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Lawrence Alloway
Svetlana Alpers
David Anfam
Giulio Carlo Argan
H. H. Arnason
Dore Ashton
Michael Auping
Jacob Baal-Teshuva
Matthew Baigell
Susan J. Barnes
Herbert Beck
Clare Bell
Neal David Benezra
Mary Birmingham
Jennifer Blessing
Donald Blinken
James E. B. Breslin
Dotty Burstein
Elena Calas
Nicolas Calas
Anna C. Chave
Bonnie Clearwater
Annie Cohen-Solal
Gianni Contessi
Thomas Crow
David G De Long
Gérard Durozoi
John Elderfield
K. C. Eynatten
Morgan Falconer
Briony Fer
Christopher Finch
Jonathan Fineberg
Diane P. Fischer
Lucy Flint
Stephen C. Foster
Gary Garrels
Henry Geldzahler
Arnold Glimcher
Marc Glimcher
Galina Gorokhoff
Denise Green
Ronald K. Greenberg
Nobuyuki Hiromoto
Jacqueline Holmes
Donelson F. Hoopes
Robert Hughes
Sam Hunter
Kate Hutchins
Twig Johnson
Klaus Kertess
Edouard Kopp
Angela Kriesel
Sandor Kuthy
Luis-Martín Lozano
Edward Lucie-Smith
Daniel Malingue
Magdalena M. Moeller
Linda Muehlig
Alexander Nemerov
Sheldon Nodelman
Brian O'Doherty
Aurora Otero
Klaus Ottmann
Karen Painter
C. Ford Peatross
Aldo Pellegrini
Glenn Phillips
Heiner Pietzsch
Ulla Pietzsch
Stephen Polcari
Vincent Price
Kate Rothko Prizel
Don Quaintance
Bernd Rau
Barbara Rose
Robert Rosenblum
Clifford Ross
Christopher Rothko
Mark Rothko
Angelica Zander Rudenstine
David Ryan
Irving Sandler
Martica Sawin
Henry M. Sayre
Joseph J. Schildkraut
Ann Reynolds Scott
Russell T. Scott
William C. Seitz
Cecile Shapiro
David Shapiro
Richard Shiff
Jill Snyder
James Thrall Soby
Walter Soppelsa
Michael Spivey
Gail Stavitsky
Theodore E. Stebbins, Jr.
Jens Stenger
Susan E. Strickler
David Thistlewood
Karen Thomson
Victoria Thorson
John Van Doren
Riccardo Venturi
Adolf Max Vogt
Diane Waldman
Leonard Wallock
Daniel Wheeler
Annie Wilker
Terry Winters
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109 References
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Book
Alloway, Lawrence.
The Venice Biennale, 1895-1968: From Salon to Goldfish Bowl
. Greenwich, CT, 1968
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Alpers, Svetlana.
Roof Life
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Anfam, David.
Abstract Expressionism
. London, 1990
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Anfam, David.
L’Expressionnisme
abstrait.
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Anfam, David.
Mark Rothko: The Works on Canvas Catalogue Raisonné.
National Gallery of Art, Washington, and Yale University Press, New Haven, CT, 1998
.
Arnason, H.H.
History of Modern Art: Painting, Sculpture, Architecture
. New York, 1977
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Art 4'73: Basel Internationale Kunstmesse
. Basel, Switzerland, 1973
.
Ashton, Dore.
About Rothko
. New York, 1983
.
Baal-Teshuva, Jacob.
Mark Rothko, 1903–1970: Pictures as Drama
. Cologne, Germany, 2003
.
Baigell, Matthew.
American Artists, Jewish Images
. Syracuse, NY, 2006
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Baigell, Matthew.
Jewish Artists in New York: The Holocaust Years.
New Brunswick, NJ, 2002
.
Barnes, Susan J.
The Rothko Chapel: An Act of Faith
. Austin, TX, 1989
.
Beck, Herbert.
Phanomen Expressionismus: Kulturlandschaft Frankfurt RheinMain
. Bad Homburg vor der Höhe, Germany, 2012
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Bell, Clare, Jennifer Blessing, et al.
