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Margaret Morgan Grasselli
Joachim Homann
Caroline A. Jones
Martica Sawin
Mary E. Schneider
Cecile Shapiro
David Shapiro
Theodore E. Stebbins, Jr.
Jens Stenger
Miriam Stewart
Annie Wilker
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9 References
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Place names: cambridge
Homann, Joachim, Margaret Morgan Grasselli, and Miriam Stewart, eds.
American Watercolors, 1880–1990: Into the Light
. Harvard Art Museums, Cambridge, MA, 2023
.
Jones, Caroline A.
Modern Art at Harvard: The Formation of the Nineteenth- and Twentieth-Century Collections of the Harvard University Art Museums
. Harvard University Art Museums, Cambridge, MA, and Abbeville Press, New York, 1985
.
Sawin, Martica.
Surrealism in Exile and the Beginning of the New York School.
Cambridge, MA, 1995
.
Schneider, Mary E. “Rothko’s Studies for the Harvard Murals.” In
Mark Rothko’s Harvard Murals
, edited by Marjorie B. Cohn. Cambridge, MA, 1988
: 31–60
.
Shapiro, David and Cecile Shapiro, eds.
Abstract Expressionism: A Critical Record.
Cambridge, 1990
.
Stebbins, Theodore E., Jr.
American Watercolors and Pastels, 1875–1950, at the Fogg Art Museum
. Harvard University Art Museums, Cambridge, MA, 2006
.
Stenger, Jens. “Mark Rothko’s Mural Sketches: Scientific Analysis.” In
Mark Rothko’s Mural Sketches: Materials and Use / Scientific Analysis
, by Annie Wilker and Jens Stenger. Cambridge, MA, 2009
.
Wilker, Annie, and Jens Stenger.
Mark Rothko’s Mural Sketches: Materials and Use / Scientific Analysis
. Cambridge, MA, 2009
.
Wilker, Annie. “Mark Rothko’s Mural Sketches: Materials and Use.” In
Mark Rothko’s Mural Sketches: Materials and Use / Scientific Analysis
, by Annie Wilker and Jens Stenger. Cambridge, MA, 2009
.
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