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Lawrence Alloway
Michael Auping
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Carel Blotkamp
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20 References
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Place names: california
Alloway, Lawrence. “The Biomorphic Forties.” In
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938–1948
, by Paul Schimmel, Lawrence Alloway, Dore Ashton, et al. Newport Harbor Art Museum, Newport Beach, CA, 1986
: 33–36
.
Benezra, Neal David, Michae Auping, and Gary Garrels.
Celebrating Modern Art: the Anderson Collection
. San Francisco Museum of Modern Art, San Francisco, CA, 2000
.
Breitman, Ellen. Rothko entry. In
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938-1948
, by Paul Schimmel and Lawrence Alloway. Newport Harbor Art Museum, Newport Beach, CA, 1986
: 168
.
Byrnes, James B., ed.
Mark Rothko: Ten Major Works
. Newport Harbor Art Museum, Newport Beach, CA, 1974
.
Curry, Larry.
John Marin, 1870–1953: A centennial exhibition organized by the Los Angeles County Museum of Art
. Los Angeles County Museum of Art, Los Angeles, CA, 1970
.
Darling, Janina K.
Margaret Rinkovsky: The “Odyssey Landscapes” Reconsidered
. Art Museum of Santa Cruz County, Santa Cruz, CA, 1995
.
Davis, Bruce.
Master Drawings in the Los Angeles County Museum of Art
. Los Angeles County Museum of Art, Los Angeles, CA, 1997
.
Fer, Briony. “Rothko and Repetition.” In
Seeing Rothko,
edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 159–175
.
Fuller McChesney, Mary.
A Period of Exploration: San Francisco 1945–50
. Oakland Museum Art Department, Oakland, CA, 1973
.
Harrison, Charles. “Scenes and Details: A Rothko Sketchbook from the Late 1930s.” In
Seeing Rothko
, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 179–199
.
Jones, Caroline A.
Twentieth-century drawings from the Anderson Collection: Auguste Rodin to Elizabeth Murray
. Stanford University Museum of Art, Stanford, CA, 1988
.
Jones, Leslie, Isabelle Dervaux, and Susan Laxton.
Drawing Surrealism
. Los Angeles County Museum of Art, Los Angeles, CA, 2012
.
Mark Rothko 1949: A Year in Transition: Selections from the Mark Rothko Foundation
. San Francisco Museum of Modern Art, San Francisco, CA, 1983
.
Phillips, Glenn, and Thomas Crow, eds.
Seeing Rothko
. Los Angeles, CA, 2005
.
Schimmel, Paul, and Lawrence Alloway.
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938–1948
. Newport Harbor Art Museum, Newport Beach, CA, 1986
.
Schimmel, Paul. “Images of Metamorphosis.” In
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938–1948
, by Paul Schimmel and Lawrence Alloway. Newport Harbor Art Museum, Newport Beach, CA, 1986
: 17–28
.
Tuchman, Maurice. “Hidden Meanings in Abstract Art.” In Maurice Tuchman, Jodi Freeman, Carel Blotkamp, et al.
The Spiritual in Art: Abstract Painting 1890–1985
. Los Angeles County Museum of Art, Los Angeles, CA, 1986
.
Tuchman, Maurice, Jodi Freeman, Carel Blotkamp, et al.
The Spiritual in Art: Abstract Painting 1890–1985.
Los Angeles County Museum of Art, Los Angeles, CA, 1986
.
Twentieth Century Works on Paper
. Art Gallery, University of California, Irvine, and Memorial Union Art Gallery, University of California, Davis, 1968
.
Weiss, Jeffrey. “Dis-Orientation: Rothko’s Inverted Canvases.” In
Seeing Rothko
, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 135–157
.
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