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[Untitled]
/
Date
1969
Medium
Acrylic
Support
Wove paper
Mount
linen
Dimensions
71 5/8 x 41 1/16 in. (181.9 x 104.3 cm)
Estate/Inventory Number
2029.69
Collection
Artizon Museum, Ishibashi Foundation,Tokyo
. © Kate Rothko Prizel and Christopher Rothko
See the Complete Guide
Provenance
Estate of the Artist, 1970
Marlborough Gallery, Inc., New York, 1970
Estate of the Artist, 1977–1988
Collection of Kate Rothko Prizel, 1988–2015
Artizon Museum, Ishibashi Foundation,Tokyo, 2015
Exhibitions
Mark Rothko 1903–1970
, Tate Gallery, June 17 – September 1, 1987, cat. 87, as
Untitled
.
Mark Rothko
, Fundación Juan March, September 23, 1987 – January 3, 1988, cat. 49, as
Sin Título
.
Mark Rothko
, Museum Ludwig, January 30 – March 27, 1988, cat. 87, as
Ohne Titel
.
Mark Rothko: The Last Paintings
, Pace Gallery, New York, February 18 – March 19, 1994, as
Untitled
.
How Artists Draw: Toward the Menil Drawing Institute and Study Center
, The Menil Collection, February 15 – May 18, 2008.
Abstraction: The Genesis and Evolution of Abstract Painting, Cézanne, Fauvism, Cubism and on to Today
, Artizon Museum, June 3 – August 20, 2023, cat. 124, as
Untitled
.
References
Tate Gallery.
Mark Rothko, 1903–1970
. London, 1987: 187, cat. 87 (color).
Compton, Michael, ed.
Mark Rothko
. Fundación Juan March, Madrid, Spain, 1987: cat. 49 (color).
Weiss, Evelyn, ed.
Mark Rothko, 1903–1970
. Museum Ludwig, Cologne, Germany, 1988: cat. 87 (color).
O’Doherty, Brian.
Mark Rothko: The Last Paintings
. Pace Gallery, New York, 1994: 33, 29 (color).
Shiff, Richard.
Rothko/Sugimoto: Dark Paintings and Seascapes
. Pace London, London, 2012: 11, 83, 47 (color).
Rothko Prizel, Kate, Christopher Rothko, Alexander Nemerov, et al.
Mark Rothko
. New York, 2022: 29, 50, plate 269 (color).
Yasuhide, Shimbata, and Hideaki Shimamoto.
Abstraction: The Genesis and Evolution of Abstract Painting, Cézanne, Fauvism, Cubism and on to Today.
Artizon Museum, Tokyo, 2023: 415, cat. 124 (color).
Shimamoto, Hidekai. “Mark Rothko’s
Untitled
(1969) and the Status of His Works on Paper.”
Ishibashi Foundation Artizon Museum of Art Research Bulletin
5 (2024): 62, 63, 64, 65
62–65.
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