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Daniel Abadie
Sigrid Achenbach
Henry Adams
Dawn Ades
Dorothy Adlow
Paloma Alarcó
Bruno Alfieri
Jane Addams Allen
Lawrence Alloway
Svetlana Alpers
Jean-Christophe Ammann
David Anfam
Daniel Arasse
Marie-Josée Arcand
Teresa Arcq
Giulio Carlo Argan
H. H. Arnason
Akira Asahi
Dore Ashton
Michael Auping
Jacob Baal-Teshuva
Matthew Baigell
Walter Darby Bannard
Luca Massimo Barbero
Chiara Barbieri
Susan J. Barnes
Kelly Baum
Felix Andreas Baumann
John I. H. Baur
Herbert Beck
Susan Behrends Frank
Clare Bell
Evelyn Benesch
Neal David Benezra
Bill Berkson
Ernst Beyeler
Mary Birmingham
Ulrich Bischoff
Jennifer Blessing
Donald Blinken
Carel Blotkamp
Frans Boenders
Jessica Boissel
Giulio Bolaffi
Nathalie Bondil
Achim Borchardt-Hume
Manuel J. Borja-Villel
Ellen Breitman
Michael Brenson
James E. B. Breslin
Judith Brodie
Markus Brüderlin
Chris Bruce
Vincent J. Bruno
Palma Bucarelli
Dotty Burstein
Ashley Busby
James B. Byrnes
Patrick Shaw Cable
Elena Calas
Nicolas Calas
John Caldwell
Sandra Caltagirone
Giovanni Carandente
E.A. Carmean, Jr.
Flavio Caroli
Rosario Pieró Carrasco
Malcolm N. Carter
James Cassell
Riva Castleman
Barbara Cavaliere
Danielle Gaudry Cazeau
Cathleen Chaffee
Kermit Champa
Mary Chan
Anna C. Chave
Jean-François Chevrier
Rudy Chiappini
Hermine Chivian-Cobb
Moojeong Chung
Bonnie Clearwater
Robert M. Coates
Eduardo Prado Coelho
Anne Cohen DePietro
Annie Cohen-Solal
Marjorie B. Cohn
Oscar Collier
Bradford R. Collins
Michael Compton
Rosalind Constable
Gianni Contessi
Harry Cooper
Olivier Cousinou
Jeffrey Coven
Elizabeth Cowling
Thomas Crow
Larry Curry
Alan Cutler
Gundega Cēbere
Anke Daemgen
Janina K. Darling
David Acton
Susan Davidson
Bruce Davis
Jessica Barrow Dawson
Cordélia De Brosses
David G De Long
John K. Delaney
James T. Demetrion
Bruce H. Dempsey
Isabelle Dervaux
Marc Devade
Maria Didrichsen
Rolf-Gunter Dienst
Jane Dillenberger
John Dillenberger
Kathryn A. Dooley
Erika Doss
Shana Dumont
Jean-Pierre Duquette
Gérard Durozoi
Robin Duthy
Alexander Dückers
Kathleen A. Edwards
Nancy Einreinhofer
John Elderfield
Dietmar Elger
Robert Elkon
Jeremiah Evarts
K. C. Eynatten
Michelle Facini
Morgan Falconer
Susan C. Faxon
Morton Feldman
Briony Fer
Linda S. Ferber
André Fermigier
Oreste Ferrári
Christopher Finch
Ruth Fine
Jonathan Fineberg
Diane P. Fischer
James L. Fisher
Jack D. Flam
Lucy Flint
Benjamin Forgey
Carter E. Foster
Stephen C. Foster
Marco Franciolli
Fernando Francés
Pamela Franks
Jodi Freeman
Melinda Young Frye
Teruo Fujieda
Yuko Fujiyoshi
Johannes Gachnang
Paulette Gagnon
Barbara Dayer Gallati
Lynn Gamwell
Nicolas Sainte-Fare Garnot
Eileen Garred
Gary Garrels
Hubertus Gassner
Karel J. Geirlandt
Henry Geldzahler
Jo Gibbs
Ann Gibson