Art of This Century: The Guggenheim Museum and Its Collection
. New York, 1993
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Benezra, Neal David, Michae Auping, and Gary Garrels.
Celebrating Modern Art: the Anderson Collection
. San Francisco Museum of Modern Art, San Francisco, CA, 2000
.
Birmingham, Mary, Twig Johnson, Diane P. Fischer, and Gail Stavitsky.
Montclair Art Museum: Selected Works
. Montclair, NJ, 2002
.
Blinken, Donald, et al.
Eliminating the Obstacles Between the Painter and the Observer: The Mark Rothko Foundation, 1976–1986
. New York, 1986
.
Breslin, James E. B.
Mark Rothko: A Biography.
Chicago, IL, 1993
.
The Brooklyn Museum: American Watercolors, Pastels, Collages: A Complete Illustrated Listing of Works in the Museum's Collection.
Brooklyn Museum, New York, 1984
.
Burstein, Dotty.
The Sylvia G. Zell Collection of Modern Art
. Boston, 1988
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Calas, Nicolas, and Elena Calas,
The Peggy Guggenheim Collection of Modern Art
. New York, 1966
.
Chave, Anna C.
Mark Rothko: Subjects in Abstraction.
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.
Clearwater, Bonnie.
The Rothko Book
. London, 2006
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Cohen-Solal, Annie.
Mark Rothko
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.
Cohen-Solal, Annie.
Mark Rothko: Toward the Light in the Chapel
. New Haven, CT, 2015
.
Contessi, Gianni.
Vite al limite: Giorgio Morandi, Aldo Rossi, Mark Rothko
. Milan, Italy, 2004
.
Durozoi, Gérard, ed.
Dictionnaire de L'Art Moderne et Contemporain
. Paris, 1992
.
Eynatten, K.C., Kate Hutchins, and Don Quaintance, eds.
Image of the Not-Seen: Search for Understanding, The Rothko Chapel Art Series
. Houston, TX, 2007
.
Falconer, Morgan.
Painting Beyond Pollock
. London, 2015
.
Fer, Briony.
The Infinite Line: Re-making Art after Modernism
. New Haven, CT, 2004
.
Finch, Christopher.
Twentieth-Century Watercolor
. New York, 1988
.
Fineberg, Jonathan.
Art Since 1940: Strategies of Being
. Englewood Cliffs, NJ, 1995
.
Flint, Lucy.
The Peggy Guggenheim Collection
. New York, 1983
.
Foster, Stephen C.
The Critics of Abstract Expressionism.
Ann Arbor, 1980
.
Galerie Beyeler.
America: Art Fair 1971
. Basel, Switzerland, 1971
.
Galerie Daniel Blau.
Mark Rothko: "Multiforms," Bilder von 1947–1949.
Munich, Germany, 1993
.
Geldzahler, Henry.
Contemporary American Art in the American Embassy Residence, Belgrade, Yugoslavia
. Woodward Foundation Collection, Washington, DC [circa 1969]
.
Glimcher, Arne.
Mark Rothko: The Exhibitions at Pace
. Pace Gallery, New York, 2019
.
Glimcher, Marc, ed.
The Art of Mark Rothko: Into an Unknown World
. New York, 1991
.
Green, Denise.
Metonymy in Contemporary Art: A New Paradigm
. Minneapolis, MN, 2005
.
Greenberg, Ronald K., and John Van Doren.
Selected Works
. St. Louis, MO, 1998
.
Hiromoto, Nobuyuki.
Contemporary Great Masters: Mark Rothko.
Vol. 4, Tokyo, 1993
.
Holmes, Jacqueline B.
The Haskell Collection
. Cummer Gallery of Art, Jacksonville, 1997
.
Hoopes, Donelson F.
American Watercolor Painting
. New York, 1977
.
Hughes, Robert.
American Visions: The Epic History of Art in America
. New York, 1997
.
Hughes, Robert.
The Shock of the New: Art and the Century of Change.
London, 1980
.
Hunter, Sam.
La pittura americana del dopoguerra.
Milan, Italy, 1967
.
Hunter, Sam.
