González.
Eduardo Chillida – Alabastros/Mark Rothko – Pinturas
. Madrid, 1998
.
Greenberg, Ronald K., and John Van Doren.
Selected Works
. St. Louis, MO, 1998
.
Hall-Duncan, Nancy, and Sam Hunter.
The Surrealist Vision: Europe and the Americas, Bruce Museum of Arts and Science
, Greenwich, CT, 1998
.
Hunter, Sam. “Surrealism in Transition: Paris and New York.” In
The Surrealist Vision: Europe and the Americas
, by Nancy Hall-Duncan and Sam Hunter. Bruce Museum of Arts and Science, Greenwich, CT, 1998
: 35–60
.
Jeffett, William, and Martica Sawin.
Surrealism in America during the 1930s and 1940s: Selections from the Penny and Elton Yasuna Collection
. Salvador Dalí Museum, St. Petersburg, FL, 1998
.
Kertess, Klaus.
Sea Change
. Parrish Art Museum, Southampton, NY, 1998
.
Kimball, Roger. "Deeply Seductive."
The Spectator
, May 30, 1998
: 48
.
Kramer, Hilton. “Rothko's Surreal Killer May Have Been Greenberg.”
New York Observer
, June 15, 1998
: 1, 27
–28
.
Kutner, Janet. "Expressionist Seduces Viewer with his Use of Light, Color."
Dallas Morning News
, November 15, 1998
: 1c, 10c
.
Lewis, Jo Ann. “Rothko: Not Nothing. A Modern Master Is Here, but the Old Thrill Is Gone.”
Washington Post,
May 3, 1998
.
May, Stephen. "Rothko: Emotion in the Abstract."
World & I
13, no. 7 (July 1998)
: 110–117
.
Naves, Mario. "Mark Rothko at the Whitney."
New Criterion
17, no. 3 (November 1998)
: 52–54
.
Panicelli, Ida. “Silenzio, é Rothko.”
L’Espresso
, June 25, 1998
.
Robertson, Bryan. "About Rothko."
Modern Painters
11 (Autumn 1998)
: 24–29
.
Sozanski, Edward J. “Gauging Rothko's Overall Stature as a Modern Master.”
Philadelphia Inquirer
, May 19, 1998
: F12
.
Stauffer, Christine E., Yvonne E. Kaehr, Eberhard W. Kornfeld, and Roland Scotti.
Werke aus der Sammlung Eberhard W. Kornfeld: Bern-Davos
. Kirchner Museum, Davos, Switzerland, 1998
.
Stewart, Jessica. “Chronology.” In
Mark Rothko
, edited by Jeffrey Weiss. National Gallery of Art, Washington, 1998
: 331–352
.
Tully, Judd. “Waiting for Rothko.”
Washington Post Magazine,
April 19, 1998
.
Utopia Pavilion: 1998 Lisbon World Exposition
. Lisbon, 1998
.
Weiss, Jeffrey, ed.
Mark Rothko
. National Gallery of Art, Washington, 1998
.
Weiss, Jeffrey. “Rothko’s Unknown Space.” In
Mark Rothko
, edited by Jeffrey Weiss.
National Gallery of Art, Washington, 1998
: 302–329
.
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