Danièle Giraudy
Arnold Glimcher
Marc Glimcher
Grace Glueck
Krystyna Gmurzynska
Donald Goddard
Pamela Golbin
Itzhak Goldberg
Robert Goldwater
Lloyd Goodrich
Elayne C. Goossen
Blake Gopnik
Galina Gorokhoff
Gottfried Boehm
Terree Grabenhorst-Randall
Roberta Graff
Margaret Morgan Grasselli
Denise Green
Ronald K. Greenberg
Alex Greenberger
Alison de Lima Greene
Adam Greenhalgh
William Griswold
Jeffrey D. Grove
Peggy Guggenheim
Serge Guilbaut
H.T.H.
Sabine Haag
Mona Hadler
Nancy Hall-Duncan
Andreas Hapkemeyer
Charles Harrison
Jürgen Harten
Azusa Hashimoto
Barbara Haskell
Jodi Hauptman
Sumi Hayashi
Natasha Hebert
Thomas B. Hess
Nobuyuki Hiromoto
Alissa J. Hirshfeld
Robert Carlton Hobbs
Jacqueline Holmes
Joachim Homann
Donelson F. Hoopes
Walter Hopps
Robert Hughes
Sam Hunter
Kate Hutchins
Miriam Häßler
J. A. S. Ingamells
Ahuva Israel
Nancy Jachec
William Jeffett
Edward Alden Jewell
Twig Johnson
Caroline A. Jones
Leslie Jones
Yvonne E. Kaehr
Franz-W. Kaiser
Avram Kampf
Paul J. Karlstrom
Judith Kaye Reed
Thomas Kellein
Emily A. Kerrigan
Klaus Kertess
Pamela Kessler
Roger Kimball
George Kinghorn
Udo Kittelmann
Edouard Kopp
Eberhard W. Kornfeld
Karin Koschkar
Ingrid Koszinowski
Hilton Kramer
Rosalind Krauss
Gwendolin Kremer
Angela Kriesel
Jan Krugier
Donald Kuspit
Sandor Kuthy
Janet Kutner
Christiane Lange
Kay Larson
James Lawrence
Susan Laxton
Sylvie Lecoq-Ramond
Helmut Leder
Michael Leja
Michael Leonard
Jean-Jacques Leveque
Gail Levin
Jo Ann Lewis
Jeremy Lewison
William S. Lieberman
Claude Lorent
Luis-Martín Lozano
Edward Lucie-Smith
Niklas Maak
Nannette V. Maciejunes
Steven Henry Madoff
Christopher Maines
Bernard Malamud
Daniel Malingue
Carol Mancusi-Ungaro
Peter C. Marizo
Stephen May
Mary Fuller McChesney
Mary McCoy
Suzanne Folds McCullagh
Robert McDaniel
DeCourcy E. McIntosh
Thomas M. Messer
Lisa Mintz Messinger
Donald Miller
Amanda Millet-Sorsa
Magdalena M. Moeller
Kathryn Morales
Peter Morrin
Linda Muehlig
Jane M. Murphy
Markus Müller
Eleanor Nairne
Kazuo Nakabayashi
Mario Naves
Terry Ann R. Neff
Alexander Nemerov
Norbert Nobis
Sheldon Nodelman
Brian O'Doherty
Georgine Oeri
Mordechai Omer
Marta González Orbegozo
Janice C. Oresman
Aurora Otero
Klaus Ottmann
Suzanne Pagé
Karen Painter
Regina Palm
Ida Panicelli
Andrea Pappas
Benjamin Paul
C. Ford Peatross
Prudence Peiffer
Aldo Pellegrini
Stella Pelše
Gilbert Perlein
Franklin Hill Perrell
Meira Perry-Lehmann
Michael Philipp
Glenn Phillips
Charles E. Pierce
Heiner Pietzsch
Ulla Pietzsch
Élia Pijollet
Francesca Pola
Stephen Polcari
Marla Price
Vincent Price
Neil Printz
Kate Rothko Prizel
Claudia Puizza
Don Quaintance
Celina Quitas
Yolande Racine
Sally Radic
Craig Raine
Harry Rand
Eliza E. Rathbone
Bernd Rau
Jock Reynolds
Paul Richard
