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Dawn Ades
David Anfam
Achim Borchardt-Hume
Bonnie Clearwater
Michael Compton
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Susan Davidson
Morgan Falconer
Briony Fer
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37 References
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Place names: united kingdom
Ades, Dawn, Elizabeth Cowling, and David Sylvester.
Dada and Surrealism Reviewed
. Hayward Gallery, London, 1978
.
Anfam, David.
Abstract Expressionism
. London, 1990
.
Anfam, David. "An Unending Equation." In
Abstract Expressionism
, edited by David Anfam. Royal Academy of Arts, London, 2016
: 14–49
.
Anfam, David, ed.
Abstract Expressionism
. Royal Academy of Arts, London, 2016
.
Anfam, David. “The World in a Frame.” In
Rothko: The Late Series,
edited by Achim Borchardt-Hume. Tate Modern, London, 2008
: 45–57
.
Borchardt-Hume, Achim, ed.
Rothko: The Late Series.
Tate Modern, London, 2008
.
Clearwater, Bonnie.
The Rothko Book
. London, 2006
.
Compton, Michael.
Mark Rothko: The Seagram Mural Project
. Tate Gallery Liverpool, Liverpool, UK, 1988
.
Davidson, Susan. "Feminism for the Most Masculine: How Two Women Launched an Art Market." In
Abstract Expressionism
, edited by David Anfam. Royal Academy of Arts, London, 2016
: 86–103
.
Falconer, Morgan.
Painting Beyond Pollock
. London, 2015
.
Falconer, Morgan. “Things Must be Pulverized: Abstract Expressionism.” In
Painting Beyond Pollock
, by Morgan Falconer. London, 2015
: 10–45
.
Fer, Briony. “Seeing in the Dark.” In
Rothko: The Late Series
, edited by Achim Borchardt-Hume. Tate Modern, London, 2008
: 31–43
.
Goldwater, Robert, and Peter Selz.
Mark Rothko, A Retrospective Exhibition, Paintings 1945–1960
. Whitechapel Art Gallery, London, 1961
.
Hughes, Robert.
The Shock of the New: Art and the Century of Change.
London, 1980
.
The International Council of The Museum of Modern Art.
American Abstract Expressionists
. City Art Centre and Fruitmarket Gallery, Edinburgh, 1981
.
Jachec, Nancy. "Myth and the Audience: the Individual, the Collective and the Problem of Mass Communication by the Early 1950s." In
American Abstract Expressionism
, edited by David Thistlewood. Liverpool, 1993
: 129–145
.
Lewison, Jeremy. "'A New Spirit of Freedom': Abstract Expressionism in Europe in the Aftermath of War." In
Abstract Expressionism
, edited by David Anfam. Royal Academy of Arts, London, 2016
.
Lucie-Smith, Edward.
Late Modern: The Visual Arts since Since 1945
. London, 1969
.
Lucie-Smith, Edward.
Lives of the Great 20th-Century Artists
. London, 1999
.
Marlborough New London Gallery.
Mark Rothko
. Marlborough New London Gallery, London, UK, 1964
.
Modern American Painting, 1930–1958
. York City Art Gallery, York, England, 1960
.
Nairne, Eleanor. “The Friction In Between.” In
Mark Rothko, 1968: Clearing Away
, by Christopher Rothko and Eleanor Nairne. Pace Gallery, London, 2021
: 33–44
.
The Peggy Guggenheim Collection
. Tate Gallery, London, 1964
.
Robertson, Bryan.
“Land of the Free, Home of the Brave”: Artist Immigrants in America in the Twentieth Centur
y. Crane Kalman Gallery, London, 2000
.
Rose, Bernice.
A Century of Modern Drawing from the Museum of Modern Art, New York
.
British Museum, London, 1982
.
Rothko, Christopher and Eleanor Nairne.
Mark Rothko, 1968: Clearing Away
. Pace Gallery, London, 2021
.
Rothko, Christopher. “Rothko’s Novels.” In
Mark Rothko, 1968: Clearing Away
, by Christopher Rothko and Eleanor Nairne. Pace Gallery, London, 2021
: 7–9
.
Scottish National Gallery of Modern Art.
America America
. Edinburgh, 1977
.
Seymour, Anne.
Beuys, Klein, Rothko: Transformation and Prophecy
. Anthony d’Offay Gallery, London, 1987
.
Shapiro, David and Cecile Shapiro, eds.
Abstract Expressionism: A Critical Record.
Cambridge, 1990
.
Shiff, Richard.
Rothko/Sugimoto: Dark Paintings and Seascapes
. Pace London, London, 2012
.
Spivey, Michael.
The Continuity of Mind
. Oxford, UK, 2008
.
Stephens, Chris.
Mark Rothko in Cornwall
. Tate Gallery St Ives, St Ives, England, 1996
.
Tate Gallery.
Mark Rothko, 1903–1970
. London, 1987
.
Thistlewood, David, ed.
American Abstract Expressionism
. Liverpool, 1993
.
Vann, Philip.
Silence in Painting
. Crane Kalman Gallery, London, 1999
.
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