Toggle navigation
Guide to Entries
Advanced Search
Search
Catalog
Artist
Essays
Advanced Search
Guide to Entries
Search
Works
Provenance
Exhibitions
References
Filter by
decade
1930s
1940s
1950s
1960s
1970s
1980s
1990s
2000s
2010s
2020s
Apply
location
Loading...
author/editor
Daniel Abadie
Sigrid Achenbach
Henry Adams
Dawn Ades
Dorothy Adlow
Paloma Alarcó
Bruno Alfieri
Jane Addams Allen
Lawrence Alloway
Svetlana Alpers
Jean-Christophe Ammann
David Anfam
Daniel Arasse
Marie-Josée Arcand
Teresa Arcq
Giulio Carlo Argan
H. H. Arnason
Akira Asahi
Dore Ashton
Michael Auping
Jacob Baal-Teshuva
Matthew Baigell
Walter Darby Bannard
Luca Massimo Barbero
Chiara Barbieri
Susan J. Barnes
Kelly Baum
Felix Andreas Baumann
John I. H. Baur
Herbert Beck
Susan Behrends Frank
Clare Bell
Evelyn Benesch
Neal David Benezra
Bill Berkson
Ernst Beyeler
Mary Birmingham
Ulrich Bischoff
Jennifer Blessing
Donald Blinken
Carel Blotkamp
Frans Boenders
Jessica Boissel
Giulio Bolaffi
Nathalie Bondil
Achim Borchardt-Hume
Manuel J. Borja-Villel
Ellen Breitman
Michael Brenson
James E. B. Breslin
Judith Brodie
Markus Brüderlin
Chris Bruce
Vincent J. Bruno
Palma Bucarelli
Dotty Burstein
Ashley Busby
James B. Byrnes
Patrick Shaw Cable
Elena Calas
Nicolas Calas
John Caldwell
Sandra Caltagirone
Giovanni Carandente
E.A. Carmean, Jr.
Flavio Caroli
Rosario Pieró Carrasco
Malcolm N. Carter
James Cassell
Riva Castleman
Barbara Cavaliere
Danielle Gaudry Cazeau
Cathleen Chaffee
Kermit Champa
Mary Chan
Anna C. Chave
Jean-François Chevrier
Rudy Chiappini
Hermine Chivian-Cobb
Moojeong Chung
Bonnie Clearwater
Robert M. Coates
Eduardo Prado Coelho
Anne Cohen DePietro
Annie Cohen-Solal
Marjorie B. Cohn
Oscar Collier
Bradford R. Collins
Michael Compton
Rosalind Constable
Gianni Contessi
Harry Cooper
Olivier Cousinou
Jeffrey Coven
Elizabeth Cowling
Thomas Crow
Larry Curry
Alan Cutler
Gundega Cēbere
Anke Daemgen
Janina K. Darling
David Acton
Susan Davidson
Bruce Davis
Jessica Barrow Dawson
Cordélia De Brosses
David G De Long
John K. Delaney
James T. Demetrion
Bruce H. Dempsey
Isabelle Dervaux
Marc Devade
Maria Didrichsen
Rolf-Gunter Dienst
Jane Dillenberger
John Dillenberger
Kathryn A. Dooley
Erika Doss
Shana Dumont
Jean-Pierre Duquette
Gérard Durozoi
Robin Duthy
Alexander Dückers
Kathleen A. Edwards
Nancy Einreinhofer
John Elderfield
Dietmar Elger
Robert Elkon
Jeremiah Evarts
K. C. Eynatten
Michelle Facini
Morgan Falconer
Susan C. Faxon
Morton Feldman
Briony Fer
Linda S. Ferber
André Fermigier
Oreste Ferrári
Christopher Finch
Ruth Fine
Jonathan Fineberg
Diane P. Fischer
James L. Fisher
Jack D. Flam
Lucy Flint
Benjamin Forgey
Carter E. Foster
Stephen C. Foster
Marco Franciolli
Fernando Francés
Pamela Franks
Jodi Freeman
Melinda Young Frye
Teruo Fujieda
Yuko Fujiyoshi
Johannes Gachnang
Paulette Gagnon
Barbara Dayer Gallati
Lynn Gamwell
Nicolas Sainte-Fare Garnot
Eileen Garred
Gary Garrels
Hubertus Gassner
Karel J. Geirlandt
Henry Geldzahler
Jo Gibbs
Ann Gibson
Danièle Giraudy
Arnold Glimcher
Marc Glimcher
Grace Glueck
Krystyna Gmurzynska
Donald Goddard
Pamela Golbin
Itzhak Goldberg
Robert Goldwater
Lloyd Goodrich
Elayne C. Goossen
Blake Gopnik
Galina Gorokhoff
Gottfried Boehm
Terree Grabenhorst-Randall
Roberta Graff
Margaret Morgan Grasselli
Denise Green
Ronald K. Greenberg
Alex Greenberger
Alison de Lima Greene
Adam Greenhalgh
William Griswold
Jeffrey D. Grove
Peggy Guggenheim
Serge Guilbaut
H.T.H.
Sabine Haag
Mona Hadler
Nancy Hall-Duncan
Andreas Hapkemeyer
Charles Harrison
Jürgen Harten
Azusa Hashimoto
Barbara Haskell
Jodi Hauptman
Sumi Hayashi
Natasha Hebert
Thomas B. Hess
Nobuyuki Hiromoto
Alissa J. Hirshfeld
Robert Carlton Hobbs
Jacqueline Holmes
Joachim Homann
Donelson F. Hoopes
Walter Hopps
Robert Hughes
Sam Hunter
Kate Hutchins
Miriam Häßler
J. A. S. Ingamells
Ahuva Israel
Nancy Jachec
William Jeffett
Edward Alden Jewell
Twig Johnson
Caroline A. Jones
Leslie Jones
Yvonne E. Kaehr
Franz-W. Kaiser
Avram Kampf
Paul J. Karlstrom
Judith Kaye Reed
Thomas Kellein
Emily A. Kerrigan
Klaus Kertess
Pamela Kessler
Roger Kimball
George Kinghorn
Udo Kittelmann
Edouard Kopp
Eberhard W. Kornfeld
Karin Koschkar
Ingrid Koszinowski
Hilton Kramer
Rosalind Krauss
Gwendolin Kremer
Angela Kriesel
Jan Krugier
Donald Kuspit
Sandor Kuthy
Janet Kutner
Christiane Lange
Kay Larson
James Lawrence
Susan Laxton
Sylvie Lecoq-Ramond
Helmut Leder
Michael Leja
Michael Leonard
Jean-Jacques Leveque
Gail Levin
Jo Ann Lewis
Jeremy Lewison
William S. Lieberman
Claude Lorent
Luis-Martín Lozano
Edward Lucie-Smith
Niklas Maak
Nannette V. Maciejunes
Steven Henry Madoff
Christopher Maines
Bernard Malamud
Daniel Malingue
Carol Mancusi-Ungaro
Peter C. Marizo
Stephen May
Mary Fuller McChesney
Mary McCoy
Suzanne Folds McCullagh
Robert McDaniel
DeCourcy E. McIntosh
Thomas M. Messer
Lisa Mintz Messinger
Donald Miller
Amanda Millet-Sorsa
Magdalena M. Moeller
Kathryn Morales
Peter Morrin
Linda Muehlig
Jane M. Murphy
Markus Müller
Eleanor Nairne
Kazuo Nakabayashi
Mario Naves
Terry Ann R. Neff
Alexander Nemerov
Norbert Nobis
Sheldon Nodelman
Brian O'Doherty
Georgine Oeri
Mordechai Omer
Marta González Orbegozo
Janice C. Oresman
Aurora Otero
Klaus Ottmann
Suzanne Pagé
Karen Painter
Regina Palm
Ida Panicelli
Andrea Pappas
Benjamin Paul
C. Ford Peatross
Prudence Peiffer
Aldo Pellegrini
Stella Pelše
Gilbert Perlein
Franklin Hill Perrell
Meira Perry-Lehmann
Michael Philipp
Glenn Phillips
Charles E. Pierce
Heiner Pietzsch
Ulla Pietzsch
Élia Pijollet
Francesca Pola
Stephen Polcari
Marla Price
Vincent Price
Neil Printz
Kate Rothko Prizel
Claudia Puizza
Don Quaintance
Celina Quitas
Yolande Racine
Sally Radic
Craig Raine
Harry Rand
Eliza E. Rathbone
Bernd Rau
Jock Reynolds
Paul Richard
Charles A. Riley II
Maude Riley
Emma E. Roberts
Bryan Robertson
Andrew Robison
Timothy Robert Rodgers
Conchita Romero
Joan Root
Georges Roque
Barbara Rose
Bernice Rose
Robert Rosenblum
Michael Rosenfeld
Mark Rosenthal
Nan Rosenthal
Clifford Ross
Susan F. Rossen
Christopher Rothko
Mark Rothko
Willy Rotzler
Pierre Rouve
Angelica Zander Rudenstine
Marilyn Miller Russell
Brandon Ruud
David Ryan
Philip Rylands
Irving Sandler
Vincenzo Sanfo
Jordi Sanguino
Martica Sawin
Henry M. Sayre
Joseph J. Schildkraut
Jürgen Schilling
Paul Schimmel
Peter Schjeldahl
Katharina Schmidt
Marianne Schmidt
Wieland Schmied
Mary E. Schneider
Dieter Scholz
Henrike Schulte
Oliver Schultz
Constance Schwartz
Jane Schwartz
Dieter Schwarz
Martha Schwendener
Katharina Christa Schüppel
Cyrille Sciama
Ann Reynolds Scott
Russell T. Scott
Roland Scotti
William C. Seitz
Naoko Seki
Carol O. Selle
Peter Selz
Francisco Calvo Serraller
Anne Seymour
Cecile Shapiro
David Shapiro
Jasper Sharp
Joanna Shaw-Eagle
Hilarie M. Sheets
Richard Shiff
Atsuhiko Shima
Hideaki Shimamoto
Hidekai Shimamoto
Patterson Sims
Folker Skulima
Roberta Smith
Jill Snyder
James Thrall Soby
Philippe Sollers
Joseph Solman
Walter Soppelsa
Edward J. Sozanski
Phinizy Spalding
Michael Spivey
Timothy Standring
Christine E. Stauffer
Gail Stavitsky
Theodore E. Stebbins, Jr.
Jens Stenger
John Stephan
Ruth Stephan
Chris Stephens
Elisabeth Stevens
Jessica Stewart
Miriam Stewart
Kalus Stichweh
Richard David Story
Susan E. Strickler
James Sullivan
Marta Suárez-Infiesta
David Sylvester
Jacques Taddei
Christine Temin
Ann Temkin
Claudia Terenzi
David Thistlewood
Karen Thomson
Victoria Thorson
Elizabeth Till
Judith Tolnick
Andrei Tolstoy
William Trayes
Judith Trepp
Tommaso Trini
Maurice Tuchman
Judd Tully
Elisa Turner
Luc Tuymans
Katharina Uhl
Utopia Pavilion
Rafael Valentín López Flores
John Van Doren
Philip Vann
Elayne H. Varian
Riccardo Venturi
Monique Verken
Nancy Versaci
Axel Vervoordt
Felipe Vicente Garín Llombart
Lisa Vihos
Emilio Villa
Jerome Viola
Anne-Marie Vischer-Wadler
Ernst Vischer-Wadler
Cesare Vivaldi
Adolf Max Vogt
Diane Waldman
Leonard Wallock
Judith Walsh
Molly Warnock
Jeffrey Wechsler
Edward F. Weeks
Liz M. Weiman
Evelyn Weiss
Jeffrey Weiss
Stefan Weppelmann
Anna Wesle
Ortrud Westheider
Daniel Wheeler
Murray Whyte
Oliver Wick
Anna Wieck
Christoph Wiedemann
Annie Wilker
Karen Wilkin
John Wilmerding
Peter Winter
Terry Winters
Ben Wolf
Gerhard Wolf
Townsend Wolfe
Hyesoo Woo
Amy N. Worthen
Fredrick S. Wright
Virginia Wright
Masahiro Yasugi
Shimbata Yasuhide
Eric Zafran
Clair Zamoiski
Pascale Zoller
Joost Zwagerman
Eric de Chassey
Elaine de Kooning
Almudena Ros de Barbero
Henk van Os
Apply
Type
Book
Essay/catalog entry
Exhibition catalog
Exhibition review
Journal/magazine article
Newspaper article
Apply
721 References
Sort by:
Name
name
date
ascending
descending
25 Anni di Pittura Americana 1933–1958
. Permanente Gallery, Milan, 1960
.
60 Works: The Peggy Guggenheim Collection
. The Solomon R. Guggenheim Museum, New York, 1982
.
Abadie, Daniel.
Un Art Autre, Un Autre Art
. Centre d’Art Plastique Contemporain, Paris, 1984
.
"Abstract Expressionists."
Museum News
[Toledo Museum of Art] 19, no. 4 (1977)
.
Abstract Expressionism: Works from the Collection of the Whitney Museum of American Art
. Miami-Dade Community College, South Campus, Miami, FL, 1976
.
Acquavella Galleries, Inc.
XIX & XX Century Master Paintings and Sculptures: An Exhibition
. New York, 2004
.
"Acquisitions of Drawings at The Museum of Modern Art, 1985-1991."
Burlington Magazine
134, no. 1072 (July 1992)
: 473–478
.
Acton, David, ed.
The Stamp of Impulse: Abstract Expressionist Prints
. Worcester Art Museum, Worcester, MA, 2001
.
Acton, David. Rothko entry. In
The Stamp of Impulse: Abstract Expressionist Prints
, edited by David Acton. Worcester Art Museum, Worcester, MA, 2001
: 50
.
Adams, Henry, ed.
American Drawings and Watercolors in the Museum of Art, Carnegie Institute
. Carnegie Institute, Pittsburgh, PA, 1985
.
Ades, Dawn, Elizabeth Cowling, and David Sylvester.
Dada and Surrealism Reviewed
. Hayward Gallery, London, 1978
.
Adlow, Dorothy.
Moderne Amerikanische Måleri: 1932–1958
. Göteborgs Konstmuseum and Göteborgs Konsthall, Gothenburg, Sweden, 1960
.
Alarcó, Paloma, and Jacques Taddei.
Monet et l’abstraction
. Musée Marmottan Monet, Paris, 2010
.
Alarcó, Paloma. “Monet et l’abstraction / Monet and Abstraction.” In
Monet et l’abstraction / Monet and Abstraction
, by Paloma Alarcó and Jaques Taddei. Musée Marmottan Monet, Paris, 2010
: 8-87
.
Alarcó, Paloma, and Michael Leja.
Monet y la abstracción
. Museo Thyssen-Bornemisza, Madrid, 2010
.
Alarcó, Paloma. “Monet and Abstraction.” In
Monet y la abstracción
, by Paloma Alarcó and Michael Leja. Museo Thyssen-Bornemisza, Madrid, 2010
: 317–328
.
Aldrich Museum of Contemporary Art.
Mysterious and Magical Realism
. Ridgefield, CT, 1980
.
Alfieri, Bruno, and Peggy Guggenheim.
La collezione Peggy Guggenheim
. Venice, 1948
.
Allen, Jane Addams. “Mark Rothko’s Legacy: Paintings of Loneliness and Spirituality.”
Washington Times,
May 4, 1984
.
Alloway, Lawrence. "Notes on Rothko."
Art International
6, no. 5-6 (Summer 1962)
: 90–94
.
Alloway, Lawrence. "The Biomorphic Forties."
Artforum
4 (September 1965)
.
Alloway, Lawrence. “The Biomorphic Forties.” In
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938–1948
, by Paul Schimmel, Lawrence Alloway, Dore Ashton, et al. Newport Harbor Art Museum, Newport Beach, CA, 1986
: 33–36
.
