[Maquette of Black on Maroon, Seagram Mural Section 3, 1959]
![[Maquette of Black on Maroon, Seagram Mural Section 3, 1959]](https://rothkotest.whirlihost.com/media/collectiveaccess/images/6/0/86015_ca_object_representations_media_6006_large.jpg)
TGA 872.4
Date
Medium
Support
Dimensions
3 15/16 x 6 3/4 in. (10 x 17 cm)
Estate/Inventory Number
H14.6
Collection
Tate Archive Collection, TGA 872.4. © Kate Rothko Prizel and Christopher Rothko
Photography Credit
© Tate, London 2015
Tags
Exhibitions
Mark Rothko: Works on Paper, National Gallery of Art, May 6 – August 5, 1984, cat. 49, as Untitled (model for Tate Gallery installation).
Mark Rothko: Works on Paper, Museum of Art, Carnegie Institute, November 3, 1984 – January 6, 1985, cat. 49, as Untitled (model for Tate Gallery installation).
Mark Rothko: Works on Paper, Solomon R. Guggenheim Museum, May 3 – June 16, 1985, cat. 49, as Untitled (model for Tate Gallery installation).
Mark Rothko: Works on Paper, Milwaukee Art Museum, November 22, 1985 – January 12, 1986, cat. 49, as Untitled (model for Tate Gallery installation).
Mark Rothko: Works on Paper, Portland Art Museum, February 11 – April 6, 1986, cat. 49, as Untitled (model for Tate Gallery installation).
Mark Rothko: Works on Paper, San Francisco Museum of Modern Art, May 8 – June 29, 1986, cat. 49, as Untitled (model for Tate Gallery installation).
Mark Rothko: Works on Paper, Saint Louis Art Museum, July 18 – September 1, 1986, cat. 49, as Untitled (model for Tate Gallery installation).
Mark Rothko: Works on Paper, Fort Worth Art Museum, September 21 – November 9, 1986, cat. 49, as Untitled (model for Tate Gallery installation).
Mark Rothko: The Seagram Mural Project, Tate Gallery Liverpool, May 28, 1988 – February 12, 1989, cat. 27, as Untitled Model.
Mark Rothko: “A Consummated Experience between Picture and Onlooker”, Fondation Beyeler, February 18 – June 24, 2001, cat. 101, as Maquette of Red on Maroon, 1959.
Rothko, Tate Modern, September 26, 2008 – February 1, 2009, as Maquette of Red on Maroon 1959.
Rothko, Kawamura Memorial DIC Museum of Art, February 21 – June 14, 2009.
Mark Rothko: Works on Paper, Museum of Art, Carnegie Institute, November 3, 1984 – January 6, 1985, cat. 49, as Untitled (model for Tate Gallery installation).
Mark Rothko: Works on Paper, Solomon R. Guggenheim Museum, May 3 – June 16, 1985, cat. 49, as Untitled (model for Tate Gallery installation).
Mark Rothko: Works on Paper, Milwaukee Art Museum, November 22, 1985 – January 12, 1986, cat. 49, as Untitled (model for Tate Gallery installation).
Mark Rothko: Works on Paper, Portland Art Museum, February 11 – April 6, 1986, cat. 49, as Untitled (model for Tate Gallery installation).
Mark Rothko: Works on Paper, San Francisco Museum of Modern Art, May 8 – June 29, 1986, cat. 49, as Untitled (model for Tate Gallery installation).
Mark Rothko: Works on Paper, Saint Louis Art Museum, July 18 – September 1, 1986, cat. 49, as Untitled (model for Tate Gallery installation).
Mark Rothko: Works on Paper, Fort Worth Art Museum, September 21 – November 9, 1986, cat. 49, as Untitled (model for Tate Gallery installation).
Mark Rothko: The Seagram Mural Project, Tate Gallery Liverpool, May 28, 1988 – February 12, 1989, cat. 27, as Untitled Model.
Mark Rothko: “A Consummated Experience between Picture and Onlooker”, Fondation Beyeler, February 18 – June 24, 2001, cat. 101, as Maquette of Red on Maroon, 1959.
Rothko, Tate Modern, September 26, 2008 – February 1, 2009, as Maquette of Red on Maroon 1959.
Rothko, Kawamura Memorial DIC Museum of Art, February 21 – June 14, 2009.
References
Clearwater, Bonnie. Mark Rothko: Works on Paper. American Federation of Arts, New York, 1984: 48, 134, cat 49 (color).
Blinken, Donald, et al. Eliminating the Obstacles Between the Painter and the Observer: The Mark Rothko Foundation, 1976–1986. New York, 1986: 56.
Compton, Michael. Mark Rothko: The Seagram Mural Project. Tate Gallery Liverpool, Liverpool, UK, 1988: 15, 18.
Wick, Oliver, et al. Mark Rothko. Fondation Beyeler, Basel, Switzerland, 2001: 176, cat. 101 (color).
Fer, Briony. “Rothko and Repetition.” In Seeing Rothko, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005: 166.
Phillips, Glenn, and Thomas Crow, eds. Seeing Rothko. Los Angeles, CA, 2005: 166, plate 42 (color).
Borchardt-Hume, Achim, ed. Rothko: The Late Series. Tate Modern, London, 2008: 145 (color).
Blinken, Donald, et al. Eliminating the Obstacles Between the Painter and the Observer: The Mark Rothko Foundation, 1976–1986. New York, 1986: 56.
Compton, Michael. Mark Rothko: The Seagram Mural Project. Tate Gallery Liverpool, Liverpool, UK, 1988: 15, 18.
Wick, Oliver, et al. Mark Rothko. Fondation Beyeler, Basel, Switzerland, 2001: 176, cat. 101 (color).
Fer, Briony. “Rothko and Repetition.” In Seeing Rothko, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005: 166.
Phillips, Glenn, and Thomas Crow, eds. Seeing Rothko. Los Angeles, CA, 2005: 166, plate 42 (color).
Borchardt-Hume, Achim, ed. Rothko: The Late Series. Tate Modern, London, 2008: 145 (color).
![[Maquette of <i>Black on Maroon</i>, <i>Seagram Mural Sketch</i>, 1958]](https://rothkotest.whirlihost.com/media/collectiveaccess/images/5/9/97899_ca_object_representations_media_5929_small.jpg)
![[Maquette of <i>Black on Maroon</i>, <i>Seagram Mural Sketch</i>, 1958]](https://rothkotest.whirlihost.com/media/collectiveaccess/images/6/0/97375_ca_object_representations_media_6002_small.jpg)
![[Maquette of <i>Red on Maroon</i>, <i>Seagram Mural Section 2</i>, 1959]](https://rothkotest.whirlihost.com/media/collectiveaccess/images/6/0/548_ca_object_representations_media_6003_small.jpg)
![[Maquette of <i>Red on Maroon</i>, <i>Seagram Mural Section 5</i>, 1959]](https://rothkotest.whirlihost.com/media/collectiveaccess/images/6/0/30586_ca_object_representations_media_6005_small.jpg)
Top