Charles A. Riley II
Maude Riley
Emma E. Roberts
Bryan Robertson
Andrew Robison
Timothy Robert Rodgers
Conchita Romero
Joan Root
Georges Roque
Barbara Rose
Bernice Rose
Robert Rosenblum
Michael Rosenfeld
Mark Rosenthal
Nan Rosenthal
Clifford Ross
Susan F. Rossen
Christopher Rothko
Mark Rothko
Willy Rotzler
Pierre Rouve
Angelica Zander Rudenstine
Marilyn Miller Russell
Brandon Ruud
David Ryan
Philip Rylands
Irving Sandler
Vincenzo Sanfo
Jordi Sanguino
Martica Sawin
Henry M. Sayre
Joseph J. Schildkraut
Jürgen Schilling
Paul Schimmel
Peter Schjeldahl
Katharina Schmidt
Marianne Schmidt
Wieland Schmied
Mary E. Schneider
Dieter Scholz
Henrike Schulte
Oliver Schultz
Constance Schwartz
Jane Schwartz
Dieter Schwarz
Martha Schwendener
Katharina Christa Schüppel
Cyrille Sciama
Ann Reynolds Scott
Russell T. Scott
Roland Scotti
William C. Seitz
Naoko Seki
Carol O. Selle
Peter Selz
Francisco Calvo Serraller
Anne Seymour
Cecile Shapiro
David Shapiro
Jasper Sharp
Joanna Shaw-Eagle
Hilarie M. Sheets
Richard Shiff
Atsuhiko Shima
Hideaki Shimamoto
Hidekai Shimamoto
Patterson Sims
Folker Skulima
Roberta Smith
Jill Snyder
James Thrall Soby
Philippe Sollers
Joseph Solman
Walter Soppelsa
Edward J. Sozanski
Phinizy Spalding
Michael Spivey
Timothy Standring
Christine E. Stauffer
Gail Stavitsky
Theodore E. Stebbins, Jr.
Jens Stenger
John Stephan
Ruth Stephan
Chris Stephens
Elisabeth Stevens
Jessica Stewart
Miriam Stewart
Kalus Stichweh
Richard David Story
Susan E. Strickler
James Sullivan
Marta Suárez-Infiesta
David Sylvester
Jacques Taddei
Christine Temin
Ann Temkin
Claudia Terenzi
David Thistlewood
Karen Thomson
Victoria Thorson
Elizabeth Till
Judith Tolnick
Andrei Tolstoy
William Trayes
Judith Trepp
Tommaso Trini
Maurice Tuchman
Judd Tully
Elisa Turner
Luc Tuymans
Katharina Uhl
Utopia Pavilion
Rafael Valentín López Flores
John Van Doren
Philip Vann
Elayne H. Varian
Riccardo Venturi
Monique Verken
Nancy Versaci
Axel Vervoordt
Felipe Vicente Garín Llombart
Lisa Vihos
Emilio Villa
Jerome Viola
Anne-Marie Vischer-Wadler
Ernst Vischer-Wadler
Cesare Vivaldi
Adolf Max Vogt
Diane Waldman
Leonard Wallock
Judith Walsh
Molly Warnock
Jeffrey Wechsler
Edward F. Weeks
Liz M. Weiman
Evelyn Weiss
Jeffrey Weiss
Stefan Weppelmann
Anna Wesle
Ortrud Westheider
Daniel Wheeler
Murray Whyte
Oliver Wick
Anna Wieck
Christoph Wiedemann
Annie Wilker
Karen Wilkin
John Wilmerding
Peter Winter
Terry Winters
Ben Wolf
Gerhard Wolf
Townsend Wolfe
Hyesoo Woo
Amy N. Worthen
Fredrick S. Wright
Virginia Wright
Masahiro Yasugi
Shimbata Yasuhide
Eric Zafran
Clair Zamoiski
Pascale Zoller
Joost Zwagerman
Eric de Chassey
Elaine de Kooning
Almudena Ros de Barbero
Henk van Os
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721 References