Alloway, Lawrence.
The Venice Biennale, 1895-1968: From Salon to Goldfish Bowl
. Greenwich, CT, 1968
.
Alpers, Svetlana.
Roof Life
. New Haven, CT, 2013
.
“American Art at Mid-Century. Master drawings and watercolors.”
Washington Post Magazine
, May 21, 1978
: SM36–46
.
"American Prints: 1890-1955 at Pace."
The Print Collector's Newsletter
14, no. 3 (July-August 1983)
: 101
.
Amherst College, Mead Art Building.
Color Painting: A Special Loan Exhibition
. Amherst, MA, 1972
.
Ammann, Jean-Christophe. “A Fictional Museum for A Fabulous Collection.” In
A Selection from the Daros Collection
, edited by Walter Soppelsa. Zurich, Switzerland, 2012
: 9–14
.
Ammann, Jean-Christophe. “Ein fiktives Museum für eine fabelhafte Sammlung.” In
A Selection from the Daros Collection
, edited by Walter Soppelsa. Zurich, Switzerland, 2012
: 15–20
.
Anfam, David. “A World Elsewhere,” in
Abstract Expressionism — A World Elsewhere
. Haunch of Venison, New York, 2008
: 10–23
.
Anfam, David.
Abstract Expressionism — A World Elsewhere
. Haunch of Venison, New York, 2008
.
Anfam, David.
Abstract Expressionism
. London, 1990
.
Anfam, David. "An Unending Equation." In
Abstract Expressionism
, edited by David Anfam. Royal Academy of Arts, London, 2016
: 14–49
.
Anfam, David, and Carol Mancusi-Ungaro.
Mark Rothko: The Chapel Commission
. The Menil Collection, Houston, TX, 1996
.
Anfam, David, and Danielle Gaudry Cazeau.
Mark Rothko and William Scott: Continuing the Dialogue
. Anita Rogers Gallery, New York, 2023
.
Anfam, David. “Dark Illumination: The Context of the Rothko Chapel.” In
Mark Rothko: The Chapel Commission
, by David Anfam and Carol Mancusi-Ungaro. The Menil Collection, Houston, TX, 1996
: 6–15
.
Anfam, David, ed.
Abstract Expressionism
. Royal Academy of Arts, London, 2016
.
Anfam, David. “El arte de Mark Rothko: simplificando el pensamiento complejo.”
Kalias
10, no. 19–20 (1998)
: 106–122
.
Anfam, David.
L’Expressionnisme
abstrait.
Translated by Olivier Meyer. Paris, 1999
.
Anfam, David. “Mark Rothko: Rome, Munich, and Hamburg.”
Burlington Magazine
150, no. 1264 (July 2008)
: 498–500
.
Anfam, David.
Mark Rothko: The Works on Canvas Catalogue Raisonné.
National Gallery of Art, Washington, and Yale University Press, New Haven, CT, 1998
.
Anfam, David. "New York: The American Century: Part One."
Burlington Magazine
141, no. 1160 (November 1999)
: 707–709
.
Anfam, David, Nobuyuki Hiromoto, Sumi Hayashi, and Naoko Seki.
Mark Rothko
. Tokyo Shimbun, Tokyo, 1995
.
Anfam, David. “Notes on the Art of Marcus Rothkowitz: Between Time Past and Future.” In
Against the Stream: Milton Avery, Adolph Gottlieb, and Mark Rothko in the 1930s
, by Jill Snyder.
Katonah Museum of Art, Katonah, NY, 1994
: 24–31
.
Anfam, David. “Rothko in the 1940s: Of Time and Tide.” In
Mark Rothko: The Decisive Decade, 1940–1950
, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012
: 76–86
.
Anfam, David. “Rothko's Multiforms: The Moment of Transition and Transformation.” In
Mark
Rothko: "Multiforms," Bilder von 1947–1949.
Galerie Daniel Blau, Munich, Germany, 1993
: 25–31
.
Anfam, David. “The Art of Mark Rothko: Simplifying the Complex Thought.” In
Mark Rothko
, by David Anfam et al. Tokyo Shimbun, Tokyo, 1995
: 12–21
.
Anfam, David. “The World in a Frame.” In
Rothko: The Late Series,
edited by Achim Borchardt-Hume. Tate Modern, London, 2008
: 45–57
.
Anfam, David. “Walls of the Mind.” In
Mark Rothko and William Scott: Continuing the Dialogue
by David Anfam and Danielle Gaudry Cazeau. Anita Rogers Gallery, New York, 2023
: 11–17
.
Arasse, Daniel. "La solitude de Rothko."
Art Press
241 (December 1998)
: 27–35
.
Arnason, H.H.
History of Modern Art: Painting, Sculpture, Architecture
. New York, 1977
.
Art 4'73: Basel Internationale Kunstmesse
. Basel, Switzerland, 1973
.
Art du xxe siècle: Fondation Peggy Guggenheim, Venise
. Orangerie des Tuileries, Paris, 1974
.
Art Gallery of Western Australia.
America and Europe: A Century of Modern Masters from the Thyssen-Bornemisza Collection
. Perth, Australia, 1979
.
Artforum
18 (September 1979)
: 81–119
.
Artium, Centro-Museo Vasco de Arte Contemporáneo
. La obra maestra desconocida: Basado en el relato "Le chef-d'oeuvre inconnu" de Honoré de Balzac, 1831–2006, 175 aniversario
. Vitoria-Gasteiz, Spain, 2006
.
Ashton, Dore.
À rebours: La rebelión informalista
[1939–1968]
. Centro atlántico de arte moderno, Las Palmas de Gran Canaria, Spain, and Museo nacional centro de arte Reina Sofía, Madrid, 1999
.
Ashton, Dore.
About Rothko
. New York, 1983
.
Ashton, Dore.
Mark Rothko
.
State Hermitage Museum, St. Petersburg, Russia, 2003
.
Ashton, Dore. "New York Commentary: De Kooning's Verve.”
Studio International
163, no. 830 (June 1962)
: 216–217, 224–225
.
Ashton, Dore. “Rothko, obra en papel.”
Arte y parte
, no. 29 (October–November 2000)
: 31–39
.
Ashton, Dore. “Rothko’s Passion.”
Art International
22 (February 1979)
: 6–13
.
Baal-Teshuva, Jacob.
Mark Rothko, 1903–1970: Pictures as Drama
. Cologne, Germany, 2003
.
Baigell, Matthew.
American Artists, Jewish Images
. Syracuse, NY, 2006
.
Baigell, Matthew.
Jewish Artists in New York: The Holocaust Years.
New Brunswick, NJ, 2002
.
Baigell, Matthew. “Mark Rothko.” In
American Artists, Jewish Images
, by Matthew Baigell. Syracuse, NY, 2006
: 63–77
.
Baigell, Matthew. “The Abstract Expressionists.” In
Jewish Artists in New York: The Holocaust Years
by Matthew Baigell. New Brunswick, NJ, 2002
: 98–151
.
Bannard, Walter Darby.
Paintings of the 50s: Another Look
. Duke University Museum of Art, Durham, NC, 1983
.
Barbero, Luca Massimo.
Action Painting, American Art 1940-1970: From the Sketch to the Canvas
. Foro Boario di Modena, Italy, 2004
.
Barbero, Luca Massimo.
Da Kandinsky a Pollock: La Grande Arte dei Guggenheim
. Palazzo Strozzi, Florence, 2016
.
Barbero, Luca Massimo.
Peggy Guggenheim e la Nuova Pittura Americana
. Arca, Chiesa di San Marco, Vercelli, 2008
.
Barbero, Luca Massimo.
Temi & Variazioni: l'impero della luce, con un omaggio a Fausto Melotti
. Peggy Guggenheim Collection, Venice, 2014
.
Barnes, Susan J.
The Rothko Chapel: An Act of Faith
. Austin, TX, 1989
.
Baum, Kelly, ed.
Rothko to Richter: Mark-Making in Abstract Painting from the Collection of Preston H. Haskell
. Princeton University Art Museum, Princeton, NJ, 2014
.
Baum, Kelly. “Mark, Maker, Method.” In
Rothko to Richter: Mark-Making in Abstract Painting from the Collection of Preston H. Haskell
, edited by Kelly Baum. Princeton University Art Museum, Princeton, NJ, 2014
: 10–28
.
Baumann, Felix Andreas, ed.
Mark Rothko
. Musée National d’Art Moderne, Paris, 1972
.
Baumann, Felix Andreas, ed.
Mark Rothko
. Nationalgalerie, Staatliche Museen Preußischer Kulturbesitz, Neuer Berliner Kunstverein, Berlin, 1971
.
Baumann, Felix Andreas, ed.
Mark Rothko
. Städtische Kunsthalle, Düsseldorf, Germany, 1971
.
Baumann, Felix Andreas.
Mark Rothko
. Kunsthaus Zürich, Zurich, Switzerland, 1971
.
Baumann, Felix Andreas.
Mark Rothko
. Museum Boymans-van Beuningen, Rotterdam, Netherlands, 1971
.
Baur, John I. H.
A Mirror of Creation: 150 Years of American Nature Painting
. New York, 1980
.
Beck, Herbert.
Phanomen Expressionismus: Kulturlandschaft Frankfurt RheinMain
. Bad Homburg vor der Höhe, Germany, 2012
.
Bell, Clare, Jennifer Blessing, et al.
Art of This Century: The Guggenheim Museum and Its Collection
. New York, 1993
.
Benesch, Evelyn.
Verrückte Liebe: Von Dalí bis Francis Bacon: Surreale Kunst aus der Sammlung Ulla und Heiner Pietzsch
. BA-CA Kunstforum, Wien, Vienna, 2006
.
Benezra, Neal David, Michae Auping, and Gary Garrels.
Celebrating Modern Art: the Anderson Collection
. San Francisco Museum of Modern Art, San Francisco, CA, 2000
.
Berkson, Bill. “Reviews: Mark Rothko: San Francisco Museum of Modern Art.”
Artforum
25, no. 2 (October 1986)
.
Beyeler, Ernst. "Foreword." In
Mark Rothko: Works on Paper, 1930–1969
, by Oliver Wick. Galerie Beyeler, Basel, Switzerland, 2005
: 4–5
.
Birmingham, Mary. Rothko entry. In
Montclair Art Museum: Selected Works
, by Mary Birmingham, Twig Johnson, Diane P. Fischer, and Gail Stavitsky. Montclair, NJ, 2002
: 143
.
Birmingham, Mary, Twig Johnson, Diane P. Fischer, and Gail Stavitsky.
Montclair Art Museum: Selected Works
. Montclair, NJ, 2002
.
Bischoff, Ulrich, and Luc Tuymans, eds.
Constable, Delacroix, Friedrich, Goya: Die Erschütterung der Sinn
. Galerie Neue Meister, Staatliche Kunstsammlungen Dresden, Dresden, Germany, 2013
.
Blinken, Donald, et al.
Eliminating the Obstacles Between the Painter and the Observer: The Mark Rothko Foundation, 1976–1986
. New York, 1986
.
Boehm, Gottfried. “Das Lebendige: Rothkos Zugänge zum Bild.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 180–185
.
Boenders, Frans. “De sjamanenkunst van Mark Rothko/De zielentocht van Mark Rothko.”
Kunst & Cultuur
[Palais des Beaux-arts] 32, no. 1 (January 1999)
: 4–6
.
Boissel, Jessica. “Technique de Rothko.”
Art Press International
27 (April 1979)
: 7
.
Bolaffi, Giulio. “Mark Rothko.”
Catalogo internationale Bolaffi d'arte moderna
no. 1 (1972)
: 160–168
.
Bondil, Nathalie, and Marie-Josée Arcand.
All for Art!: In Conversation with Collectors
/
Pour l'art!: paroles de collectionneurs
. The Montréal Museum of Fine Arts, Montréal, Canada, 2007
.
Borchardt-Hume, Achim, ed.
Rothko: The Late Series.
Tate Modern, London, 2008
.
Braff, Phyllis.
The Surrealists and their Friends on Eastern Long Island at Mid-Century
. Guild Hall Museum, East Hampton, NY, 1996
.
Breitman, Ellen. Rothko entry. In
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938-1948
, by Paul Schimmel and Lawrence Alloway. Newport Harbor Art Museum, Newport Beach, CA, 1986
: 168
.
Brenson, Michael. “Rothko at the Guggenheim.”
New York Times
, June 7, 1985
.
Breslin, James E. B.
Mark Rothko: A Biography.
Chicago, IL, 1993
.
Brodie, Judith, and Andrew Robison, eds.
A Century of Drawing: Works on Paper from Degas to LeWitt
. National Gallery of Art, Washington, 2001
.
The Brooklyn Museum: American Watercolors, Pastels, Collages: A Complete Illustrated Listing of Works in the Museum's Collection.
Brooklyn Museum, New York, 1984
.
Brooklyn Museum.
International Watercolor Exhibition: Fourteenth Biennial
. New York, 1947
.
Brooklyn Museum.
The Eighth Biennial Exhibition of Water Colors, Pastels and Drawings by American and Foreign Artists
. New York, 1935
.
Brüderlin, Markus, ed.
The Art of Deceleration: Motion and Rest in Art from Caspar David Friedrich to Ai Weiwei
. Kunstmuseum Wolfsburg, Wolfsburg, Germany, 2011
.
Brüderlin, Markus, ed. “The Avant-Garde of Deceleration: Motion and Rest in Modern Art, from Goethe and Caspar David Fredrich to Ai Wei Wei.” In
The Art of Deceleration: Motion and Rest in Art from Caspar David Friedrich to Ai Weiwei
, edited by Markus Brüderlin. Kunstmuseum Wolfsburg, Wolfsburg, Germany, 2011
.
Bruce, Chris, and Virginia Wright.
The Artist's Hand: American Works on Paper, 1945–1975, from the Washington Art Consortium Collection
. Museum of Art, Washington State University, Pullman, WA, 2012
.
Bruno, Vincent J. “Mark Rothko and the Second Style: The Art of the Color-Field in Roman Murals.” In
Eius Virtutis Studiosi: Classical and Postclassical Studies in Memory of Frank Edward Brown (1908–1988)
, edited by Russell T. Scott and Ann Reynolds Scott. Studies in the History of Art [National Gallery of Art], vol. 43. Washington, 1993
: 235–255
.
Bucarelli, Palma.
Mark Rothko
. Galleria Nazionale d'Arte Moderna, Rome, 1962
.
Burstein, Dotty.
The Sylvia G. Zell Collection of Modern Art
. Boston, 1988
.
Busby, Ashley. “The Power of Paper.”
Art & Antiques
47, no. 1 (January/February 2024)
: 76–85
.
Byrnes, James B., ed.
Mark Rothko: Ten Major Works
. Newport Harbor Art Museum, Newport Beach, CA, 1974
.
Calas, Nicolas, and Elena Calas,
The Peggy Guggenheim Collection of Modern Art
. New York, 1966
.
Caldwell, John. Rothko entry. In
American Drawings and Watercolors in the Museum of Art, Carnegie Institute
, edited by Henry Adams. Carnegie Institute, Pittsburgh, PA, 1985
.
Caltagirone, Sandra. “Rothko: Investigation au coeur d’un ciel intérieur.”
Art & Culture
[Palais des Beaux-arts, Brussels] 13, no. 5 (January 1999)
: 4–5
.
Calvo Serraller, Francisco.
El Expresionismo Abstracto Americano en las Colecciones Españolas
. Museo de Arte Contemporáneo Esteban Vicente, Segovia, Spain, 2003
.
Capolavori del Guggenheim: Il grande collezionismo da Renoir a Warhol
. Scuderie del Quirinale, Rome, 2005
.