Modern American: Op, Pop, and the School of Color
. New York, 1970
.
Internazionale d'Arte Contemporanea, Milan, Art Fair
. Milan, Italy, 1985
.
Kertess, Klaus.
The Pacesetter Corporation’s Collection of Contemporary Art, Vol. II
. Omaha, NE, 1983–1986
.
Kopp, Edouard, John Elderfield, Richard Shiff, and Terry Winters.
Drawing is Everything: Founding Gifts of the Menil Drawing Institute
. Menil Collection, Houston, TX, 2019
.
Kriesel, Angela ed.
Ein Geschenk ... Die Sammlung Sprengel
. Sprengel Museum, Hanover, Germany and Göttingen, Germany, 2010
.
Kuthy, Sandor, ed.
Kunstmuseum Bern: Die Gemälde
. Kunstmuseum Bern, Switzerland, 1983
.
La Collezione Peggy Guggenheim
. Florence, 1960
.
Louisiana Museum of Modern Art.
Louisiana: Samling og bygninger The collection and the Buildings
. Humlebaek, Denmark, 1992
.
Lozano, Luis-Martín, ed. V
isiones y Revisiones en la Colección Pérez Simón
. Fundación JAPS, Mexico, 2011
.
Lucie-Smith, Edward.
Late Modern: The Visual Arts since Since 1945
. London, 1969
.
Lucie-Smith, Edward.
Lives of the Great 20th-Century Artists
. London, 1999
.
Lucie-Smith, Edward, Sam Hunter, Adolf Max Vogt, Giulio Carlo Argan.
Kunst der Gegenwart: Propyläen Kunstgeschichte: Supplementband II
. Frankfurt am Main, Germany, 1978
.
Malingue, Daniel.
50th Anniversary
. Galerie Malingue, Paris, 2012
.
Marlborough Gallery, New York.
A Selection of European and American Watercolors and Drawings
. New York, 1972
.
Moeller, Magdalena M., et al.
Sprengel Museum Hannover: Malerei und Plastik des 20. Jahrhunderts
. Sprengel Museum, Hanover, Germany, 1985
.
Muehlig, Linda, ed.
Masterworks of American Painting and Sculpture from the Smith College Museum of Art
. New York, 1999
.
Museum of Contemporary Art, Chicago.
Collective Vision: Creating a Contemporary Art Museum
. Chicago, 1996
.
National Gallery of Art.
A Profile of the East Building: Ten Years at the National Gallery of Art, 1978–1988
. Washington, 1989
.
Nodelman, Sheldon.
The Rothko Chapel Paintings: Origins, Structure, Meaning
. Austin, TX, 1997
.
O'Doherty, Brian.
American Masters: The Voice and the Myth in Modern Art.
New York, 1974
.
Ottmann, Klaus.
The Essential Mark Rothko
. New York, 2003
.
Painter, Karen, and Thomas Crow, eds.
Late Thoughts: Reflections on Artists and Composers at Work
. Los Angeles, CA, 2006
.
Peatross, C. Ford, and David G De Long, eds.
Eero Saarinen: Buildings from the Balthazar Korab Archive
. New York, 2008
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Pellegrini, Aldo.
New Tendencies in Art
. New York, 1966
.
Phillips, Glenn, and Thomas Crow, eds.
Seeing Rothko
. Los Angeles, CA, 2005
.
Pietzsch, Ulla and Heiner Pietzsch.
Leben mit Kunst: Sammlung Ulla und Heiner Pietzsch
. Berlin, 2000
.
Polcari, Stephen.
Abstract Expressionism and the Modern Experience
. New York, 1991
.
Price, Vincent.
The Vincent Price Treasury of American Art
. Waukesha, WI, 1972
.
Rau, Bernd.
Gemälde, Skulpturen, Aquarelle und Zeichnungen des 20. Jahrhunderts: Die Sammlung Sprengel, Werke aus den Sammlungen der Landeshauptstadt Hannover und des Landes Niedersachsen
. Kunstmuseum Hannover and Sprengel Collection, Hanover, Germany, 1979
.
Rose, Barbara, ed.