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25 Anni di Pittura Americana 1933–1958. Permanente Gallery, Milan, 1960.

60 Works: The Peggy Guggenheim Collection. The Solomon R. Guggenheim Museum, New York, 1982.

Abadie, Daniel. Un Art Autre, Un Autre Art. Centre d’Art Plastique Contemporain, Paris, 1984.

"Abstract Expressionists." Museum News [Toledo Museum of Art] 19, no. 4 (1977).

Abstract Expressionism: Works from the Collection of the Whitney Museum of American Art. Miami-Dade Community College, South Campus, Miami, FL, 1976.

Acquavella Galleries, Inc. XIX & XX Century Master Paintings and Sculptures: An Exhibition. New York, 2004.

"Acquisitions of Drawings at The Museum of Modern Art, 1985-1991." Burlington Magazine 134, no. 1072 (July 1992): 473–478.

Acton, David, ed. The Stamp of Impulse: Abstract Expressionist Prints. Worcester Art Museum, Worcester, MA, 2001.

Acton, David. Rothko entry. In The Stamp of Impulse: Abstract Expressionist Prints, edited by David Acton. Worcester Art Museum, Worcester, MA, 2001: 50.

Adams, Henry, ed. American Drawings and Watercolors in the Museum of Art, Carnegie Institute. Carnegie Institute, Pittsburgh, PA, 1985.

Ades, Dawn, Elizabeth Cowling, and David Sylvester. Dada and Surrealism Reviewed. Hayward Gallery, London, 1978.

Adlow, Dorothy. Moderne Amerikanische Måleri: 1932–1958. Göteborgs Konstmuseum and Göteborgs Konsthall, Gothenburg, Sweden, 1960.

Alarcó, Paloma, and Jacques Taddei. Monet et l’abstraction. Musée Marmottan Monet, Paris, 2010.

Alarcó, Paloma. “Monet et l’abstraction / Monet and Abstraction.” In Monet et l’abstraction / Monet and Abstraction, by Paloma Alarcó and Jaques Taddei. Musée Marmottan Monet, Paris, 2010: 8-87.

Alarcó, Paloma, and Michael Leja. Monet y la abstracción. Museo Thyssen-Bornemisza, Madrid, 2010.

Alarcó, Paloma. “Monet and Abstraction.” In Monet y la abstracción, by Paloma Alarcó and Michael Leja. Museo Thyssen-Bornemisza, Madrid, 2010: 317–328.

Aldrich Museum of Contemporary Art. Mysterious and Magical Realism. Ridgefield, CT, 1980.

Alfieri, Bruno, and Peggy Guggenheim. La collezione Peggy Guggenheim. Venice, 1948.

Allen, Jane Addams. “Mark Rothko’s Legacy: Paintings of Loneliness and Spirituality.” Washington Times, May 4, 1984.

Alloway, Lawrence. "Notes on Rothko." Art International 6, no. 5-6 (Summer 1962): 90–94.

Alloway, Lawrence. "The Biomorphic Forties." Artforum 4 (September 1965).

Alloway, Lawrence. “The Biomorphic Forties.” In The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938–1948, by Paul Schimmel, Lawrence Alloway, Dore Ashton, et al. Newport Harbor Art Museum, Newport Beach, CA, 1986: 33–36.

Alloway, Lawrence. The Venice Biennale, 1895-1968: From Salon to Goldfish Bowl. Greenwich, CT, 1968.

Alpers, Svetlana. Roof Life. New Haven, CT, 2013.

“American Art at Mid-Century. Master drawings and watercolors.” Washington Post Magazine, May 21, 1978: SM36–46 .

"American Prints: 1890-1955 at Pace." The Print Collector's Newsletter 14, no. 3 (July-August 1983): 101.

Amherst College, Mead Art Building. Color Painting: A Special Loan Exhibition. Amherst, MA, 1972.

Ammann, Jean-Christophe. “A Fictional Museum for A Fabulous Collection.” In A Selection from the Daros Collection, edited by Walter Soppelsa. Zurich, Switzerland, 2012: 9–14.

Ammann, Jean-Christophe. “Ein fiktives Museum für eine fabelhafte Sammlung.” In A Selection from the Daros Collection, edited by Walter Soppelsa. Zurich, Switzerland, 2012: 15–20.

Anfam, David. “A World Elsewhere,” in Abstract Expressionism — A World Elsewhere. Haunch of Venison, New York, 2008: 10–23.

Anfam, David. Abstract Expressionism — A World Elsewhere. Haunch of Venison, New York, 2008.

Anfam, David. Abstract Expressionism. London, 1990.

Anfam, David. "An Unending Equation." In Abstract Expressionism, edited by David Anfam. Royal Academy of Arts, London, 2016: 14–49.

Anfam, David, and Carol Mancusi-Ungaro. Mark Rothko: The Chapel Commission. The Menil Collection, Houston, TX, 1996.

Anfam, David, and Danielle Gaudry Cazeau. Mark Rothko and William Scott: Continuing the Dialogue. Anita Rogers Gallery, New York, 2023.