Carandente, Giovanni. “Mark Rothko's Three Italian Journeys.” In
Mark Rothko
, edited by Oliver Wick. Palazzo delle Esposizioni, Rome, 2007
: 33–39
.
Carmean, E. A., Jr., ed.
Coming to Light: Avery, Gottlieb, Rothko: Provincetown Summers, 1957–1961
. Knoedler & Company, New York, 2002
.
Carmean, E. A., Jr., Eliza E. Rathbone, and Thomas Hess.
American Art at Mid-Century: The Subjects of the Artist
. National Gallery of Art, Washington, 1978
.
Carmean, E. A., Jr., Marla Price, and James L. Fisher.
Selected Works from the American Collection: 1940 to the Present
. Modern Art Museum of Fort Worth, Fort Worth, TX, 1988
.
Carmean, E. A., Jr. “Summers of Inspiration.”
Art & Antiques
(June 2002)
: 70–75
.
Caroli, Flavio.
Europa-America: l’astrazione determinata 1960-1976
. Galleria d'Arte Moderna, Bologna, Italy, 1976
.
Carter, Malcolm N. "Art, Money, and the Troubles of Mark Rothko."
Horizon
21 (October 1978)
: 20–29
.
Cassell, James. “Rothko’s Subtler Shades.”
USA Today,
May 7, 1984
.
Castleman, Riva.
Art of the Forties
. The Museum of Modern Art, New York, 1991
.
Cavaliere, Barbara. "Notes on Rothko."
Flash Art
86/87 (January – February 1979)
: 32–38
.
Cēbere, Gundega. “Svētki ar atgriešanos.”
Māksla Plus
5
(October/November 2003)
: 10–11
.
Centre International d'Expèrimentation Artistique Marie-Louise Jeanneret.
Astrattismo e Pop Art
. Boissano, Italy, 1974
.
Centro atlántico de arte moderno.
El surrealismo entre Viejo y Nuevo Mundo
. Las Palmas de Gran Canaria, Spain, 1989
.
Chan, Mary, Kathleen Curry and Christina Houstian.
A Century of American Drawing: From the Collection
. The Museum of Modern Art, New York, 1996
.
Chan, Mary. "New York School."
MoMA
, 1, no. 7 (November/December, 1998)
: 12–15
.
Chave, Anna C.
Mark Rothko: Subjects in Abstraction.
New Haven, CT, 1989
.
Chave, Anna.
Mark Rothko: Subjects
. High Museum of Art, Atlanta, GA, 1983
.
Chevrier, Jean-François, and Élia Pijollet.
Formas biográficas: Construcción y mitología individual
. Museo Nacional Centro de Arte Reina Sofía, Madrid, 2013
.
Chiappini, Rudy.
Passioni d'Arte - da Picasso a Warhol Capolavori del Collezionismo in Ticino
. Museo d'Arte Moderna, Città di Lugano, Lugano, Switzerland, 2002
.
Chivian-Cobb, Hermine.
Ink Drawings, 1890–1986
. Janie C. Lee Master Drawings, Houston, TX, 1987
.
Clearwater, Bonnie.
Mark Rothko: Seven Paintings from the 1960s
. Walker Art Center, Minneapolis, MN, 1983
.
Clearwater, Bonnie.
Mark Rothko: Works on Paper
.
American Federation of Arts, New York, 1984
.
Clearwater, Bonnie.
The Rothko Book
. London, 2006
.
Cleveland Museum of Art.
Cleveland Collects Contemporary Art
. Cleveland, OH, 1972
.
Coates, Robert M. "The Art Galleries: In the Museums."
New Yorker
, January 28, 1961
: 78–81
.
Coelho, Eduardo Prado. “Situations of the Infinite.” In
Utopia Pavilion: 1998 Lisbon World Exposition
. Lisbon, 1998
: 77–90
.
Cohen DePietro, Anne, ed.
Shaping a Generation: The Art and Artists of Betty Parsons
. Heckscher Museum of Art, Huntington, NY, 1999
.
Cohen DePietro, Anne. “The Art of Betty Parsons: Carpenters’ Throwaways and the Expanding World.” In
Shaping a Generation: The Art and Artists of Betty Parsons
, edited by Anne Cohen DePietro. Heckscher Museum of Art, Huntington, NY, 1999
.
Cohen-Solal, Annie.
Mark Rothko
. Arles, France, 2013
.
Cohen-Solal, Annie.
Mark Rothko: Toward the Light in the Chapel
. New Haven, CT, 2015
.
Cohn, Marjorie B., ed.
Mark Rothko’s Harvard Murals
.
Cambridge, MA, 1988
.
Collier, Oscar. "Mark Rothko."
The New Iconograph
4 (Fall 1947)
: 41–44
.
Collins, Bradford R. “Beyond Pessimism: Rothko’s Nietzschean Quest, 1940–1949.” In
Mark Rothko: The Decisive Decade, 1940–1950
, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012
: 47–59
.
Collins, Bradford R., ed.
Mark Rothko: The Decisive Decade, 1940–1950
. Columbia Museum of Art, Columbia, SC, 2012
.
Compton, Michael, ed.
Mark Rothko
. Fundación Juan March, Madrid, Spain, 1987
.
Compton, Michael. “Introduction into the Seagram Mural Project.” In
Mark Rothko: Kaaba in New York
, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989
: 9–21
.
Compton, Michael.
Mark Rothko: The Seagram Mural Project
. Tate Gallery Liverpool, Liverpool, UK, 1988
.
Constable, Rosalind. "The Betty Parsons Collection."
Art News
67 (March 1968)
: 48–49, 58–60
.
Contessi, Gianni.
Vite al limite: Giorgio Morandi, Aldo Rossi, Mark Rothko
. Milan, Italy, 2004
.
Cousinou, Olivier. Rothko entry. In
Musée Cantini: Acquisitions Récentes, 1989-2004
, edited by Danièle Giraudy. Musée Cantini, Marseille, France, 2004
.
Coven, Jeffrey.
Baudelaire's Voyages: The Poet and His Painters
. The Heckscher Museum, Huntington, NY, 1993
.
Crow, Thomas. “Unknowing Parallels: The Last Artistic Thoughts of Mark Rothko and Eva Hesse.” In
Late Thoughts: Reflections on Artists and Composers at Work
, edited by Karen Painter and Thomas Crow. Los Angeles, CA, 2006
: 55–61
.
Cummings, Paul.
Twentieth-Century American Drawings: The Figure in Context
. International Exhibitions Foundation, Washington, 1984
.
Curry, Larry.
John Marin, 1870–1953: A centennial exhibition organized by the Los Angeles County Museum of Art
. Los Angeles County Museum of Art, Los Angeles, CA, 1970
.
Cutler, Alan. "Notes from the Underground."
The Sciences
35 (January/February 1995)
: 36–40
.
Darling, Janina K.
Margaret Rinkovsky: The “Odyssey Landscapes” Reconsidered
. Art Museum of Santa Cruz County, Santa Cruz, CA, 1995
.
Davidson, Susan. "Feminism for the Most Masculine: How Two Women Launched an Art Market." In
Abstract Expressionism
, edited by David Anfam. Royal Academy of Arts, London, 2016
: 86–103
.
Davidson, Susan. "Focusing an Instinct: The Collecting of Peggy Guggenheim." In
Peggy Guggenheim and Frederick Kiesler: The Story of Art of this Century, edited by Susan Davidson and Philip Rylands
. Venice, 2004
: 50–89
.
Davidson, Susan. “La messa a fuoco di un istinto. Il collezionismo di Peggy Guggenheim.” In
Da Kandinsky a Pollock: La Grande Arte dei Guggenheim
. Palazzo Strozzi, Florence, 2016
: 55–83
.
Davis, Bruce.
Master Drawings in the Los Angeles County Museum of Art
. Los Angeles County Museum of Art, Los Angeles, CA, 1997
.
Dawson, Jessica Barrow. “Into the Black.”
Washington City Paper,
June 12, 1998
.
de Brosses, Cordélia. “The Rothko Chapel: Painting the Night.” In Pagé, Suzanne, and Christopher Rothko, eds.
Mark Rothko
. Fondation Louis Vuitton, Paris, 2023
: 285–295
.
de Chassey, Eric. "Sublime Rothko.” Art Digest 20, no. 15 (May 1, 1946)
: 1
.
de Kooning, Elaine. "Kline and Rothko: Two Americans in Action."
Art News Annual
27 (1958)
: 86-97, 174-179
.
Demetrion, James T.
Selections from the Collection of Marion and Gustave Ring
. Hirshhorn Museum and Sculpture Garden, Washington, 1985
.
Dempsey, Bruce H.
Abstract Expressionism: The Haskell Collection
. Cummer Gallery of Art, Jacksonville, FL, 1992
.
Dervaux, Isabelle, and Joseph Solman.
The Ten: Birth of the American Avant-Garde
. Mercury Gallery, Boston, 1998
.
Devade, Marc. "América! Amériqua?"
Peinture
, no. 14/15 (May 1979)
.
Dickinson Roundell, Inc.
19th and 20th Century Works on Paper
. New York, 2000
.
Didrichsen, Maria.
Didrichsenin taidemuseo
. Didrichsen Art Museum, Helsinki, Finland, 2010
.
“Die Farbfeldmalerei des Mark Rothko: Kunstwerk des Monats Januar 1981 im Ulmer Museum."
Neu-Ulmer Zeitung,
December 31, 1980
: n.p
.
Dienst, Rolf-Gunter. “Austellungen.”
Das Kunstwerk
16, no. 8 (February 1963)
: 23
.
Dillenberger, Jane, and John Dillenberger.
Perceptions of the Spirit in Twentieth-Century American Art
. Indianapolis Museum of Art, Indianapolis, IN, 1977
.
The Disappearance and Reappearance of the Image: American Painting Since 1945
. Smithsonian Institution, Washington, DC, 1968
.
Doss, Erika. "Makes Me Laugh, Makes Me Cry: Feelings and American Art."
American Art
25, no. 3 (Fall 2011)
: 2–8
.
Dückers, Alexander, et al.
Linie, Licht und Schatten, Meisterzeichnungen und Skulpturen der Sammlung Jan und Marie-Anne Krugier-Poniatowski
. Kupferstichkabinett, Staatliche Museen zu Berlin, Berlin, 1999
.
Dumont, Shana, and William Trayes.
Enlightened View: Artists Teaching on Cape Ann
. Montserrat College of Art Gallery, Beverly, MA, 2006
.
Duquette, Jean-Pierre. “Un Collectionneur de notre temps.”
Vie des Arts Montréal
XXVII, no. 107 (June – August 1982)
: 50–55
.
Durozoi, Gérard, ed.
Dictionnaire de L'Art Moderne et Contemporain
. Paris, 1992
.
Duthy, Robin. “Investor’s File: The Fortunes of Rothko.”
Connoisseur
215, no. 886 (November 1985)
: 174
.
Edwards, Kathleen A., ed.
New Forms: The Avant-Garde Meets the American Scene, 1934-1949
. The University of Iowa Museum of Art, Iowa City, IA, 2013
.
Einreinhofer, Nancy.
The Legacy of Surrealism in Contemporary Art.
Ben Shahn Galleries, William Patterson College, Wayne, NJ, 1988
.
Elderfield, John.
The Modern Drawing: 100 Works on Paper from The Museum of Modern Art
. Museum of Modern Art, New York, 1983
.
Elger, Dietmar, et al.
The Abstraction of Landscape: From Northern Romanticism to Abstract Expressionism
. Fundación Juan March, Madrid, 2007
.
Elkon, Robert. “Robert Elkon.”
Arts Magazine
45 (April 1971)
: 53
.
Evarts, Jeremiah.
A Passion for Collecting: Modern Works from the Pérez Simón Collection
. Di Donna Galleries, New York, NY, 2018
.
Eynatten, K.C., Kate Hutchins, and Don Quaintance, eds.
Image of the Not-Seen: Search for Understanding, The Rothko Chapel Art Series
. Houston, TX, 2007
.
Facini, Michelle, Kathryn A. Dooley, Christopher Maines, Kathryn Morales, and John K. Delaney. “Investigating Mark Rothko’s Water-Based Paintings on Construction Paper from the 1930s.”
Facture: Conservation, Science, Art History
5 [National Gallery of Art, Washington] (July 2021)
: 30–63
.
Falconer, Morgan.
Painting Beyond Pollock
. London, 2015
.
Falconer, Morgan. “Things Must be Pulverized: Abstract Expressionism.” In
Painting Beyond Pollock
, by Morgan Falconer. London, 2015
: 10–45
.
Faxon, Susan C.
On Paper: Masterworks from the Addison Collection
. Addison Gallery of American Art, Phillips Academy, Andover, MA, 2004
.
Faxon, Susan C. Rothko entry. In
On Paper: Masterworks from the Addison Collection
. Addison Gallery of American Art, Phillips Academy, Andover, MA, 2004
: 208–209
.
Feldman, Morton.
Six Painters: Mondrian, Guston, Kline, De Kooning, Pollock, Rothko
. University of St. Thomas Art Department, Houston, TX, 1967
.
Fer, Briony. “Rothko and Repetition.” In
Seeing Rothko,
edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 159–175
.
Fer, Briony. “Seeing in the Dark.” In
Rothko: The Late Series
, edited by Achim Borchardt-Hume. Tate Modern, London, 2008
: 31–43
.
Fer, Briony.
The Infinite Line: Re-making Art after Modernism
. New Haven, CT, 2004
.
Ferber, Linda S., and Barbara Dayer Gallati.
Masters of Color and Light: Homer, Sargent, and the American Watercolor Movement.
Brooklyn Museum of Art, New York, 1998
.
Fermigier, André. "Paris New York 40-45."
Art de France
4 (1964)
.
Ferrári, Oreste. "Venticinque anni di Pittura Americana."
Arte Figurativa
VIII, no. 44 (March-April 1960, no. 2)
: 54–59
.
Finch, Christopher.
Twentieth-Century Watercolor
. New York, 1988
.
Fine, Ruth, and Teresa Arcq.
El arte de Mark Rothko: Selección de la Galería Nacional de Arte de Washington
. Museo de arte moderno, Mexico City, 2005
.
Fine, Ruth, Hyesoo Woo, and Moojeong Chung.
The Art of Mark Rothko: Selections from the National Gallery of Art, Washington
. Leeum, Samsung Museum of Art, Seoul, 2006
.
Fine, Ruth. “Mark Rothko.” In
El arte de Mark Rothko: Selección de la Galería Nacional de Arte de Washington
, by Ruth Fine and Teresa Arcq. Museo de arte moderno, Mexico City, 2005
: 60–78
.
Fine, Ruth. “Mark Rothko.” In
The Art of Mark Rothko: Selections from the National Gallery of Art, Washington
, by Ruth Fine et al. Leeum, Samsung Museum of Art, Seoul, 2006
: 23–31
.
Fine, Ruth. “Meaning in Touch: Rothko on Paper.” In
Mark Rothko: The Decisive Decade, 1940–1950
, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012
: 102–119
.
Fineberg, Jonathan.
Art Since 1940: Strategies of Being
. Englewood Cliffs, NJ, 1995
.
Flam, Jack D, Carol O. Selle, Charles E. Pierce, and William Griswold.
New York Collects: Drawings and Watercolors 1900–1950
. Pierpont Morgan Library, New York, 1999
.
Flint, Lucy.
The Peggy Guggenheim Collection
. New York, 1983
.
Forgey, Benjamin. "While the Nation Struggled, So Did Its Artists."
Washington Evening Star,
November 18, 1978
: C-1
.
Foster, Carter E., Jeffrey D. Grove, Patrick Shaw Cable, and Cathleen Chaffee.
Drawing Modern: Works from the Agnes Gund Collection
. Cleveland Museum of Art, Cleveland, OH, 2003
.
Foster, Stephen C.