Readings in American Art Since 1900: A Documentary Survey
. New York, 1968
.
Rosenblum, Robert.
On Modern American Art: Selected Essays
. New York, 1999
.
Ross, Clifford.
Abstract Expressionism: Creators and Critics: An Anthology
. New York, 1990
.
Rothko, Christopher.
Mark Rothko: From the Inside Out
.
New Haven, CT, 2015
.
Rothko, Mark.
L’artista e la sua realità
. Translated by Riccardo Venturi. Milan, Italy, 2007
.
Rothko, Mark.
The Artist’s Reality: Philosophies of Art
. Edited by Christopher Rothko. New Haven, CT, 2004
.
Rothko Prizel, Kate, Christopher Rothko, Alexander Nemerov, et al.
Mark Rothko
. New York, 2022
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Rudenstine, Angelica Zander.
Peggy Guggenheim Collection, Venice: The Solomon R. Guggenheim Foundation
. New York, 1985
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Ryan, David.
Des Moines Art Center: Selected Paintings, Sculptures and Works on Paper
. Des Moines, IA, 1985
.
Sandler, Irving.
The Triumph of American Painting: A History of Abstract Expressionism
. New York, 1970
.
Sawin, Martica.
Surrealism in Exile and the Beginning of the New York School.
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.
Sayre, Henry M.
A World of Art
. Englewood Cliffs, NJ, 1994
.
Schildkraut, Joseph J., and Aurora Otero, eds.
Depression and the Spiritual in Modern Art: Homage to Miró
. New York, 1996
.
Scott, Russell T., and Ann Reynolds Scott, eds.
Eius Virtutis Studiosi: Classical and Postclassical Studies in Memory of Frank Edward Brown (1908–1988)
. Studies in the History of Art [National Gallery of Art], vol. 43. Washington, 1993
.
Seitz, William C.
Abstract Expressionist Painting in America
. National Gallery of Art, Washington, and Harvard University Press, Cambridge, MA, 1983
.
Shapiro, David and Cecile Shapiro, eds.
Abstract Expressionism: A Critical Record.
Cambridge, 1990
.
Smith College Museum of Art.
A Guide to the Collections
. Northampton, MA, 1986
.
Snyder, Jill.
Against the Stream: Milton Avery, Adolph Gottlieb, and Mark Rothko in the 1930s
. Katonah Museum of Art, Katonah, NY, 1994
.
Soby, James Thrall.
Contemporary Painters
. New York, 1948
.
Soppelsa, Walter, ed.
A Selection from the Daros Collection
. Zurich, Switzerland, 2012
.
Soppelsa, Walter, ed.
Daros at Beyeler. Works from the Daros Collection at the Fondation Beyeler
2010– 2017. Zurich, Switzerland, 2017
.
Spivey, Michael.
The Continuity of Mind
. Oxford, UK, 2008
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Stebbins, Theodore E., Jr., and Galina Gorokhoff.
A Checklist of American Paintings at Yale University
. New Haven, CT, 1982
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Strickler, Susan E. ed.
American Traditions in Watercolor: The Worcester Art Museum Collection.
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Thistlewood, David, ed.
American Abstract Expressionism
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Thomson, Karen.
The Blema and H. Arnold Steinberg Collection
. Montreal, 2015
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Ulmer Museum.
Ulmer Museum 1990 bis 2009 / 189 Ausstellungen des Ulmer Museums
. Ulm, Germany, 2009
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Venturi, Riccardo.
Mark Rothko: Lo spazio e la sua disciplina
.
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Victoria Thorson, ed.
Great Drawings of All Time: The Twentieth Century
, Vol 2. New York, 1979
.
Waldman, Diane.
Mark Rothko in New York
. New York, 1994
.
Wallock, Leonard ed.
New York: Cultural Capital of the World, 1940–1965.
New York, 1988
.
Wheeler, Daniel.
Art Since Mid-Century: 1945 to the Present.
New York, 1991
.
Wilker, Annie, and Jens Stenger.
Mark Rothko’s Mural Sketches: Materials and Use / Scientific Analysis
. Cambridge, MA, 2009
.
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