Anfam, David. “Dark Illumination: The Context of the Rothko Chapel.” In Mark Rothko: The Chapel Commission, by David Anfam and Carol Mancusi-Ungaro. The Menil Collection, Houston, TX, 1996: 6–15.

Anfam, David, ed. Abstract Expressionism. Royal Academy of Arts, London, 2016.

Anfam, David. “El arte de Mark Rothko: simplificando el pensamiento complejo.” Kalias 10, no. 19–20 (1998): 106–122.

Anfam, David. L’Expressionnisme abstrait. Translated by Olivier Meyer. Paris, 1999.

Anfam, David. “Mark Rothko: Rome, Munich, and Hamburg.” Burlington Magazine 150, no. 1264 (July 2008): 498–500.

Anfam, David. Mark Rothko: The Works on Canvas Catalogue Raisonné. National Gallery of Art, Washington, and Yale University Press, New Haven, CT, 1998.

Anfam, David. "New York: The American Century: Part One." Burlington Magazine 141, no. 1160 (November 1999): 707–709.

Anfam, David, Nobuyuki Hiromoto, Sumi Hayashi, and Naoko Seki. Mark Rothko. Tokyo Shimbun, Tokyo, 1995.

Anfam, David. “Notes on the Art of Marcus Rothkowitz: Between Time Past and Future.” In Against the Stream: Milton Avery, Adolph Gottlieb, and Mark Rothko in the 1930s, by Jill Snyder. Katonah Museum of Art, Katonah, NY, 1994: 24–31.

Anfam, David. “Rothko in the 1940s: Of Time and Tide.” In Mark Rothko: The Decisive Decade, 1940–1950, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012: 76–86.

Anfam, David. “Rothko's Multiforms: The Moment of Transition and Transformation.” In Mark Rothko: "Multiforms," Bilder von 1947–1949. Galerie Daniel Blau, Munich, Germany, 1993: 25–31.

Anfam, David. “The Art of Mark Rothko: Simplifying the Complex Thought.” In Mark Rothko, by David Anfam et al. Tokyo Shimbun, Tokyo, 1995: 12–21.

Anfam, David. “The World in a Frame.” In Rothko: The Late Series, edited by Achim Borchardt-Hume. Tate Modern, London, 2008: 45–57.

Anfam, David. “Walls of the Mind.” In Mark Rothko and William Scott: Continuing the Dialogue by David Anfam and Danielle Gaudry Cazeau. Anita Rogers Gallery, New York, 2023: 11–17.

Arasse, Daniel. "La solitude de Rothko." Art Press 241 (December 1998): 27–35.

Arnason, H.H. History of Modern Art: Painting, Sculpture, Architecture. New York, 1977.

Art 4'73: Basel Internationale Kunstmesse. Basel, Switzerland, 1973.

Art du xxe siècle: Fondation Peggy Guggenheim, Venise. Orangerie des Tuileries, Paris, 1974.

Art Gallery of Western Australia. America and Europe: A Century of Modern Masters from the Thyssen-Bornemisza Collection. Perth, Australia, 1979.

Artforum 18 (September 1979): 81–119.

Artium, Centro-Museo Vasco de Arte Contemporáneo. La obra maestra desconocida: Basado en el relato "Le chef-d'oeuvre inconnu" de Honoré de Balzac, 1831–2006, 175 aniversario. Vitoria-Gasteiz, Spain, 2006.

Ashton, Dore. À rebours: La rebelión informalista [1939–1968]. Centro atlántico de arte moderno, Las Palmas de Gran Canaria, Spain, and Museo nacional centro de arte Reina Sofía, Madrid, 1999.

Ashton, Dore. About Rothko. New York, 1983.

Ashton, Dore. Mark Rothko. State Hermitage Museum, St. Petersburg, Russia, 2003.

Ashton, Dore. "New York Commentary: De Kooning's Verve.” Studio International 163, no. 830 (June 1962): 216–217, 224–225.

Ashton, Dore. “Rothko, obra en papel.” Arte y parte, no. 29 (October–November 2000): 31–39.

Ashton, Dore. “Rothko’s Passion.” Art International 22 (February 1979): 6–13.

Baal-Teshuva, Jacob. Mark Rothko, 1903–1970: Pictures as Drama. Cologne, Germany, 2003.

Baigell, Matthew. American Artists, Jewish Images. Syracuse, NY, 2006.

Baigell, Matthew. Jewish Artists in New York: The Holocaust Years. New Brunswick, NJ, 2002.