The Critics of Abstract Expressionism.
Ann Arbor, 1980
.
Francés, Fernando.
Encuentros: diálogos de complicidad en la pintura internacional
. Sala de Exposiciones del Palacio Episcopal, Málaga, Spain, 2001
.
Franciolli, Marco.
Da Kandinsky a Pollock: la vertigine della non-forma
. Museo Cantonale d'Arte, Lugano, Swizerland, 2001
.
Frank, Susan Behrends.
American Art 1850–1960: Capolavori dalla Phillips Collection di Washington
. Museo di arte moderna e contemporanea di Trento e Rovereto, Rovereto, Italy, 2010
.
Frank, Susan Behrends. “Amerikas Weg in die Moderne. Duncan Phillips und die Phillips Collection.” In
Von Hopper bis Rothko: Amerikas Weg in die Moderne
, edited by Ortrud Westheider and Michael Philipp. Museum Barberini, Potsdam, Germany, 2017
: 8–25
.
Frank, Susan Behrends and Miriam Häßler. “Farbe und Raum. Malerei in den sechziger Jahren.” In
Von Hopper bis Rothko: Amerikas Weg in die Moderne
, edited by Ortrud Westheider and Michael Philipp. Museum Barberini, Potsdam, Germany, 2017
: 212–215
.
Frank, Susan Behrends. “Künstlerbiographien.” In
Von Hopper bis Rothko: Amerikas Weg in die Moderne
, edited by Ortrud Westheider and Michael Philipp. Museum Barberini, Potsdam, Germany, 2017
: 232–243
.
Franks, Pamela.
"The Tiger's Eye": The Art of a Magazine
. Yale University Art Gallery, New Haven, 2002
.
Frye, Melinda Young. “A Spring Quintet: Five Washington Area Exhibits You Won’t Want to Miss.”
Museum News
62, no. 5 (June 1984)
.
Fujieda, Teruo. “Special Feature: Mark Rothko.”
Mizue
888 (March 1979)
: 6–57
.
Fuller McChesney, Mary.
A Period of Exploration: San Francisco 1945–50
. Oakland Museum Art Department, Oakland, CA, 1973
.
Fundació Joan Miró.
Amèrica, Amèrica
. Barcelona, Spain, 1977
.
Fundacion Caja de Pensiones.
Beuys, Klein, Rothko: Profecía y transformación
. Madrid, 1987
.
Fundación Juan March.
Arte USA
. Madrid, 1977
.
Gagnon, Paulette, and Yolande Racine.
L'Oeil du Collectionneur
. Musée d'art contemporain, Montréal, Canada, 1996
.
Galería Elvira González.
Eduardo Chillida – Alabastros/Mark Rothko – Pinturas
. Madrid, 1998
.
Galería Elvira González.
Mark Rothko
. Madrid, 1995
.
Galería Theo, Madrid.
20 Años Theo: Gran Formato, Pequeño Formato
. Madrid, 1988
.
Galerie Beyeler.
America, America
. Basel, 1976
.
Galerie Beyeler.
America: Art Fair 1971
. Basel, Switzerland, 1971
.
Galerie Beyeler.
America on Paper
. Basel, 1974
.
Galerie Beyeler.
American Abstract Expressionists
. Basel, Switzerland, 1988
.
Galerie Beyeler.
Homage to Francis Bacon
. Basel, 1992
.
Galerie Beyeler.
Magic Blue
. Basel, Switzerland, 1993
.
Galerie Beyeler.
Mark Rothko
. Basel, 1990
.
Galerie Beyeler.
Petits Formats
. Basel, 1978
.
Galerie Charles Lienhard.
Appel t.e.m. Villon
. Zurich, Switzerland, 1962
.
Galerie Daniel Blau.
Mark Rothko: "Multiforms," Bilder von 1947–1949.
Munich, Germany, 1993
.
Galleria Civica di Modena.
Cronaca: percorso didattico attraverso la pittura americana degli anni 60 e la pittura europea degli anni 70
. Modena, Italy, 1976
.
Galleria Lorenzelli.
Mark Rothko
. Bergamo, Italy, 1971
.
Galleria Nazionale dell’Umbria.
Pittura Contemporanea in Galleria: Mark Rothko, Adrian Schiess, Phil Sims, Gunter Umberg, Ulrich Wellmann
. Perugia, Italy, 1996
.
Gallerie d'arte Martano.
Mark Rothko
. Turin, Italy, 1971
.
Gamwell, Lynn. “Dream Archive.” In
Dreams 1900 – 2000: Science, Art, and the Unconscious Mind
, edited by Lynn Gamwell. Binghamton University Art Museum, Binghamton, NY, 2000
: 211–300
.
Gamwell, Lynn, ed.
Dreams 1900 – 2000: Science, Art, and the Unconscious Mind.
Binghamton University Art Museum, Binghamton, NY, 2000
.
Gamwell, Lynn. “The Muse Is Within: The Psyche in the Century of Science.” In
Dreams 1900 – 2000: Science, Art, and the Unconscious Mind
, edited by Lynn Gamwell. Binghamton University Art Museum, Binghamton, NY, 2000
: 13–60
.
Garred, Eileen. "Selection of Rothko Works Given to Fogg."
Harvard Gazette
, April 26, 1985
: 1, 6
.
Gassner, Hubertus, Christiane Lange, and Oliver Wick.
Mark Rothko Retrospektive
. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
.
Gassner, Hubertus. “‘Das Entsetzen oder die Hoffnung’: Mark Rothko sieht Pierre Bonnard.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 166–178
.
Geldzahler, Henry.
Art for Embassies, Selected from the Woodward Foundation Collection
. Washington Gallery of Modern Art, Washington, DC, 1967
.
Geldzahler, Henry.
Contemporary American Art in the American Embassy Residence, Belgrade, Yugoslavia
. Woodward Foundation Collection, Washington, DC [circa 1969]
.
Geldzahler, Henry.
New York Painting and Sculpture: 1940–1970
. Metropolitan Museum of Art, New York, 1969
.
Georgia O'Keeffe Museum.
Eye of Modernism: A Guide to the Exhibition
. Georgia O'Keeffe Museum, Santa Fe, NM, 2001
.
Gibbs, Jo. "Contemporary Art, Artists and Museums in the U.S.A."
Art Digest
22, no. 19 (August 1, 1948)
: 10–11,19, 22
.
Gibson, Ann. “Regression and Color in Abstract Expressionism: Barnett Newman, Mark Rothko, and Clyfford Still.”
Arts Magazine
55, no. 7 (March 1981)
: 144–153
.
Giraudy, Danièle, ed.
Musée Cantini: Acquisitions Récentes
, 1989-2004. Musée Cantini, Marseille, France, 2004
.
Glimcher, Arne.
Mark Rothko: The Exhibitions at Pace
. Pace Gallery, New York, 2019
.
Glimcher, Arnold.
Rothko: Dark Palette
. Pace Gallery, New York, 2016
.
Glimcher, Marc, ed.
The Art of Mark Rothko: Into an Unknown World
. New York, 1991
.
Glimcher, Marc. M
ythology: Alexander Calder, Willem De Kooning, Max Ernst, Arshile Gorky, Adolph Gottlieb, Frederick Kiesler, André Masson, Roberto Matta, Joan Miró, Barnett Newman, Isamu Noguchi, Jackson Pollock, Mark Rothko, David Smith
. Pace Gallery, New York, 2012
.
Glueck, Grace. “Matchmaking: Old Masters Meet Their Modern Soul Mates.”
New York Times
, May 25, 2007
.
Gmurzynska, Krystyna.
Klassische Moderne
. Galerie Gmurzynska, Cologne, 1981
.
Goddard, Donald. "Rothko's Journey Into the Unknown."
Art News
78, no. 1 (January 1979)
: 36–40
.
Golbin, Pamela, ed.
Orizzonti/Rosso
. Fondazione Valentino Garavani e Giancarlo Giammetti, Milan, Italy, 2025
.
Goldberg, Itzhak. "Rothko: la couleur métaphysique."
Beaux Arts Magazine
176 (January 1999)
: 62–69
.
Goldwater, Robert, and Peter Selz.
Mark Rothko, A Retrospective Exhibition, Paintings 1945–1960
. Whitechapel Art Gallery, London, 1961
.
Goldwater, Robert, and Peter Selz.
Mark Rothko
. Kunsthalle Basel, Basel, Switzerland, 1962
.
Goldwater, Robert, Emilio Villa, and Peter Selz.
Mark Rothko
. Stedelijk Museum, Amsterdam, 1961
.
González Orbegozo, Marta.
Minimalismos, un signo de los tiempos
. Museo Nacional Centro de Arte Reina Sofía, Madrid, 2001
.
Goodrich, Lloyd, and John I. H. Baur.
American Art of Our Century
. Whiney Museum of American Art, New York, 1961
.
Goossen, Elayne C., and Elayne H. Varian.
Betty Parsons’ Private Collection
. Finch College, New York, 1968
.
Gopnik, Blake. "Art."
Washington Post
, July 15, 2001
: G3
.
Grabenhorst-Randall, Terree.
Jung and Abstract Expressionism: The Collective Image Among Individual Voices
. Hofstra Museum, Emily Lowe Gallery, Hofstra University, Hempstead, NY, 1986
.
Graff, Roberta. “Museum Beat.”
South Shore Record,
May 9, 1985
.
Green, Denise.
Metonymy in Contemporary Art: A New Paradigm
. Minneapolis, MN, 2005
.
Greenberg, Ronald K., and John Van Doren.
Selected Works
. St. Louis, MO, 1998
.
Greenberger, Alex. “Major National Gallery Survey to Spotlight Mark Rothko’s Lesser-Known Paintings on Paper.”
Art News
, February 11, 2022
.
Greene, Alison de Lima, ed.
Mark Rothko: An Essential Reader
. Museum of Fine Arts, Houston, Houston, TX, 2015
.
Greenhalgh, Adam.
Mark Rothko: Paintings on Paper
. National Gallery of Art, Washington, 2023
.
Guilbaut, Serge, Manuel J. Borja-Villel, and Rosario Pieró Carrasco.
Bajo la Bomba: El Jazz de la Guerra de imagenes transatlantica, 1946-1956
. Museo Nacional Centro de Arte Reina Sofía, Madrid, and Museu d’Art Contemporani de Barcelona, Barcelona, Spain, 2007
.
H.T.H., "Group Show, Dwan Gallery."
Artforum
1, November 1962
: 48
.
H.V.D. “Art in Review.”
New York Times,
November 25, 1933
.
Haag, Sabine, and Jasper Sharp, eds.
Mark Rothko
. Kunsthistorisches Museum Wien, Vienna, 2019
.
Haag, Sabine, and Jasper Sharp, eds.
The Shape of Time
. Kunsthistorisches Museum Wien, Vienna, 2018
.
Hadler, Mona, and Jerome Viola.
Brooklyn College Art Department Past and Present 1942–1977.
New York, 1977
.
Hall-Duncan, Nancy, and Irving Sandler.
The American Avant-Garde: A Decade of Change 1936–1946
. Bruce Museum of Arts and Science, Greenwich, CT, 2000
.
Hall-Duncan, Nancy, and Sam Hunter.
The Surrealist Vision: Europe and the Americas, Bruce Museum of Arts and Science
, Greenwich, CT, 1998
.
Hapkemeyer, Andreas, ed.
The Perception of the Horizontal
. Museion, Bolzano, Italy, 2005
.
Hapkemeyer, Andreas. “The Perception of the Horizontal.” In
The Perception of the Horizontal
, edited by Andreas Hapkemeyer. Museion, Bolzano, Italy, 2005
: 7-21
.
Harrison, Charles. “Scenes and Details: A Rothko Sketchbook from the Late 1930s.” In
Seeing Rothko
, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 179–199
.
Harten, Jürgen.
Bilder sind nicht verboten: Kunstwerke seit der Mitte des 19. Jahrhunderts mit ausgewählten Kultgeräten aus dem Zeit alter der Aufklärung
. Städtische Kunsthalle, Düsseldorf, 1982
.
Hashimoto, Azusa. Rothko entry. In
The 30th Anniversary: Collection of the National Museum of Art
, edited by Atsuhiko Shima, Masahiro Yasugi, and Yuko Fujiyoshi. The National Museum of Art, Osaka, Japan, 2007
.
Haskell, Barbara.
The American Century: Art & Culture 1900-2000 (Part I, 1900-1950)
. Whitney Museum of American Art, New York, 1999
.
Hauptman, Jodi.
Drawing from the Modern, 1880-1945
. The Museum of Modern Art, New York, 2005
.
Hauptman, Jodi.
Master Drawings from the Museum of Modern Art: Cézanne to Pollock
. The Shanghai Museum, Shanghai, 2006
.
Haus am Waldsee.
Gegenwart bis 1962
. Berlin, 1962
.
Hayashi, Sumi. “Creation of an Intimate Place: Three Series of Murals.” In
Mark Rothko
, by David Anfam et al.
Tokyo Shimbun, Tokyo, 1995
: 44–57
.
Hebert, Natasha, Daniela Ferretti, and Axel Vervoordt.
Lo sguardo dell'artista
. Palazzo Fortuny, Venice, 2013
.
Hess, Thomas B. "The Whitney Draws Slowly to the Left."
Art News
XLV (March 1946)
: 62
.
Hiromoto, Nobuyuki.
Contemporary Great Masters: Mark Rothko.
Vol. 4, Tokyo, 1993
.
Hobbs, Robert C. "Early Abstract Expressionism and Surrealism."
Art Journal
45 (Winter 1985)
: 299–302
.
Hobbs, Robert Carleton, and Gail Levin.
Abstract Expressionism: The Formative Years
. Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, 1978
.
Hobbs, Robert Carleton. Rothko entry. In
Abstract Expressionism: The Formative Years
, by Robert Carleton Hobbs and Gail Levin. Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, 1978
: 116-121
.
Hobbs, Robert Carlton. “Early Abstract Expressionism: A Concern with the Unknown Within.” In Robert Carlton Hobbs and Gail Levin,
Abstract Expressionism: The Formative Years.
The Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, 1978
: 8–26
.
Hobbs, Robert.
The University of Iowa Museum of Art: 101 Masterworks.
The University of Iowa Museum of Art, Iowa City, IA, 1986
.
Holmes, Jacqueline B.
The Haskell Collection
. Cummer Gallery of Art, Jacksonville, 1997
.
Homann, Joachim, Margaret Morgan Grasselli, and Miriam Stewart, eds.
American Watercolors, 1880–1990: Into the Light
. Harvard Art Museums, Cambridge, MA, 2023
.
Hoopes, Donelson F.
American Watercolor Painting
. New York, 1977
.
Hopps, Walter, and Neil Printz.
Amerikanische Zeichnungen, 1930 – 1980
. Städtische Galerie im Städelschen Kunstinstitut, Frankfurt, 1985
.
Hopps, Walter, and Neil Printz.
Cinquante ans de dessins américains, 1930-1980
. Ecole nationale supérieure des Beaux-Arts, Paris, 1985
.
Hughes, Robert.
American Visions: The Epic History of Art in America
. New York, 1997
.
Hughes, Robert.
The Shock of the New: Art and the Century of Change.
London, 1980
.
Hughes, Robert. "The Tribal Style: Ab Ex at the Whitney Museum."
Time
112, no. 16 (October 16, 1978)
.
Hunter, Sam.
La pittura americana del dopoguerra.
Milan, Italy, 1967
.
Hunter, Sam.
Modern American: Op, Pop, and the School of Color
. New York, 1970
.
Hunter, Sam. “Surrealism in Transition: Paris and New York.” In
The Surrealist Vision: Europe and the Americas
, by Nancy Hall-Duncan and Sam Hunter. Bruce Museum of Arts and Science, Greenwich, CT, 1998
: 35–60
.
