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121 References

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Perry-Lehmann, Meira. Rothko entry. In On Paper, In Paper, With Paper: 100 Twentieth-Century Works from the Collection of the Israel Museum, Jerusalem, edited by Meira Perry-Lehmann. The Israel Museum, Jerusalem, Israel, 1990.

Pola, Francesca. Rothko entry. In Peggy Guggenheim e la Nuova Pittura Americana, by Luca Massimo Barbero. Arca, Chiesa di San Marco, Vercelli, 2008: 156-158.

Puizza, Claudia. “Chronology.” In Pagé, Suzanne, and Christopher Rothko, eds. Mark Rothko. Fondation Louis Vuitton, Paris, 2023: 257–272.

Rathbone, Eliza E. “Mark Rothko: The Brown and Gray Paintings.” In American Art at Mid-Century: The Subjects of the Artist, by E.A. Carmean, Jr. et al. National Gallery of Art, Washington, 1978: 242–269.

Rose, Barbara. “Miró in America. In Miró in America by Barbara Rose. Museum of Fine Arts, Houston, 1982: 5–45.

Rosenblum, Robert. “Horizons.” In The Perception of the Horizontal, edited by Andreas Hapkemeyer. Museion, Bolzano, Italy, 2005: 22–28.

Rosenblum, Robert. “The Surrealist Years.” In Mark Rothko: The Exhibitions at Pace by Arnold Glimcher. Pace Gallery, New York, 2019: 21–27.

Rosenthal, Mark. “La riscoperta del sé e ulteriori sviluppi.” In Action Painting, Arte Americana 1940–1970: dal Disegno all'Opera, edited by Luca Massimo Barbero. Foro Boario di Modena, Italy, 2004: 15–43.

Rothko, Christopher. “Introduction.” In The Artist’s Reality: Philosophies of Art, by Mark Rothko. New Haven, CT, 2004: xi–xxxi.

Rothko, Christopher. “Introduzione.” In L’Artista e la sua realtà: Filosofie de l’arte. Translated by Riccardo Venturi. Milan, 2007: 11–38.

Rothko, Christopher. “Mark Rothko and the Quiet Dominance of Form.” In Coming to Light: Avery, Gottlieb, Rothko: Provincetown Summers, 1957–1961, edited by E. A. Carmean, Jr. Knoedler & Company, New York, 2002: 18–19.

Rothko, Christopher. “Mark Rothko and the Quiet Dominance of Form.” In Mark Rothko, edited by Mordechai Omer and Christopher Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007: 11–27.

Rothko, Christopher. “Rothko’s Novels.” In Mark Rothko, 1968: Clearing Away, by Christopher Rothko and Eleanor Nairne. Pace Gallery, London, 2021: 7–9.

Rothko, Christopher. “The Experience Behind the Icon.” In Mark Rothko by Kate Rothko Prizel, Christopher Rothko, Alexander Nemerov, et al. New York, 2022: 9–30.

Sandler, Irving. "Mark Rothko's Painting: Tranquility Tinged with Terror.” In Mark Rothko: Into an Unknown World, 1949– 1969, by Irving Sandler and Andrei Tolstoy. Garage Center for Contemporary Culture, Moscow, 2010: 26-38.

Schildkraut, Joseph J., Alissa J. Hirshfeld, and Jane M. Murphy. “Depressive Disorders, Spirituality and Early Dealths in the Abstract Expressionist Artists of the New York School.” In Depression and the Spiritual in Modern Art: Homage to Miró, edited by Joseph J. Schildkraut and Aurora Otero. New York, 1996: 196–220.

Schimmel, Paul. “Images of Metamorphosis.” In The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938–1948, by Paul Schimmel and Lawrence Alloway. Newport Harbor Art Museum, Newport Beach, CA, 1986: 17–28.

Schüppel, Katharina Christa. “From Myth to Abstraction. Mark Rothko and the New York School 1945-1970.” In Rothko / Giotto, edited by Stefan Weppelmann and Gerhard Wolf. Gemäldegalerie, Staatliche Museen zu Berlin, Berlin, 2009: 89–118.