Baigell, Matthew. “Mark Rothko.” In American Artists, Jewish Images, by Matthew Baigell. Syracuse, NY, 2006: 63–77.

Baigell, Matthew. “The Abstract Expressionists.” In Jewish Artists in New York: The Holocaust Years by Matthew Baigell. New Brunswick, NJ, 2002: 98–151.

Bannard, Walter Darby. Paintings of the 50s: Another Look. Duke University Museum of Art, Durham, NC, 1983.

Barbero, Luca Massimo. Action Painting, American Art 1940-1970: From the Sketch to the Canvas. Foro Boario di Modena, Italy, 2004.

Barbero, Luca Massimo. Da Kandinsky a Pollock: La Grande Arte dei Guggenheim. Palazzo Strozzi, Florence, 2016.

Barbero, Luca Massimo. Peggy Guggenheim e la Nuova Pittura Americana. Arca, Chiesa di San Marco, Vercelli, 2008.

Barbero, Luca Massimo. Temi & Variazioni: l'impero della luce, con un omaggio a Fausto Melotti. Peggy Guggenheim Collection, Venice, 2014.

Barnes, Susan J. The Rothko Chapel: An Act of Faith. Austin, TX, 1989.

Baum, Kelly, ed. Rothko to Richter: Mark-Making in Abstract Painting from the Collection of Preston H. Haskell. Princeton University Art Museum, Princeton, NJ, 2014.

Baum, Kelly. “Mark, Maker, Method.” In Rothko to Richter: Mark-Making in Abstract Painting from the Collection of Preston H. Haskell, edited by Kelly Baum. Princeton University Art Museum, Princeton, NJ, 2014: 10–28.

Baumann, Felix Andreas, ed. Mark Rothko. Musée National d’Art Moderne, Paris, 1972.

Baumann, Felix Andreas, ed. Mark Rothko. Nationalgalerie, Staatliche Museen Preußischer Kulturbesitz, Neuer Berliner Kunstverein, Berlin, 1971.

Baumann, Felix Andreas, ed. Mark Rothko. Städtische Kunsthalle, Düsseldorf, Germany, 1971.

Baumann, Felix Andreas. Mark Rothko. Kunsthaus Zürich, Zurich, Switzerland, 1971.

Baumann, Felix Andreas. Mark Rothko. Museum Boymans-van Beuningen, Rotterdam, Netherlands, 1971.

Baur, John I. H. A Mirror of Creation: 150 Years of American Nature Painting. New York, 1980.

Beck, Herbert. Phanomen Expressionismus: Kulturlandschaft Frankfurt RheinMain. Bad Homburg vor der Höhe, Germany, 2012.

Bell, Clare, Jennifer Blessing, et al. Art of This Century: The Guggenheim Museum and Its Collection. New York, 1993.

Benesch, Evelyn. Verrückte Liebe: Von Dalí bis Francis Bacon: Surreale Kunst aus der Sammlung Ulla und Heiner Pietzsch. BA-CA Kunstforum, Wien, Vienna, 2006.

Benezra, Neal David, Michae Auping, and Gary Garrels. Celebrating Modern Art: the Anderson Collection. San Francisco Museum of Modern Art, San Francisco, CA, 2000.

Berkson, Bill. “Reviews: Mark Rothko: San Francisco Museum of Modern Art.” Artforum 25, no. 2 (October 1986).

Beyeler, Ernst. "Foreword." In Mark Rothko: Works on Paper, 1930–1969, by Oliver Wick. Galerie Beyeler, Basel, Switzerland, 2005: 4–5.

Birmingham, Mary. Rothko entry. In Montclair Art Museum: Selected Works, by Mary Birmingham, Twig Johnson, Diane P. Fischer, and Gail Stavitsky. Montclair, NJ, 2002: 143.

Birmingham, Mary, Twig Johnson, Diane P. Fischer, and Gail Stavitsky. Montclair Art Museum: Selected Works. Montclair, NJ, 2002.

Bischoff, Ulrich, and Luc Tuymans, eds. Constable, Delacroix, Friedrich, Goya: Die Erschütterung der Sinn. Galerie Neue Meister, Staatliche Kunstsammlungen Dresden, Dresden, Germany, 2013.

Blinken, Donald, et al. Eliminating the Obstacles Between the Painter and the Observer: The Mark Rothko Foundation, 1976–1986. New York, 1986.