In Celebration: Works of Art from the Collections of Princeton Alumni and Friends of The Art Museum, Princeton University
. Princeton University Art Museum, Princeton, NJ, 1997
.
Ingamells, J. A. S. "American Painting at York."
The Museums Journal
60, no. 6 (October 1960)
: 165–68
.
The International Council of The Museum of Modern Art.
American Abstract Expressionists
. City Art Centre and Fruitmarket Gallery, Edinburgh, 1981
.
Internazionale d'Arte Contemporanea, Milan, Art Fair
. Milan, Italy, 1985
.
Israel, Ahuva. “Biographical Notes.” In
Mark Rothko
, edited by Mordechai Omer and Christopher Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007
: 91–108
.
The Israel Museum.
Promised Gifts
. The Israel Museum, Jerusalem, Israel, 1985
.
Jachec, Nancy. "Myth and the Audience: the Individual, the Collective and the Problem of Mass Communication by the Early 1950s." In
American Abstract Expressionism
, edited by David Thistlewood. Liverpool, 1993
: 129–145
.
Janie C. Lee Gallery.
Master Drawings: 1928-1984
. Houston, TX, 1984
.
Jeffett, William, and Martica Sawin.
Surrealism in America during the 1930s and 1940s: Selections from the Penny and Elton Yasuna Collection
. Salvador Dalí Museum, St. Petersburg, FL, 1998
.
Jewell, Edward Alden. "Art: Hither and Yon."
New York Times
, April 28, 1946
: 6
.
Jewell, Edward Alden. "Toward Abstract, Or Away?"
New York Times
, July 1, 1945
: 2
.
Jones, Caroline A.
Modern Art at Harvard: The Formation of the Nineteenth- and Twentieth-Century Collections of the Harvard University Art Museums
. Harvard University Art Museums, Cambridge, MA, and Abbeville Press, New York, 1985
.
Jones, Caroline A.
Twentieth-century drawings from the Anderson Collection: Auguste Rodin to Elizabeth Murray
. Stanford University Museum of Art, Stanford, CA, 1988
.
Jones, Leslie, Isabelle Dervaux, and Susan Laxton.
Drawing Surrealism
. Los Angeles County Museum of Art, Los Angeles, CA, 2012
.
Kaiser, Franz-W. “Biografie.” In
Mark Rothko: Uit de collectie van de National Gallery of Art, Washington
, by Franz-W. Kaiser et al. Gemeentemuseum Den Haag, The Hague, Netherlands, 2014
: 9–33
.
Kaiser, Franz-W., Harry Cooper, Henk van Os, and Joost Zwagerman.
Mark Rothko: Uit de collectie van de National Gallery of Art, Washington
. Gemeentemuseum Den Haag, The Hague, Netherlands, 2014
.
Kampf, Avram.
Jewish Experience in the Art of the Twentieth Century
. The Jewish Museum, New York, 1975
.
Karlstrom, Paul J., and Dore Ashton,
Cross-Currents in Modern Art: A Tribute to Peter Selz
. Achim Moeller Fine Art, New York, 2000
.
Kawamura Memorial DIC Museum of Art.
Mark Rothko
. Sakura, Japan, 2009
.
Kaye Reed, Judith. "Rugged to Delicate."
Art Digest
, June 1, 1946
: 11
.
Kellein, Thomas, ed.
Mark Rothko: Kaaba in New York
. Kunsthalle Basel, Basel, Switzerland, 1989
.
Kellein, Thomas. “Mark Rothko–Kaaba In New York.” In
Mark Rothko: Kaaba in New York
, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989
: 31–47
.
Kerrigan, Emily A. Rothko entry. In
New Forms: The Avant-Garde Meets the American Scene, 1934-1949
, edited by Kathleen A. Edwards. The University of Iowa Museum of Art, Iowa, IA, 2013
: 45
.
Kertess, Klaus.
Sea Change
. Parrish Art Museum, Southampton, NY, 1998
.
Kertess, Klaus.
The Pacesetter Corporation’s Collection of Contemporary Art, Vol. II
. Omaha, NE, 1983–1986
.
Kessler, Pamela. “Fade to Gray: Mark Rothko at National.”
Washington Post,
May 4, 1984
.
Kimball, Roger. "Deeply Seductive."
The Spectator
, May 30, 1998
: 48
.
Kinghorn, George, ed.
Image and Energy: Selections from the Haskell Collection
. Museum of Contemporary Art, Jacksonville, FL, 2004
.
Kinghorn, George. “Images and Energy: Early Figures of the New York School.” In
Image and Energy: Selections from the Haskell Collection
, edited by George Kinghorn. Museum of Contemporary Art, Jacksonville, 2004
: 11–23
.
Kittelmann, Udo, Dieter Scholz, and Anke Daemgen.
Bilder Träume: Die Sammlung Ulla und Heiner Pietzsch
. Neue Nationalgalerie Berlin, Staatliche Museen Preussischer Kulturbesitz, Berlin, 2009
.
Kopp, Edouard, John Elderfield, Richard Shiff, and Terry Winters.
Drawing is Everything: Founding Gifts of the Menil Drawing Institute
. Menil Collection, Houston, TX, 2019
.
Koszinowski, Ingrid. “Colour – absolute, essential, analytical.” In
Otto Ritschl, 1885–1976: Retrospektive
by Ingrid Koszinowski. Museum Wiesbaden and Von der Heydt-Museum, Wuppertal, Germany, 1997
.
Koszinowski, Ingrid.
Otto Ritschl, 1885–1976: Retrospektive
. Museum Wiesbaden and Von der Heydt-Museum, Wuppertal, Germany, 1997
.
Kramer, Hilton. “Rothko–Art as Religious Faith.”
New York Times,
November 12, 1978
.
Kramer, Hilton. “Rothko's Surreal Killer May Have Been Greenberg.”
New York Observer
, June 15, 1998
: 1, 27
–28
.
Krauss, Rosalind.
Works on Paper: American Art 1945–1975
. Bellingham, WA, 1977
.
Kremer, Gwendolin. Rothko entry. In
Constable, Delacroix, Friedrich, Goya: Die Erschütterung der Sinn
, edited by Ulrich Bischoff and Luc Tuymans. Galerie Neue Meister, Staatliche Kunstsammlungen Dresden, Dresden, Germany, 2013
.
Kriesel, Angela ed.
Ein Geschenk ... Die Sammlung Sprengel
. Sprengel Museum, Hanover, Germany and Göttingen, Germany, 2010
.
Krugier, Jan. “Le Silence des Autres.”
Suites
36 (November 1972)
.
Kuspit, Donald. “From Vision to Dream: The Secularization of the Imagination.” In
Dreams 1900 – 2000: Science, Art, and the Unconscious Mind
, edited by Lynn Gamwell. Binghamton University Art Museum, Binghamton, NY, 2000
: 77–88
.
Kuthy, Sandor, ed.
Kunstmuseum Bern: Die Gemälde
. Kunstmuseum Bern, Switzerland, 1983
.
Kutner, Janet. "Expressionist Seduces Viewer with his Use of Light, Color."
Dallas Morning News
, November 15, 1998
: 1c, 10c
.
La Collezione Peggy Guggenheim
. Florence, 1960
.
La Collezione Peggy Guggenheim, Venezia: arte del 20. secolo
. Galleria civica d'arte moderna, Turin, Italy, 1975
.
Lange, Christiane and Karin Koschkar. "Rothko in Deutschland." In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 186-193
.
The Larry Aldrich Museum.
Brandeis University Creative Arts Awards 1957 – 1966, Tenth Anniversary Exhibition
. Ridgefield, CT, 1966
.
Larson, Kay. "Durable Darkness."
New York
, June 17, 1985
: 62–64
.
Lawrence, James.
Mark Rothko: Works on Paper, 1941–1947
. Pace Gallery, New York, 2014
.
Lawrence, James. “The Watercolors 1941–1947.” In
Mark Rothko: The Exhibitions at Pace
by Arnold Glimcher. Pace Gallery, New York, 2019
: 28–37
.
Lecoq-Ramond, Sylvie.
Variations autour de la crucifixion: regards contemporains sur Grünewald
. Musée d’Unterlinden, Colmar, France, 1993
.
Leder, Helmut. “Horizontality and the Psychology of Perception.” In
The Perception of the Horizontal
, edited by Andreas Hapkemeyer. Museion, Bolzano, Italy, 2005
: 66-73
.
Leonard, Michael. “A Search for Spiritual Essence.”
Artweek
(June 14, 1986)
: 3
.
Leveque, Jean-Jacques. "Mark Rothko au Musée d'art moderne: Espace illimité."
Nouvelles Litteraires
, April 3, 1972
.
Lewis, Jo Ann. “Rothko: Not Nothing. A Modern Master Is Here, but the Old Thrill Is Gone.”
Washington Post,
May 3, 1998
.
Lewison, Jeremy. "'A New Spirit of Freedom': Abstract Expressionism in Europe in the Aftermath of War." In
Abstract Expressionism
, edited by David Anfam. Royal Academy of Arts, London, 2016
.
Lewison, Jeremy. “Mark Rothko Oggi.”
Carte d'Arte
1 (November/December 1987)
.
Lieberman, William S.
20th Century Masters: The Thyssen-Bornemisza Collection
. National Gallery of Art, Washington, 1982
.
Lieberman, William S.
A Treasury of Modern Drawing: The Joan and Lester Avnet Collection
. The Museum of Modern Art, New York, 1978
.
“Lively Doings in Art Circles.”
New York Sun,
December 1, 1933
.
Lorent, Claude. “Mark Rothko: La lente conquête du sublime.”
Art & Culture
[Palais des Beaux-arts, Brussels] 13, no. 5 (January 1999)
: 6
.
Louisiana Museum of Modern Art.
Louisiana: Samling og bygninger The collection and the Buildings
. Humlebaek, Denmark, 1992
.
Lozano, Luis-Martín, ed. V
isiones y Revisiones en la Colección Pérez Simón
. Fundación JAPS, Mexico, 2011
.
Lucie-Smith, Edward.
Late Modern: The Visual Arts since Since 1945
. London, 1969
.
Lucie-Smith, Edward.
Lives of the Great 20th-Century Artists
. London, 1999
.
Lucie-Smith, Edward, Sam Hunter, Adolf Max Vogt, Giulio Carlo Argan.
Kunst der Gegenwart: Propyläen Kunstgeschichte: Supplementband II
. Frankfurt am Main, Germany, 1978
.
M. Knoedler and Company.
American Works on Paper: 1945-1975
. New York, 1975
.
M. Messinger, Lisa. Rothko entry. In
Recent Acquisitions: A Selection, 1985-1986
, by The Metropolitan Museum of Art. New York, 1986
.
Maak, Niklas. “Der amerikanische Raum.”
Frankfurter Allgemeine
, February 7, 2008
: 33
.
Maciejunes, Nannette V.
A Nation's Legacy: 150 years of American Art from Ohio Collections
. Columbus Museum of Art,Columbus, OH, 1992
.
Madoff, Steven Henry. "Mark Rothko: Pace Wildenstein."
Art News
93, no. 6 (Summer 1994)
.
Malamud, Bernard. “Mark Rothko: Works on Paper.”
FMR
11 (May 1985)
: 32–35
.
Malingue, Daniel.
50th Anniversary
. Galerie Malingue, Paris, 2012
.
Mancusi-Ungaro, Carol. “Nuances of Surface in the Rothko Chapel Paintings.” In
Mark Rothko: The Chapel Commission
, by David Anfam and Carol Mancusi-Ungaro. Menil Collection, Houston, TX, 1996
.
Mancusi-Ungaro, Carol. "The Rothko Chapel Paintings: A Personal Account." In
Image of the Not-Seen: Search for Understanding, The Rothko Chapel Art Series
, edited by K. C. Eynatten, Kate Hutchins, and Don Quaintance. Houston, TX, 2007
: 79–87
.
Marisa del Re Gallery.
Nine Contemporary American Masters
. New York, 1983
.
Marisa del Re Gallery.
Ten American Abstract Masters
. New York, 1981
.
Marizo, Peter C.
A Spirited Vision: Highlights of the Bequest of Caroline Wiess Law to the Museum of Fine Arts, Houston
. The Museum of Fine Arts, Houston, Houston, TX, 2004
.
Mark Rothko 1949: A Year in Transition: Selections from the Mark Rothko Foundation
. San Francisco Museum of Modern Art, San Francisco, CA, 1983
.
“Mark Rothko: A Retrospective.”
Review
, no. 11 (November 1978)
: 66–71
.
Marlborough Galleria d'Arte.
Mark Rothko
. Rome, 1971
.
Marlborough Gallery, New York.
A Selection of European and American Watercolors and Drawings
. New York, 1972
.
Marlborough-Gerson Gallery.
The New York Painter: A Century of Teaching: Morse to Hofmann
. New York, 1967
.
Marlborough New London Gallery.
Mark Rothko
. Marlborough New London Gallery, London, UK, 1964
.
May, Stephen. "Rothko: Emotion in the Abstract."
World & I
13, no. 7 (July 1998)
: 110–117
.
McCoy, Mary. “Review: Mark Rothko at the Academy Art Museum.”
Chestertown Spy,
February 7, 2012
.
McCullagh, Suzanne Folds. “The Gecht Collection and the Chicago Tradition.” In
Graphic Modernism: Selections from the Francey and Dr. Martin L. Gecht Collection at The Art Institute of Chicago
, edited by Susan F. Rossen and Brandon Ruud. Art Institute of Chicago, Chicago, IL, 2003
: vii–xi
.
McDaniel, Robert.
Abstract Expressionist Drawings, 1941–1955
. Janie C. Lee Master Drawings, New York, 1988
.
Messer, Thomas M., and Akira Asahi, eds.
Modern Art in the West
. Tokyo Metropolitan Teien Art Museum, Tokyo, Japan, 1983
.
The Metropolitan Museum of Art.
Recent Acquisitions: A Selection, 1985-1986
. New York, 1986
.
The Metropolitan Museum of Art.
Two Hundred Years of Watercolor Painting in America: An Exhibition Commemorating the Centennial of the American Watercolor Society
. New York, 1966
.
Michael Rosenfeld Gallery.
Lines & Myths: Abstraction in American Art 1941–1951
. New York, 1992
.
Miller, Donald. “Rothko’s Work Retains Its Luminous Quality.”
Pittsburgh Post-Gazette,
November 24, 1984
.
Millet-Sorsa, Amanda. “Mark Rothko: Paintings on Paper.”
The Brooklyn Rail
(February 2024)
: 50
.
Minnesota Museum of Art.
American Drawing: 1927–1977
. St. Paul, MN, 1977
.
Mintz Messinger, Lisa.
Abstract Expressionism, Works on Paper: Selections from the Metropolitan Museum of Art
. Metropolitan Museum of Art, New York, 1992
.
Mintz Messinger, Lisa.
Abstract Expressionism: Works on Paper, Selections from The Metropolitan Museum of Art
. The National Museum of Modern Art, Tokyo, 1995
.
Mintz Messinger, Lisa.
Expresionismo abstracto: obra sobre papel, Colección The Metropolitan Museum of Art, Nueva York
. Fundación Juan March, Madrid, 2000
.
MKR's Art Outlook
. "Mark Rothko." June 1946
: 4
.
Modern American Painting, 1930–1958
. York City Art Gallery, York, England, 1960
.
Moderne Amerikanische Malerei 1930–1958
. Hessisches Landesmuseum, Darmstadt, Germany, 1960
.
Moeller, Magdalena M., et al.
Sprengel Museum Hannover: Malerei und Plastik des 20. Jahrhunderts
. Sprengel Museum, Hanover, Germany, 1985
.
Montclair Art Museum.
Report from the Montclair Art Museum
. Montclair, NJ, 1988
.
