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334 References
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Exhibition catalog
Compton, Michael.
Mark Rothko: The Seagram Mural Project
. Tate Gallery Liverpool, Liverpool, UK, 1988
.
Cousinou, Olivier. Rothko entry. In
Musée Cantini: Acquisitions Récentes, 1989-2004
, edited by Danièle Giraudy. Musée Cantini, Marseille, France, 2004
.
Coven, Jeffrey.
Baudelaire's Voyages: The Poet and His Painters
. The Heckscher Museum, Huntington, NY, 1993
.
Cummings, Paul.
Twentieth-Century American Drawings: The Figure in Context
. International Exhibitions Foundation, Washington, 1984
.
Curry, Larry.
John Marin, 1870–1953: A centennial exhibition organized by the Los Angeles County Museum of Art
. Los Angeles County Museum of Art, Los Angeles, CA, 1970
.
Darling, Janina K.
Margaret Rinkovsky: The “Odyssey Landscapes” Reconsidered
. Art Museum of Santa Cruz County, Santa Cruz, CA, 1995
.
Davis, Bruce.
Master Drawings in the Los Angeles County Museum of Art
. Los Angeles County Museum of Art, Los Angeles, CA, 1997
.
Demetrion, James T.
Selections from the Collection of Marion and Gustave Ring
. Hirshhorn Museum and Sculpture Garden, Washington, 1985
.
Dempsey, Bruce H.
Abstract Expressionism: The Haskell Collection
. Cummer Gallery of Art, Jacksonville, FL, 1992
.
Dervaux, Isabelle, and Joseph Solman.
The Ten: Birth of the American Avant-Garde
. Mercury Gallery, Boston, 1998
.
Dickinson Roundell, Inc.
19th and 20th Century Works on Paper
. New York, 2000
.
Didrichsen, Maria.
Didrichsenin taidemuseo
. Didrichsen Art Museum, Helsinki, Finland, 2010
.
Dillenberger, Jane, and John Dillenberger.
Perceptions of the Spirit in Twentieth-Century American Art
. Indianapolis Museum of Art, Indianapolis, IN, 1977
.
The Disappearance and Reappearance of the Image: American Painting Since 1945
. Smithsonian Institution, Washington, DC, 1968
.
Dückers, Alexander, et al.
Linie, Licht und Schatten, Meisterzeichnungen und Skulpturen der Sammlung Jan und Marie-Anne Krugier-Poniatowski
. Kupferstichkabinett, Staatliche Museen zu Berlin, Berlin, 1999
.
Dumont, Shana, and William Trayes.
Enlightened View: Artists Teaching on Cape Ann
. Montserrat College of Art Gallery, Beverly, MA, 2006
.
Edwards, Kathleen A., ed.
New Forms: The Avant-Garde Meets the American Scene, 1934-1949
. The University of Iowa Museum of Art, Iowa City, IA, 2013
.
Einreinhofer, Nancy.
The Legacy of Surrealism in Contemporary Art.
Ben Shahn Galleries, William Patterson College, Wayne, NJ, 1988
.
Elderfield, John.
The Modern Drawing: 100 Works on Paper from The Museum of Modern Art
. Museum of Modern Art, New York, 1983
.
Elger, Dietmar, et al.
The Abstraction of Landscape: From Northern Romanticism to Abstract Expressionism
. Fundación Juan March, Madrid, 2007
.
Evarts, Jeremiah.
A Passion for Collecting: Modern Works from the Pérez Simón Collection
. Di Donna Galleries, New York, NY, 2018
.
Faxon, Susan C.
On Paper: Masterworks from the Addison Collection
. Addison Gallery of American Art, Phillips Academy, Andover, MA, 2004
.
Feldman, Morton.
Six Painters: Mondrian, Guston, Kline, De Kooning, Pollock, Rothko
. University of St. Thomas Art Department, Houston, TX, 1967
.
Ferber, Linda S., and Barbara Dayer Gallati.
Masters of Color and Light: Homer, Sargent, and the American Watercolor Movement.
Brooklyn Museum of Art, New York, 1998
.
Fine, Ruth, and Teresa Arcq.
El arte de Mark Rothko: Selección de la Galería Nacional de Arte de Washington
. Museo de arte moderno, Mexico City, 2005
.
Fine, Ruth, Hyesoo Woo, and Moojeong Chung.
The Art of Mark Rothko: Selections from the National Gallery of Art, Washington
. Leeum, Samsung Museum of Art, Seoul, 2006
.
Flam, Jack D, Carol O. Selle, Charles E. Pierce, and William Griswold.
New York Collects: Drawings and Watercolors 1900–1950
. Pierpont Morgan Library, New York, 1999
.
Foster, Carter E., Jeffrey D. Grove, Patrick Shaw Cable, and Cathleen Chaffee.
Drawing Modern: Works from the Agnes Gund Collection
. Cleveland Museum of Art, Cleveland, OH, 2003
.
Francés, Fernando.
Encuentros: diálogos de complicidad en la pintura internacional
. Sala de Exposiciones del Palacio Episcopal, Málaga, Spain, 2001
.
Franciolli, Marco.
Da Kandinsky a Pollock: la vertigine della non-forma
. Museo Cantonale d'Arte, Lugano, Swizerland, 2001
.
Frank, Susan Behrends.
American Art 1850–1960: Capolavori dalla Phillips Collection di Washington
. Museo di arte moderna e contemporanea di Trento e Rovereto, Rovereto, Italy, 2010
.
Franks, Pamela.
"The Tiger's Eye": The Art of a Magazine
. Yale University Art Gallery, New Haven, 2002
.
Fuller McChesney, Mary.
A Period of Exploration: San Francisco 1945–50
. Oakland Museum Art Department, Oakland, CA, 1973
.
Fundació Joan Miró.
Amèrica, Amèrica
. Barcelona, Spain, 1977
.
Fundacion Caja de Pensiones.
Beuys, Klein, Rothko: Profecía y transformación
. Madrid, 1987
.
Fundación Juan March.
Arte USA
. Madrid, 1977
.
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