Boehm, Gottfried. “Das Lebendige: Rothkos Zugänge zum Bild.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 180–185.

Boenders, Frans. “De sjamanenkunst van Mark Rothko/De zielentocht van Mark Rothko.” Kunst & Cultuur [Palais des Beaux-arts] 32, no. 1 (January 1999): 4–6.

Boissel, Jessica. “Technique de Rothko.” Art Press International 27 (April 1979): 7.

Bolaffi, Giulio. “Mark Rothko.” Catalogo internationale Bolaffi d'arte moderna no. 1 (1972): 160–168.

Bondil, Nathalie, and Marie-Josée Arcand. All for Art!: In Conversation with Collectors / Pour l'art!: paroles de collectionneurs. The Montréal Museum of Fine Arts, Montréal, Canada, 2007.

Borchardt-Hume, Achim, ed. Rothko: The Late Series. Tate Modern, London, 2008.

Braff, Phyllis. The Surrealists and their Friends on Eastern Long Island at Mid-Century. Guild Hall Museum, East Hampton, NY, 1996.

Breitman, Ellen. Rothko entry. In The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938-1948, by Paul Schimmel and Lawrence Alloway. Newport Harbor Art Museum, Newport Beach, CA, 1986: 168.

Brenson, Michael. “Rothko at the Guggenheim.” New York Times, June 7, 1985.

Breslin, James E. B. Mark Rothko: A Biography. Chicago, IL, 1993.

Brodie, Judith, and Andrew Robison, eds. A Century of Drawing: Works on Paper from Degas to LeWitt. National Gallery of Art, Washington, 2001.

The Brooklyn Museum: American Watercolors, Pastels, Collages: A Complete Illustrated Listing of Works in the Museum's Collection. Brooklyn Museum, New York, 1984.

Brooklyn Museum. International Watercolor Exhibition: Fourteenth Biennial. New York, 1947.

Brooklyn Museum. The Eighth Biennial Exhibition of Water Colors, Pastels and Drawings by American and Foreign Artists. New York, 1935.

Brüderlin, Markus, ed. The Art of Deceleration: Motion and Rest in Art from Caspar David Friedrich to Ai Weiwei. Kunstmuseum Wolfsburg, Wolfsburg, Germany, 2011.

Brüderlin, Markus, ed. “The Avant-Garde of Deceleration: Motion and Rest in Modern Art, from Goethe and Caspar David Fredrich to Ai Wei Wei.” In The Art of Deceleration: Motion and Rest in Art from Caspar David Friedrich to Ai Weiwei, edited by Markus Brüderlin. Kunstmuseum Wolfsburg, Wolfsburg, Germany, 2011.

Bruce, Chris, and Virginia Wright. The Artist's Hand: American Works on Paper, 1945–1975, from the Washington Art Consortium Collection. Museum of Art, Washington State University, Pullman, WA, 2012.

Bruno, Vincent J. “Mark Rothko and the Second Style: The Art of the Color-Field in Roman Murals.” In Eius Virtutis Studiosi: Classical and Postclassical Studies in Memory of Frank Edward Brown (1908–1988), edited by Russell T. Scott and Ann Reynolds Scott. Studies in the History of Art [National Gallery of Art], vol. 43. Washington, 1993: 235–255.

Bucarelli, Palma. Mark Rothko. Galleria Nazionale d'Arte Moderna, Rome, 1962.

Burstein, Dotty. The Sylvia G. Zell Collection of Modern Art. Boston, 1988.

Busby, Ashley. “The Power of Paper.” Art & Antiques 47, no. 1 (January/February 2024): 76–85.

Byrnes, James B., ed. Mark Rothko: Ten Major Works. Newport Harbor Art Museum, Newport Beach, CA, 1974.

Calas, Nicolas, and Elena Calas, The Peggy Guggenheim Collection of Modern Art. New York, 1966.

Caldwell, John. Rothko entry. In American Drawings and Watercolors in the Museum of Art, Carnegie Institute, edited by Henry Adams. Carnegie Institute, Pittsburgh, PA, 1985.

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Capolavori del Guggenheim: Il grande collezionismo da Renoir a Warhol. Scuderie del Quirinale, Rome, 2005.

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Carmean, E. A., Jr., Eliza E. Rathbone, and Thomas Hess. American Art at Mid-Century: The Subjects of the Artist. National Gallery of Art, Washington, 1978.