Morrin, Peter, and Eric Zafran.
Drawings from Georgia Collections: 19th & 20th Centuries
. High Museum of Art, Atlanta, GA, 1981
.
Muehlig, Linda, ed.
Masterworks of American Painting and Sculpture from the Smith College Museum of Art
. New York, 1999
.
Müller, Markus, ed.
Who Is Who: Eddy Novarro and the Avant-Garde from the 50s to the 70s
. Kunstmuseum Pablo Picasso Münster, Münster, Germany, 2011
.
Müller, Markus. “The American Avant-Garde in the Eddy Novarro Collection.” In
Who Is Who: Eddy Novarro and the Avant-Garde from the 50s to the 70s
, edited by Markus Müller. Kunstmuseum Pablo Picasso Münster, Münster, Germany, 2011
.
Musée d'art et d'histoire.
Art du 20e siècle: collections genevoises
. Geneva, Switzerland, 1973
.
Musées de Marseill.
La planète affolée: Surréalisme Dispersion et Influences, 1938–1947
. Marseille, France, 1986
.
Museum of Art, Washington State University.
Drawing 1900 – 1945: A Survey of American Works
. Museum of Art, Washington State University, Pullman, WA, 1979
.
Museum of Contemporary Art, Chicago.
Collective Vision: Creating a Contemporary Art Museum
. Chicago, 1996
.
Museum Wiesbaden.
Das Geistige in der Kunst: Vom Blauen Reiter zum Abstrakten Expressionismus
. Wiesbaden, Germany, 2010
.
Nairne, Eleanor. “The Friction In Between.” In
Mark Rothko, 1968: Clearing Away
, by Christopher Rothko and Eleanor Nairne. Pace Gallery, London, 2021
: 33–44
.
Nakabayashi, Kazuo, et al.
Modern Paradise: Japanese and Western Masterpieces from the Ohara Museum of Art and the National Museum of Modern Art, Tokyo
. The National Museum of Modern Art, Tokyo, Tokyo, 2006
.
National Gallery of Art.
A Profile of the East Building: Ten Years at the National Gallery of Art, 1978–1988
. Washington, 1989
.
The National Museum of Art, Osaka.
Dream Museum: The Osaka Collections
. The National Museum of Art, Osaka, Japan, 2007
.
The National Museum of Modern Art, Tokyo.
Abstract Expressionism: Masterpieces from Japanese Collections
. The National Museum of Modern Art, Tokyo, Tokyo, 1995
.
The National Museum of Modern Art, Tokyo. Rothko entry. In
Abstract Expressionism: Masterpieces from Japanese Collections
. The National Museum of Modern Art, Tokyo, Tokyo, 1995
.
Naves, Mario. "Mark Rothko at the Whitney."
New Criterion
17, no. 3 (November 1998)
: 52–54
.
Neff, Terry Ann R.
Selections from the William J. Hokin Collection
. Museum of Contemporary Art Chicago, Chicago, IL, 1985
.
Nihon Keizai Shimbun, Inc.
Modern Art at Harvard
. Tokyo, 1999
.
Nobis, Norbert. “Das Kunstwerk des Monats: Mark Rothko 'Ohne Titel,’”
Schwäbische Zeitung
, January 3, 1981
: n.p
.
Nodelman, Sheldon. “Rediscovering Rothko.”
Art in America
87, no. 7 (July 1999)
: 58–65, 106
.
Nodelman, Sheldon.
The Rothko Chapel Paintings: Origins, Structure, Meaning
. Austin, TX, 1997
.
Nodelman, Sheldon. “The Unknown Rothko.”
Art in America
96, no. 2 (February 2008)
: 95–105
.
O'Doherty, Brian.
American Masters: The Voice and the Myth in Modern Art.
New York, 1974
.
O’Doherty, Brian.
Mark Rothko: The Dark Paintings, 1969–70
. Pace Gallery, New York, 1985
.
O’Doherty, Brian.
Mark Rothko: The Last Paintings
. Pace Gallery, New York, 1994
.
Oberlin Alumni Collect: Modern and Contemporary Art.
Allen Memorial Art Museum, Oberlin, OH, 1989
.
Oberösterreichische Landesmuseen, Schlossmuseum.
Wahrnehmungen, Aspekte der österreichisch - amerikanischen Beziehungen in der Bildenden Kunst, 1945-1965
. Linz, Austria, 2005
.
Oeri, Georgine. "Mark Rothko."
Quadrum
10 (1961)
: 65–74
.
Omer, Mordechai, and Christopher Rothko, eds.
Mark Rothko
. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007
.
Omer, Mordechai. “Cycles of Faith: Rothko, Kierkegaard, and the Sacrifice of Isaac.” In
Mark Rothko
, edited by Mordechai Omer and Christopher Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007
: 67–89
.
Oresman, Janice C.
Twentieth Century American Watercolor
. The Gallery Association of New York State, Hamilton, NY, 1983
.
Ottmann, Klaus.
The Essential Mark Rothko
. New York, 2003
.
Pagé, Suzanne, and Christopher Rothko, eds.
Mark Rothko
. Fondation Louis Vuitton, Paris, 2023
.
Painter, Karen, and Thomas Crow, eds.
Late Thoughts: Reflections on Artists and Composers at Work
. Los Angeles, CA, 2006
.
Palm, Regina.
The Collection of Nancy Lee and Perry R. Bass
. Kimbell Art Museum, Fort Worth, TX, 2015
.
Panicelli, Ida.
Mark Rothko: Mostra didattica
. Galleria civica d’arte moderna, Palazzo Te, Mantua, Italy, 1977
.
Panicelli, Ida. “Silenzio, é Rothko.”
L’Espresso
, June 25, 1998
.
Panorama
(Milan). “Finalmente Rothko.” November 7, 1978
.
Pappas, Andrea. “Invisible Points of Departure: Reading Rothko’s Christological Imagery.”
American Jewish History
92, no. 4 (December 2004)
: 401–436
.
Paul, Benjamin. Rothko entry. In
Modern Art at Harvard
, by Nihon Keizai Shimbun, Inc. Tokyo, 1999
: 231-232
.
Peatross, C. Ford, and David G De Long, eds.
Eero Saarinen: Buildings from the Balthazar Korab Archive
. New York, 2008
.
The Peggy Guggenheim Collection
. Tate Gallery, London, 1964
.
Peggy Guggenheims samling frȧn Venedig
. Moderna Museet, Stockholm, 1966
.
Peiffer, Prudence. “Reviews: Mark Rothko: Pace.”
Artforum
55, no. 7 (March 2017)
: 264
.
Pellegrini, Aldo.
New Tendencies in Art
. New York, 1966
.
Pelše, Stella. “Universālas un dziļi personīgas gleznas.”
Studija
(August/September 2003)
: 68–71
.
Perlein, Gilbert, ed.
Ecole de New York: Expressionnisme abstrait américain, oeuvres sur papier
. Galerie contemporaine du musée d'Art moderne et d'Art contemporain, Nice, France, 2005
.
Perry-Lehmann, Meira, ed.
On Paper, In Paper, With Paper: 100 Twentieth-Century Works from the Collection of the Israel Museum
, Jerusalem. The Israel Museum, Jerusalem, Israel, 1990
.
Perry-Lehmann, Meira. Rothko entry. In
On Paper, In Paper, With Paper: 100 Twentieth-Century Works from the Collection of the Israel Museum
, Jerusalem, edited by Meira Perry-Lehmann. The Israel Museum, Jerusalem, Israel, 1990
.
Phillips, Glenn, and Thomas Crow, eds.
Seeing Rothko
. Los Angeles, CA, 2005
.
Pietzsch, Ulla and Heiner Pietzsch.
Leben mit Kunst: Sammlung Ulla und Heiner Pietzsch
. Berlin, 2000
.
Pola, Francesca. Rothko entry. In
Peggy Guggenheim e la Nuova Pittura Americana
, by Luca Massimo Barbero. Arca, Chiesa di San Marco, Vercelli, 2008
: 156-158
.
Polcari, Stephen.
Abstract Expressionism and the Modern Experience
. New York, 1991
.
Polcari, Stephen. "Mark Rothko,"
Arts Magazine
53, no. 5 (January 1979)
: 3
.
Polcari, Stephen. “Mark Rothko: Heritage, Environment, and Tradition.”
Smithsonian Studies in American Art
2, no. 2 (Spring 1988)
: 33–63
.
Polcari, Stephen. "The Intellectual Roots of Abstract Expressionism: Mark Rothko."
Arts Magazine
54, no. 1 (September 1979)
: 124–135
.
Price, Vincent.
The Vincent Price Treasury of American Art
. Waukesha, WI, 1972
.
Puizza, Claudia. “Chronology.” In Pagé, Suzanne, and Christopher Rothko, eds.
Mark Rothko
. Fondation Louis Vuitton, Paris, 2023
: 257–272
.
Quitas, Celina, Jordi Sanguino, Marta Suárez-Infiesta, and Anna Wieck, ed.
Los Cambios de la abstracción, 1957–1978: Diálogos con el Museo de Arte Abstracto Español de Cuenca
. La Pedrera, Barcelona, Spain, 2022
.
Radic, Sally.
A Través del Claroscuro: Luz y Sombra en el Dibujo del siglo XVI al siglo XX
. Centre Cultural Bancaja, Valencia, Spain, 1996
.
Raine, Craig. "Old Friends in Venice."
Modern Painters
8 (Autumn 1995)
.
Rand, Harry.
Recent Trends in Collecting: Twentieth-Century Painting and Sculpture from the National Museum of American Art
. National Museum of American Art, Smithsonian Institution, Washington, DC, 1982
.
Rathbone, Eliza E. “Mark Rothko: The Brown and Gray Paintings.” In
American Art at Mid-Century: The Subjects of the Artist
, by E.A. Carmean, Jr. et al. National Gallery of Art, Washington, 1978
: 242–269
.
Rathbone, Elizabeth. "Mark Rothko."
Centre Stage
, November 1978
: 29
.
Rau, Bernd.
Gemälde, Skulpturen, Aquarelle und Zeichnungen des 20. Jahrhunderts: Die Sammlung Sprengel, Werke aus den Sammlungen der Landeshauptstadt Hannover und des Landes Niedersachsen
. Kunstmuseum Hannover and Sprengel Collection, Hanover, Germany, 1979
.
Reynolds, Jock.
American Abstraction at the Addison
. Addison Gallery of American Art, Phillips Academy, Andover, MA, 1991
.
Richard, Paul. “Rothko on Paper: Gazing at Eternity.”
Washington Post,
May 13, 1984
.
Richard, Paul. “Seven abstract American heroes.”
The Washington Post
, June 11, 1978
: K1–K2
.
Riley II, Charles A.
True Colors
. Nassau County Museum of Art, Roslyn Harbor, NY, 2018
.
Riley, Maude. "Insufficient Evidence."
Art Digest
, June 1, 1945
: 12
.
Robert Elkon Gallery.
New Acquisitions
. New York, 1968
.
Robert Elkon Gallery.
Twentieth Century Masters
. New York, 1971
.
Robert Elkon Gallery.
Twentieth Century Masters
. New York, 1972
.
Robert Elkon Gallery.
Twentieth Century Masters.
New York, 1973
.
Roberts, Emma E. "St. Ives: Mark Rothko."
Burlington Magazine
138, no. 1123 (October 1996)
: 702–703
.
Robertson, Bryan. "About Rothko."
Modern Painters
11 (Autumn 1998)
: 24–29
.
Robertson, Bryan.
“Land of the Free, Home of the Brave”: Artist Immigrants in America in the Twentieth Centur
y. Crane Kalman Gallery, London, 2000
.
Rodgers, Timothy Robert, Kermit Champa, Nancy Versaci, and Judith Tolnick.
Flying Tigers: Painting and Sculpture in New York 1939–1946
. Bell Gallery, Brown University, Providence, Rhode Island, 1985
.
Romero, Conchita, and Rafael Valentín López Flores.
De Rafael a Bacon: Obras maestras de la Colección Abelló
, Centro Cultural Fundación Unicaja, Málaga, Spain, 2024
.
Root, Joan. “Mark Rothko in 2024.”
On Paper: Journal of the Washington Print Club
(Spring 2024)
: 9–12
.
Roque, Georges, Karel J. Geirlandt, and Monique Verken.
American Art in Belgium
. Palais des Beaux-Arts de Bruxelles, Brussels, 1977
.
Rose, Barbara, ed.
Readings in American Art Since 1900: A Documentary Survey
. New York, 1968
.
Rose, Barbara. “Miró in America. In
Miró in America
by Barbara Rose. Museum of Fine Arts, Houston, 1982
: 5–45
.
Rose, Barbara.
Miró in America
. Museum of Fine Arts, Houston, 1982
.
Rose, Barbara. “Talking About Art: Color as Light, Color as Form: Whistler's Mists... Rothko's Clouds.”
Vogue
(August 1984)
: 24
.
Rose, Bernice.
A Century of Modern Drawing from the Museum of Modern Art, New York
.
British Museum, London, 1982
.
Rose, Bernice.
Bonnard/Rothko: Color and Light
. PaceWildenstein, New York, 1997
.
Rose, Bernice.
Rothko: A Painter’s Progress: The Year 1949
. PaceWildenstein, New York, 2004
.
Rosenblum, Robert. “Horizons.” In
The Perception of the Horizontal
, edited by Andreas Hapkemeyer. Museion, Bolzano, Italy, 2005
: 22–28
.
Rosenblum, Robert.
Mark Rothko: Notes on Rothko’s Surrealist Years
. Pace Gallery, New York, 1981
.
Rosenblum, Robert. “Notas sobre Rothko y la tradición.”
Arte y parte
, no. 29 (October–November 2000)
: 15–30
.
Rosenblum, Robert.
On Modern American Art: Selected Essays
. New York, 1999
.
Rosenblum, Robert. “The Surrealist Years.” In
Mark Rothko: The Exhibitions at Pace
by Arnold Glimcher. Pace Gallery, New York, 2019
: 21–27
.
Rosenfeld, Michael, and Jeffrey Wechsler.
Surrealism and American Art, 1932–1949
. Boca Raton Museum of Art, Boca Raton, FL, 1997
.
Rosenthal, Mark. “La riscoperta del sé e ulteriori sviluppi.” In
Action Painting, Arte Americana 1940–1970: dal Disegno all'Opera
, edited by Luca Massimo Barbero. Foro Boario di Modena, Italy, 2004
: 15–43
.
Rosenthal, Nan. Rothko entry. In "Recent Acquisitions, A Selection: 2007–2008," by Jean M. Evans, Dorothea Arnold, Charles T. Little, et al.
The Metropolitan Museum of Art Bulletin
66, no. 2 (Fall 2008)
: 5–57
.
Ross, Clifford.
Abstract Expressionism: Creators and Critics: An Anthology
. New York, 1990
.
Rossen, Susan F., and Brandon Ruud.
Graphic Modernism: Selections from the Francey and Dr. Martin L. Gecht Collection at The Art Institute of Chicago
. Art Institute of Chicago, Chicago, IL, 2003
.
Rothko, Christopher and Eleanor Nairne.
Mark Rothko, 1968: Clearing Away
. Pace Gallery, London, 2021
.
Rothko, Christopher. “Introduction.” In
The Artist’s Reality: Philosophies of Art
, by Mark Rothko. New Haven, CT, 2004
: xi–xxxi
.
Rothko, Christopher. “Introduzione.” In
L’Artista e la sua realtà: Filosofie de l’arte
. Translated by Riccardo Venturi. Milan, 2007
: 11–38
.
Rothko, Christopher. “Mark Rothko and the Quiet Dominance of Form.” In
Coming to Light: Avery, Gottlieb, Rothko: Provincetown Summers, 1957–1961
, edited by E. A. Carmean, Jr. Knoedler & Company, New York, 2002
: 18–19
.