Sharp, Jasper. "Den ganzen Himmel malen." In Bilder Träume: Die Sammlung Ulla und Heiner Pietzsch, by Udo Kittelmann et al. Neue Nationalgalerie Berlin, Staatliche Museen Preussischer Kulturbesitz, Berlin, 2009: 57-61.

Sharp, Jasper. “Die Augenzeugin und die Sammler: Zwei Sammlungen auf der Spur des Abstrakten Expressionismus.” In Affinities: Werke der Peggy Guggenheim Collection und der Sammlung Ulla und Heiner Pietzsch, by Jasper Sharp, Henrike Schulte, and Folker Skulima. Solomon R. Guggenheim Foundation, New York, 2006: 123-139.

Sharp, Jasper. Rothko entry. In Verrückte Liebe: Von Dalí bis Francis Bacon: Surreale Kunst aus der Sammlung Ulla und Heiner Pietzsch, by Evelyn Benesch. BA-CA Kunstforum, Wien, Vienna, 2006: 176.

Sharp, Jasper. “The Eyewitness and the Connoisseurs: Two Collections Trace Abstract Expressionism.” In Affinities: Werke der Peggy Guggenheim Collection und der Sammlung Ulla und Heiner Pietzsch, by Jasper Sharp, Henrike Schulte, and Folker Skulima. Solomon R. Guggenheim Foundation, New York, 2006: 122-139.

Stenger, Jens. “Mark Rothko’s Mural Sketches: Scientific Analysis.” In Mark Rothko’s Mural Sketches: Materials and Use / Scientific Analysis, by Annie Wilker and Jens Stenger. Cambridge, MA, 2009.

Stewart, Jessica. “Biografie.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 196–206.

Stewart, Jessica. “Chronologie.” In Mark Rothko, by Jeffrey Weiss et al. Musée d'art moderne de la ville de Paris, Paris, 1999: 251–274.

Stewart, Jessica. “Chronology.” In Mark Rothko, by Oliver Wick et al. Fondation Beyeler, Basel, Switzerland, 2001: 185–193.

Stewart, Jessica. “Chronology.” In Mark Rothko, edited by Jeffrey Weiss. National Gallery of Art, Washington, 1998: 331–352.

Stewart, Jessica. "Chronology." In Mark Rothko, edited by Oliver Wick. Palazzo delle Esposizioni, Rome, 2007: 211–220.

Stewart, Jessica. Rothko entry. In A Century of Drawing: Works on Paper from Degas to LeWitt, edited by Judith Brodie and Andrew Robison. National Gallery of Art, Washington, 2001.

Stichweh, Kalus. Rothko entry. In Ein Geschenk ... Die Sammlung Sprengel, edited by Angela Kriesel. Sprengel Museum, Hanover, Germany and Göttingen, Germany, 2010: 120–121.

Terenzi, Claudia. “Rothko: Exhibitions and Critical Reception in Italy.” In Mark Rothko, edited by Oliver Wick. Palazzo delle esposizioni, Rome, 2007: 57–69.

Tuchman, Maurice. “Hidden Meanings in Abstract Art.” In Maurice Tuchman, Jodi Freeman, Carel Blotkamp, et al. The Spiritual in Art: Abstract Painting 1890–1985. Los Angeles County Museum of Art, Los Angeles, CA, 1986.

Venturi, Riccardo. “‘It Lives and Breathes’: Depicting Human Drama.” In Pagé, Suzanne, and Christopher Rothko, eds. Mark Rothko. Fondation Louis Vuitton, Paris, 2023: 43–55.

Walsh, Judith. “Drawn to Tradition: Artists’ Paper through the Twentieth Century.” In A Century of Drawing: Works on Paper from Degas to LeWitt, edited by Judith Brodie and Andrew Robison. National Gallery of Art, Washington, 2001: 303–313.

Weiss, Jeffrey. “Dis-Orientation: Rothko’s Inverted Canvases.” In Seeing Rothko, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005: 135–157.

Weiss, Jeffrey. “L’espace inconnu de Rothko.” In Mark Rothko, by Jeffrey Weiss et al. Musée d’art moderne de la ville de Paris, Paris, 1999: 59–74.

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National Gallery of Art

Mark Rothko: Works on Paper will ultimately document approximately 2,600 works from public and private collections worldwide. Cataloging is ongoing, and works and information will be added to the site during the coming years.

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121 References

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