Rothko, Christopher. “Mark Rothko and the Quiet Dominance of Form.” In
Mark Rothko
, edited by Mordechai Omer and Christopher Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007
: 11–27
.
Rothko, Christopher.
Mark Rothko: From the Inside Out
.
New Haven, CT, 2015
.
Rothko, Christopher. “Rothko’s Novels.” In
Mark Rothko, 1968: Clearing Away
, by Christopher Rothko and Eleanor Nairne. Pace Gallery, London, 2021
: 7–9
.
Rothko, Christopher. “The Experience Behind the Icon.” In
Mark Rothko
by Kate Rothko Prizel, Christopher Rothko, Alexander Nemerov, et al. New York, 2022
: 9–30
.
Rothko, Mark.
L’artista e la sua realità
. Translated by Riccardo Venturi. Milan, Italy, 2007
.
Rothko, Mark.
The Artist’s Reality: Philosophies of Art
. Edited by Christopher Rothko. New Haven, CT, 2004
.
Rothko, Mark. "The Romantics Were Prompted."
Possibilities
I (Winter 1947/1948)
.
Rothko Prizel, Kate, Christopher Rothko, Alexander Nemerov, et al.
Mark Rothko
. New York, 2022
.
"Rothko, Romanesque, Running Shoes."
Art and Antiques
(May 1984)
: 105–106
.
“Rothko: Works on Paper.”
Exhibit 123
(July–August 1984)
: 6–7
.
Rotzler, Willy.
Wege zur Abstraktion
. Basel, Switzerland, 1989
.
Rouve, Pierre. "Rothko."
The Arts Review
16, no. 3 (February 22 – March 7, 1964)
: 1, 3, 17, 22
.
Rudenstine, Angelica Zander.
Peggy Guggenheim Collection, Venice: The Solomon R. Guggenheim Foundation
. New York, 1985
.
Ruggles, Marian G.
A Selection of Drawings, Pastels and Watercolors from the Collection of Mr. and Mrs. Lester Francis Avnet
. New York Cultural Center, New York, 1970
.
Russell, Marilyn Miller. “Mark Rothko: Works on Paper, the Late Style Reconsidered.”
Carnegie Magazine
57, no. 6 (November/December 1984)
: 32–34, 36–37
.
Ryan, David.
Des Moines Art Center: Selected Paintings, Sculptures and Works on Paper
. Des Moines, IA, 1985
.
Rylands, Philip, Sigrid Achenbach, and Chiara Barbieri.
The Timeless Eye: Master Drawings from the Jan and Marie-Anne Krugier-Poniatowski Collection
. Peggy Guggenheim Collection, Venice, Italy, 1999
.
Sainte-Fare Garnot, Nicolas.
La passion du dessin: collection Jan et Marie-Anne Krugier-Poniatowski
. Musée Jacquemart-André, Institut de France, Paris, 2002
.
Sandler, Irving and Andrei Tolstoy.
Mark Rothko: Into an Unknown World, 1949– 1969
. Garage Center for Contemporary Culture, Moscow, 2010
.
Sandler, Irving, and DeCourcy E. McIntosh.
The Collector as Patron in the Twentieth Century
. Knoedler & Company, New York, 2000
.
Sandler, Irving.
Mark Rothko: Paintings, 1948–1969
. Pace Gallery, New York, 1983
.
Sandler, Irving. "Mark Rothko's Painting: Tranquility Tinged with Terror.” In
Mark Rothko: Into an Unknown World, 1949– 1969
, by Irving Sandler and Andrei Tolstoy. Garage Center for Contemporary Culture, Moscow, 2010
: 26-38
.
Sandler, Irving.
Newman, Rothko, Still: Search for the Sublime
. C & M Arts, New York, 1994
.
Sandler, Irving. “Remembering Mark Rothko.”
Tretyakov Gallery Magazine
, Vol. 41, No. 4 (2013)
: 118–125
.
Sandler, Irving.
The Triumph of American Painting: A History of Abstract Expressionism
. New York, 1970
.
Sanfo, Vincenzo, et al.
Pollock's America: Jackson Pollock in Venice: The "Irascibles" and the New York School
, trans. Christopher Evans, et al. Museo Correr, Venice, 2002
.
Sawin, Martica.
Surrealism in Exile and the Beginning of the New York School.
Cambridge, MA, 1995
.
Sayre, Henry M.
A World of Art
. Englewood Cliffs, NJ, 1994
.
Schildkraut, Joseph J., Alissa J. Hirshfeld, and Jane M. Murphy. “Depressive Disorders, Spirituality and Early Dealths in the Abstract Expressionist Artists of the New York School.” In
Depression and the Spiritual in Modern Art: Homage to Miró
, edited by Joseph J. Schildkraut and Aurora Otero. New York, 1996
: 196–220
.
Schildkraut, Joseph J., and Aurora Otero, eds.
Depression and the Spiritual in Modern Art: Homage to Miró
. New York, 1996
.
Schilling, Jürgen.
Passion: Bernward-Jahr, 1993
. Roemer- und Pelizaeus-Museum, Hildesheim, Germany, 1993
.
Schimmel, Paul, and Lawrence Alloway.
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938–1948
. Newport Harbor Art Museum, Newport Beach, CA, 1986
.
Schimmel, Paul. “Images of Metamorphosis.” In
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938–1948
, by Paul Schimmel and Lawrence Alloway. Newport Harbor Art Museum, Newport Beach, CA, 1986
: 17–28
.
Schjeldahl, Peter. “Rothko and Belief.”
Art in America
67, no. 2 (March–April 1979)
: 78–85
.
Schmidt, Katharina.
White Fire, Flying Man: Amerikanische Kunst 1959-1999 in Basel
. Museum für Gegenwartskunst, Basel, Switzerland, 1999
.
Schmidt, Marianne, and Johannes Gachnang.
Stiftung Anne-Marie und Victor Loeb
. Kunsthalle Bern, Bern, Switzerland, 1978
.
Schmied, Wieland, ed.
Zeichen des Glaubens: Geist der Avantgarde: Religiöse Tendenzen in der Kunst des 20. Jahrhunderts
.
Schloss Charlottenburg, Grosse Orangerie, Berlin, 1980
.
Schmied, Wieland.
Sammlung Sprengel II: 1965-1969
. Kestner-Museum, Hanover, Germany, 1969
.
Schneider, Mary E. “Rothko’s Studies for the Harvard Murals.” In
Mark Rothko’s Harvard Murals
, edited by Marjorie B. Cohn. Cambridge, MA, 1988
: 31–60
.
Schultz, Oliver, ed. “Gottlieb/Rothko: The Realist Years.”
125 Newbury Free Press
10 (May 2025)
: 1–47
.
Schüppel, Katharina Christa. “From Myth to Abstraction. Mark Rothko and the New York School 1945-1970.” In
Rothko / Giotto
, edited by Stefan Weppelmann and Gerhard Wolf. Gemäldegalerie, Staatliche Museen zu Berlin, Berlin, 2009
: 89–118
.
Schwartz, Constance and Franklin Hill Perrell.
Long Island Collects: An exhibition celebrating art from Long Island Collections
. Nassau County Museum of Art, Roslyn Harbor, NY, 2002
.
Schwartz, Constance.
Surrealism: Dreams on Canvas
. Nassau County Museum of Art, Roslyn Harbor, NY, 2007
.
Schwartz, Jane. “Around the Galleries.”
Art News
32, no. 9 (December 2, 1933)
: 16
.
Schwarz, Dieter.
Plane/Figure: Amerikanische Kunst aus Schweizer Privatsammlungen und aus dem Kunstmuseum Winterthur
. Kunstmuseum Winterthur, Winterthur, Switzerland, 2006
.
Schwendener, Martha. “The Process Behind the Painting: A Review of ‘Rothko to Richter: Mark-Making in Abstract Painting from the Collection of Preston H. Haskell’ in Princeton."
The New York Times
, September 12, 2014: NJ9
.
Sciama, Cyrille, ed.
Monet/Rothko
. Musée des impressionnisme, Giverny, France, 2022
.
Scott, Russell T., and Ann Reynolds Scott, eds.
Eius Virtutis Studiosi: Classical and Postclassical Studies in Memory of Frank Edward Brown (1908–1988)
. Studies in the History of Art [National Gallery of Art], vol. 43. Washington, 1993
.
Scottish National Gallery of Modern Art.
America America
. Edinburgh, 1977
.
Seitz, William C.
Abstract Expressionist Painting in America
. National Gallery of Art, Washington, and Harvard University Press, Cambridge, MA, 1983
.
Seitz, William. "Nature and Abstract Painting.”
The Brooklyn Museum Bulletin
18, no. 4 (Summer 1957)
: 7-12
.
Selz, Peter. "Mark Rothko."
L'Oeil
76 (April 1961)
.
Selz, Peter.
Mark Rothko
. Musée d'Art Moderne de la Ville de Paris, Paris, France, 1962
.
Selz, Peter.
Mark Rothko
. Museum of Modern Art, New York, 1961
.
Selz, Peter.
Mark Rothko
. Palais des Beaux-Arts, Brussels, 1962
.
Seymour, Anne.
Beuys, Klein, Rothko: Transformation and Prophecy
. Anthony d’Offay Gallery, London, 1987
.
Shapiro, David and Cecile Shapiro, eds.
Abstract Expressionism: A Critical Record.
Cambridge, 1990
.
Sharp, Jasper. "Den ganzen Himmel malen." In
Bilder Träume: Die Sammlung Ulla und Heiner Pietzsch
, by Udo Kittelmann et al. Neue Nationalgalerie Berlin, Staatliche Museen Preussischer Kulturbesitz, Berlin, 2009
: 57-61
.
Sharp, Jasper. “Die Augenzeugin und die Sammler: Zwei Sammlungen auf der Spur des Abstrakten Expressionismus.” In
Affinities: Werke der Peggy Guggenheim Collection und der Sammlung Ulla und Heiner Pietzsch
, by Jasper Sharp, Henrike Schulte, and Folker Skulima. Solomon R. Guggenheim Foundation, New York, 2006
: 123-139
.
Sharp, Jasper, Henrike Schulte, and Folker Skulima.
Affinities: Werke der Peggy Guggenheim Collection und der Sammlung Ulla und Heiner Pietzsch
. Solomon R. Guggenheim Foundation, New York, 2006
.
Sharp, Jasper. Rothko entry. In
Verrückte Liebe: Von Dalí bis Francis Bacon: Surreale Kunst aus der Sammlung Ulla und Heiner Pietzsch
, by Evelyn Benesch. BA-CA Kunstforum, Wien, Vienna, 2006
: 176
.
Sharp, Jasper. “The Eyewitness and the Connoisseurs: Two Collections Trace Abstract Expressionism.” In
Affinities: Werke der Peggy Guggenheim Collection und der Sammlung Ulla und Heiner Pietzsch
, by Jasper Sharp, Henrike Schulte, and Folker Skulima. Solomon R. Guggenheim Foundation, New York, 2006
: 122-139
.
Shaw-Eagle, Joanna. "Galleries Artfully Build Exhibits."
Washington Times
, August 25, 2001
: D3
.
Sheets, Hilarie M. “Pulp Mysteries.”
Art News
108, no. 5 (May 2009)
: 48–49
.
Shiff, Richard.
Rothko/Sugimoto: Dark Paintings and Seascapes
. Pace London, London, 2012
.
Shima, Atsuhiko, Yasugi, Masahiro, and Yuko Fujiyoshi, ed.
The 30th Anniversary: Collection of the National Museum of Art
. The National Museum of Art, Osaka, Japan, 2007
.
Shimamoto, Hidekai. “Mark Rothko’s
Untitled
(1969) and the Status of His Works on Paper.”
Ishibashi Foundation Artizon Museum of Art Research Bulletin
5 (2024)
: 62–65
.
Sims, Patterson.
Decade of Transition: 1940 – 1950
. Whitney Museum of American Art, New York, 1981
.
Smith College Museum of Art.
A Guide to the Collections
. Northampton, MA, 1986
.
Smith, Roberta. “The Guggenheim’s Collection, as Seen by Six Art Stars.”
The New York Times
, July 19, 2019
:
C11
.
Snyder, Jill.
Against the Stream: Milton Avery, Adolph Gottlieb, and Mark Rothko in the 1930s
. Katonah Museum of Art, Katonah, NY, 1994
.
Soby, James Thrall.
Contemporary Painters
. New York, 1948
.
Sollers, Philippe. "Le mur du sens: réflexions sur les peintures de Mark Rothko."
Art de France
4 (1964)
: 239–251
.
Soppelsa, Walter, ed.
A Selection from the Daros Collection
. Zurich, Switzerland, 2012
.
Soppelsa, Walter, ed.
Daros at Beyeler. Works from the Daros Collection at the Fondation Beyeler
2010– 2017. Zurich, Switzerland, 2017
.
Sozanski, Edward J. “Gauging Rothko's Overall Stature as a Modern Master.”
Philadelphia Inquirer
, May 19, 1998
: F12
.
Spalding, Phinizy.
Georgia Collects
. High Museum of Art, Atlanta, GA, 1989
.
Spivey, Michael.
The Continuity of Mind
. Oxford, UK, 2008
.
Staatliche Kunsthalle Baden-Baden.
Amerikanische Zeichner des 20. Jahrhunderts – Drei Generationen von der Armory Show bis heute
. Baden-Baden, Germany, 1976
.
Staatliche Kunsthalle, Baden-Baden.
Komische Bilder in der Kunst des 20. Jahrhunderts
. Baden-Baden, Germany, 1984
.
Standring, Timothy. “American Watercolors, 1880–1990: Into the Light.”
The Burlington Magazine
165, August 2023
: 908–911
.
Stauffer, Christine E., Yvonne E. Kaehr, Eberhard W. Kornfeld, and Roland Scotti.
Werke aus der Sammlung Eberhard W. Kornfeld: Bern-Davos
. Kirchner Museum, Davos, Switzerland, 1998
.
Stebbins, Theodore E., Jr.
American Master Drawings and Watercolors: A History of Works on Paper from Colonial Times to the Present
. New York, 1976
.
Stebbins, Theodore E., Jr. "American Watercolors and Pastels, 1875–1950."
American Art Review
18, no. 2 (March – April 2006)
: 88–93
.
Stebbins, Theodore E., Jr.
American Watercolors and Pastels, 1875–1950, at the Fogg Art Museum
. Harvard University Art Museums, Cambridge, MA, 2006
.
Stebbins, Theodore E., Jr., and Galina Gorokhoff.
A Checklist of American Paintings at Yale University
. New Haven, CT, 1982
.
Stenger, Jens. “Mark Rothko’s Mural Sketches: Scientific Analysis.” In
Mark Rothko’s Mural Sketches: Materials and Use / Scientific Analysis
, by Annie Wilker and Jens Stenger. Cambridge, MA, 2009
.
Stephan, Ruth, and John Stephan.
The Tiger's Eye 1
, no. 1 (October 1947)
.
Stephen Mazoh & Co.
Twentieth Century Works of Art
. New York, 1984
.
Stephens, Chris.
Mark Rothko in Cornwall
. Tate Gallery St Ives, St Ives, England, 1996
.
Stevens, Elisabeth. “Art Notes: Rothko Retrospective: How Less Became More.”
The Sun,
December 24, 1978
.
Stewart, Jessica. “Biografie.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 196–206
.
Stewart, Jessica. “Chronologie.” In
Mark Rothko
, by Jeffrey Weiss et al. Musée d'art moderne de la ville de Paris, Paris, 1999
: 251–274
.
Stewart, Jessica. “Chronology.” In
Mark Rothko
, by Oliver Wick et al. Fondation Beyeler, Basel, Switzerland, 2001
: 185–193
.
Stewart, Jessica. “Chronology.” In
Mark Rothko
, edited by Jeffrey Weiss. National Gallery of Art, Washington, 1998
: 331–352
.
Stewart, Jessica. "Chronology." In
Mark Rothko
, edited by Oliver Wick. Palazzo delle Esposizioni, Rome, 2007
: 211–220
.
Stewart, Jessica. Rothko entry. In
A Century of Drawing: Works on Paper from Degas to LeWitt
, edited by Judith Brodie and Andrew Robison. National Gallery of Art, Washington, 2001
.
Stichweh, Kalus. Rothko entry. In
Ein Geschenk ... Die Sammlung Sprengel
, edited by Angela Kriesel. Sprengel Museum, Hanover, Germany and Göttingen, Germany, 2010
: 120–121
.
Story, Richard David. "Hot Line: Art."
New York
, March 7, 1994
.
Strickler, Susan E. ed.
American Traditions in Watercolor: The Worcester Art Museum Collection.
New York, 1987
.
Sullivan, James. “Lessons from the Cape Ann Masters.”
The Boston Globe
, June 4, 2006
.
"Swamped with Rothko."
The Saturday Review
. January 6, 1979
.
Tate Gallery.
Mark Rothko, 1903–1970
. London, 1987
.
Tel Aviv Museum of Art.
Dimuyim ḳosmiyim
. Tel Aviv, Israel, 1984
.
Temin, Christine. “Last of ‘The Ten,’ Solman, 91, Still Goes Own Way.”
The Boston Globe
, April 18, 2000
.
Temkin, Ann.
Abstract Expressionism at The Museum of Modern Art: Selections from the Collection
. The Museum of Modern Art, New York, 2010
.
Terenzi, Claudia. “Rothko: Exhibitions and Critical Reception in Italy.” In
Mark Rothko
, edited by Oliver Wick. Palazzo delle esposizioni, Rome, 2007
: 57–69
.
Thistlewood, David, ed.
American Abstract Expressionism
. Liverpool, 1993
.
Thomson, Karen.
The Blema and H. Arnold Steinberg Collection
. Montreal, 2015
.
Three Decades of American Art Selected by the Whitney Museum
. Seibu Museum of Art, Tokyo, 1976
.
Till, Elizabeth. "A Study in Retrospect."
Northwest Magazine: The Sunday Oregonian
(March 29, 1970)
: 5–6
.
Trepp, Judith. “Reviews: Basel, Magic Blue, Beyeler,”
Art News
93, no. 5 (May 1994)
: 168-69
.
Trini, Tommaso. "Dietro la luce di Rothko."
Arte Illustrata
30–33 (June–September 1970)
: 62–67
.
Tuchman, Maurice. “Hidden Meanings in Abstract Art.” In Maurice Tuchman, Jodi Freeman, Carel Blotkamp, et al.
The Spiritual in Art: Abstract Painting 1890–1985
. Los Angeles County Museum of Art, Los Angeles, CA, 1986
.
Tuchman, Maurice, Jodi Freeman, Carel Blotkamp, et al.
The Spiritual in Art: Abstract Painting 1890–1985.
Los Angeles County Museum of Art, Los Angeles, CA, 1986
.
Tully, Judd. “Waiting for Rothko.”
Washington Post Magazine,
April 19, 1998
.
Turner, Elisa. “To Evoke the Enchanted Unknown.”
Art News
85, no. 3 (March 1985)
: 33, 35
.
Twentieth Century Works on Paper
. Art Gallery, University of California, Irvine, and Memorial Union Art Gallery, University of California, Davis, 1968
.
Uhl, Katharina.
Kaleidoskop der Moderne: Chagall, Miró, Picasso und die Avantgarde
. Staatliches Museum Schwerin, Schwerin, Germany, 2015
.
Ulmer Museum.
Stiftung Sammlung Kurt Fried: Internationale Kunst der 1950er bis 1980er Jahre
. Ulm, Germany, 1999
.
Ulmer Museum.
Studio f: Sammlung Kurt Fried
. Ulm, Germany, 1976
.
Ulmer Museum.
Ulmer Museum 1990 bis 2009 / 189 Ausstellungen des Ulmer Museums
. Ulm, Germany, 2009
.
Utopia Pavilion: 1998 Lisbon World Exposition
. Lisbon, 1998
.
Vann, Philip.
Silence in Painting
. Crane Kalman Gallery, London, 1999
.
Venturi, Riccardo. “Dossier: Rothko.”
Art e dossier
238 (November 2007)
.
Venturi, Riccardo. “‘It Lives and Breathes’: Depicting Human Drama.” In Pagé, Suzanne, and Christopher Rothko, eds.
Mark Rothko
. Fondation Louis Vuitton, Paris, 2023
: 43–55
.
Venturi, Riccardo.
Mark Rothko: Lo spazio e la sua disciplina
.
Milan, Italy, 2007
.
Vervoordt, Axel, ed.
In-Finitum
. Palazzo Fortuny, Venice, 2009
.
Vervoordt, Axel, et al.
TRA: Edge of Becoming
. Palazzo Fortuny, Venice, Italy, 2011
.
Vicente Garín Llombart, Felipe, and Almudena Ros de Barbero.
Colección Abelló
. CentroCentro Cibeles de Cultura y Ciudadanía, Madrid, 2014
.
Victoria Thorson, ed.
Great Drawings of All Time: The Twentieth Century
, Vol 2. New York, 1979
.
Vihos, Lisa.
The Influence of Surrealism on American Art: Loans from the Solomon R. Guggenheim Museum
. University of Michigan Museum of Art, Ann Arbor, MI, 1984
.
Vischer-Wadler, Anne-Marie, Ernst Vischer-Wadler, and Katharina Schmidt.
Die Sammlung Anne-Marie und Ernst Vischer-Wadler. Ein Vermächtnis
. Kunstmuseum-Öffentliche Kunstsammlung Basel, Basel, Switzerland, 1997
.
Vivaldi, Cesare. “Lettera da Roma,”
D'Ars
12, no. 53/54 (February/March 1971)
: 190–191
.
Waldman, Diane.
Mark Rothko, 1903–1970: A Retrospective
. Solomon R. Guggenheim Museum, New York, 1978
.
Waldman, Diane.
Mark Rothko in New York
. New York, 1994
.
Waldman, Diane.
Twentieth-Century American Drawing: Three Avant-Garde Generations
. Solomon R. Guggenheim Museum, New York, 1976
.
Wallock, Leonard ed.
New York: Cultural Capital of the World, 1940–1965.
New York, 1988
.
Walsh, Judith. “Drawn to Tradition: Artists’ Paper through the Twentieth Century.” In
A Century of Drawing: Works on Paper from Degas to LeWitt
, edited by Judith Brodie and Andrew Robison. National Gallery of Art, Washington, 2001
: 303–313
.
Warnock, Molly. “The Expanse: The Art of Mark Rothko.”
Artforum
62, no. 7 (April 2024)
: 96–106
.
Washburn Gallery.
Mark Rothko: The Edith Sachar Collection
. New York, 2001
.
Wechsler, Jeffrey.
Abstract Expressionism, Other Dimensions: An Introduction to Small Scale Painterly Abstraction in America, 1940–1965
. The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ, 1989
.
Wechsler, Jeffrey.
Pathways and Parallels: Roads to Abstract Expressionism
. Hollis Taggart Galleries, New York, 2007
.
Wechsler, Jeffrey.
Surrealism and American Art, 1931–1947
. Rutgers University Art Gallery, New Brunswick, NJ, 1977
.
Wechsler, Jeffrey.
Watercolors from the Abstract Expressionist Era
. Katonah Museum of Art, Katonah, NY, 1990
.
Weeks, Edward F.
American Watercolors: 1850 – 1972
. Birmingham Museum of Art, Birmingham, AL, 1972
.
Weiman, Liz M. “Museum Notebook: Rothko on Paper.”
Southwest Art
15, no. 10 (March 1986)
: 82
.
Weiss, Evelyn, ed.
Mark Rothko, 1903–1970
. Museum Ludwig, Cologne, Germany, 1988
.
Weiss, Jeffrey. “Dis-Orientation: Rothko’s Inverted Canvases.” In
Seeing Rothko
, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 135–157
.
Weiss, Jeffrey, ed.
Mark Rothko
. National Gallery of Art, Washington, 1998
.
Weiss, Jeffrey, et al.
Mark Rothko
.
Musée d’art moderne de la ville de Paris, Paris, 1999
.
Weiss, Jeffrey. “L’espace inconnu de Rothko.” In
Mark Rothko
, by Jeffrey Weiss et al. Musée d’art moderne de la ville de Paris, Paris, 1999
: 59–74
.
Weiss, Jeffrey. “Rothko’s Unknown Space.” In
Mark Rothko
, edited by Jeffrey Weiss.
National Gallery of Art, Washington, 1998
: 302–329
.
Weiss, Jeffrey. “Submón.” In
Mark Rothko
, by Oliver Wick et al. Fundació Joan Miró, Barcelona, Spain, 2000
: 25–30
.
Weiss, Jeffrey. “Underworld.” In
Mark Rothko
, by Oliver Wick et al. Fondation Beyeler, Basel, Switzerland, 2001
: 37–44
.
Weiss, Jeffrey. “Weights and Measures.” In Pagé, Suzanne, and Christopher Rothko, eds.
Mark Rothko
. Fondation Louis Vuitton, Paris, 2023
: 239–243
.
Weppelmann, Stefan, and Gerhard Wolf, eds.
Rothko / Giotto
. Gemäldegalerie, Staatliche Museen zu Berlin, Berlin, 2009
.
Weppelmann, Stefan. “Giotto’s Rumblings: Mark Rothko and the Renaissance as a Rhetoric of Modernism.” In
Rothko / Giotto
, edited by Stefan Weppelmann and Gerhard Wolf. Gemäldegalerie, Staatliche Museen zu Berlin, Berlin, 2009
: 41–66
.
Wesle, Anna, ed.
Louisiana Visits Franz Gertsch: Post-War and Contemporary Art in Dialogue
. Museum Franz Gertsch, Burgdorf, Switzerland, 2024
.
Westheider, Ortrud, and Michael Philipp, eds.
Von Hopper bis Rothko: Amerikas Weg in die Moderne
. Museum Barberini, Potsdam, Germany, 2017
.
Wheeler, Daniel.
Art Since Mid-Century: 1945 to the Present.
New York, 1991
.
Whyte, Murray. "A Century of Watercolors at Harvard Display the Form's Unruly Pleasures.”
The Boston Globe
, July 2, 2023
: N4
.
Whyte, Murray. “Rothko’s power takes shape on paper, at the National Gallery of Art.”
The Boston Globe
, February 22, 2024
.
Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko, Italy, and the Yearning for Tradition.” In
Mark Rothko
, edited by Oliver Wick. Palazzo delle esposizioni, Rome, 2007
: 5–25
.
Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko und die Sehnsucht nach Tradition.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 12–28
.
Wick, Oliver, ed.
Mark Rothko
. Palazzo delle esposizioni, Rome, 2007
.
Wick, Oliver, et al.
Mark Rothko
.
Fondation Beyeler, Basel, Switzerland, 2001
.
Wick, Oliver, et al.
Mark Rothko
.
Fundació Joan Miró, Barcelona, Spain, 2000
.
Wick, Oliver. "Mark Rothko: A Consummated Experience Between Picture and Onlooker." In
Mark Rothko
, by Oliver Wick et al. Fondation Beyeler, Basel, Switzerland, 2001
: 23–35
.
Wick, Oliver.
Mark Rothko and Barnett Newman
. Fondation Beyeler, Basel, Switzerland, 2007
.
Wick, Oliver. “Mark Rothko and Barnett Newman: The Sublime Is Now!” In
Mark Rothko and Barnett Newman
, edited by Oliver Wick. Fondation Beyeler, Basel, Switzerland, 2007
: 5–9
.
Wick, Oliver. "Mark Rothko: Blindsehen oder Zeichnung als kommemorierte Erinnerung," in
Mark Rothko: Works on Paper, 1930–1969
, edited by Oliver Wick. Galerie Beyeler, Basel, Switzerland, 2005
: 6–30
.
Wick, Oliver.
Mark Rothko: Paredes de Luz
. Guggenheim Museum Bilbao, Bilbao, Spain, 2004
.
Wick, Oliver. "Mark Rothko: Seeing Blind and Drawing as Remembrance Commemorated," in
Mark Rothko: Works on Paper, 1930–1969
, edited by Oliver Wick. Galerie Beyeler, Basel, Switzerland, 2005
: 7–30
.
Wick, Oliver. “Mark Rothko. Una Experiència Consumada Entre el Quadre I L’Observador.” In
Mark Rothko
, by Oliver Wick et al. Fundació Joan Miró, Barcelona, Spain, 2000
: 13-23
.
Wick, Oliver.
Mark Rothko: Works on Paper, 1930–1969
. Galerie Beyeler, Basel, Switzerland, 2005
.
Wick, Oliver. “Prelude.” In
Mark Rothko
, by Oliver Wick et al. Fondation Beyeler, Basel, Switzerland, 2001
: 6–14
.
Wiedemann, Christoph. “Schutzlos der Welt ausgeliefert.”
Süddeutsche Zeitung Extra
, February 7, 2008
: 1
.
Wight, Frederic S.
The Artist's Environment: The West Coast
. Amon Carter Museum of Western Art, Fort Worth, TX, 1962
.
Wildenstein Gallery.
Ten Americans from Pace
. London, 1980
.
Wilker, Annie, and Jens Stenger.
Mark Rothko’s Mural Sketches: Materials and Use / Scientific Analysis
. Cambridge, MA, 2009
.
Wilker, Annie. “Mark Rothko’s Mural Sketches: Materials and Use.” In
Mark Rothko’s Mural Sketches: Materials and Use / Scientific Analysis
, by Annie Wilker and Jens Stenger. Cambridge, MA, 2009
.
Wilkin, Karen. “Panoramic Rothko: On Mark Rothko: Paintings on Paper at the National Gallery of Art, Washington.”
The New Criterion
42, no. 7 (March 2024)
: 48
.
Wilkin, Karen.
The Joy of Color
. Mnuchin Gallery, New York, NY, 2018
.
Wilmerding, John.
Church & Rothko: Sublime
. Mnuchin Gallery, New York, 2020
.
Winter, Peter. "Die Spiritualität der Farbe."
Kunst und Antiquitäten
, no. 4 (1986)
: 82–94
.
Wolf, Ben. "Mark Rothko Watercolors."
Art Digest
20, no. 15 (May 1, 1946)
: 1
.
Wolfe, Townsend.
American Abstract Drawings, 1930–1987: Selections from the Arkansas Arts Center Foundation Collection
. The Arkansas Arts Center, Little Rock, AR, 1988
.
Wolfgang Wittrock Kunsthandel.
Abstrakte Kunst: Gemälde, Zeichnungen, Graphik
. Düsseldorf, Germany, 1990
.
Works From the Peggy Guggenheim Foundation
. The Solomon R. Guggenheim Museum, New York, 1969
.
Worthen, Amy N.
MCM-Y2K 1900-2000: A Century of Art on Paper
. Des Moines Art Center, Des Moines, IA, 1999
.
Yasuhide, Shimbata, and Hideaki Shimamoto.
Abstraction: The Genesis and Evolution of Abstract Painting, Cézanne, Fauvism, Cubism and on to Today.
Artizon Museum, Tokyo, 2023
.
Zamoiski, Clair. “Chronology.” In
Mark Rothko, 1903–1970: A Retrospective
, by Diane Waldman. Solomon R. Guggenheim Museum, New York, 1978
: 265–279
.
Zoller, Pascale.
I Love Yellow
. Galerie Beyeler, Basel, Switzerland, 1996
.
Next 36
Top