Carmean, E. A., Jr., Marla Price, and James L. Fisher. Selected Works from the American Collection: 1940 to the Present. Modern Art Museum of Fort Worth, Fort Worth, TX, 1988.

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Carter, Malcolm N. "Art, Money, and the Troubles of Mark Rothko." Horizon 21 (October 1978): 20–29.

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Castleman, Riva. Art of the Forties. The Museum of Modern Art, New York, 1991.

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Cēbere, Gundega. “Svētki ar atgriešanos.” Māksla Plus 5 (October/November 2003): 10–11.

Centre International d'Expèrimentation Artistique Marie-Louise Jeanneret. Astrattismo e Pop Art. Boissano, Italy, 1974.

Centro atlántico de arte moderno. El surrealismo entre Viejo y Nuevo Mundo. Las Palmas de Gran Canaria, Spain, 1989.

Chan, Mary, Kathleen Curry and Christina Houstian. A Century of American Drawing: From the Collection. The Museum of Modern Art, New York, 1996.

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Chave, Anna C. Mark Rothko: Subjects in Abstraction. New Haven, CT, 1989.

Chave, Anna. Mark Rothko: Subjects. High Museum of Art, Atlanta, GA, 1983.

Chevrier, Jean-François, and Élia Pijollet. Formas biográficas: Construcción y mitología individual. Museo Nacional Centro de Arte Reina Sofía, Madrid, 2013.

Chiappini, Rudy. Passioni d'Arte - da Picasso a Warhol Capolavori del Collezionismo in Ticino. Museo d'Arte Moderna, Città di Lugano, Lugano, Switzerland, 2002.

Chivian-Cobb, Hermine. Ink Drawings, 1890–1986. Janie C. Lee Master Drawings, Houston, TX, 1987.

Clearwater, Bonnie. Mark Rothko: Seven Paintings from the 1960s. Walker Art Center, Minneapolis, MN, 1983.

Clearwater, Bonnie. Mark Rothko: Works on Paper. American Federation of Arts, New York, 1984.

Clearwater, Bonnie. The Rothko Book. London, 2006.

Cleveland Museum of Art. Cleveland Collects Contemporary Art. Cleveland, OH, 1972.

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Cohen DePietro, Anne, ed. Shaping a Generation: The Art and Artists of Betty Parsons. Heckscher Museum of Art, Huntington, NY, 1999.

Cohen DePietro, Anne. “The Art of Betty Parsons: Carpenters’ Throwaways and the Expanding World.” In Shaping a Generation: The Art and Artists of Betty Parsons, edited by Anne Cohen DePietro. Heckscher Museum of Art, Huntington, NY, 1999.

Cohen-Solal, Annie. Mark Rothko. Arles, France, 2013.

Cohen-Solal, Annie. Mark Rothko: Toward the Light in the Chapel. New Haven, CT, 2015.

Cohn, Marjorie B., ed. Mark Rothko’s Harvard Murals. Cambridge, MA, 1988.

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Collins, Bradford R. “Beyond Pessimism: Rothko’s Nietzschean Quest, 1940–1949.” In Mark Rothko: The Decisive Decade, 1940–1950, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012: 47–59.

Collins, Bradford R., ed. Mark Rothko: The Decisive Decade, 1940–1950. Columbia Museum of Art, Columbia, SC, 2012.

Compton, Michael, ed. Mark Rothko. Fundación Juan March, Madrid, Spain, 1987.

Compton, Michael. “Introduction into the Seagram Mural Project.” In Mark Rothko: Kaaba in New York, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989: 9–21.

Compton, Michael. Mark Rothko: The Seagram Mural Project. Tate Gallery Liverpool, Liverpool, UK, 1988.

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Contessi, Gianni. Vite al limite: Giorgio Morandi, Aldo Rossi, Mark Rothko. Milan, Italy, 2004.

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Coven, Jeffrey. Baudelaire's Voyages: The Poet and His Painters. The Heckscher Museum, Huntington, NY, 1993.

Crow, Thomas. “Unknowing Parallels: The Last Artistic Thoughts of Mark Rothko and Eva Hesse.” In Late Thoughts: Reflections on Artists and Composers at Work, edited by Karen Painter and Thomas Crow. Los Angeles, CA, 2006: 55–61.

Cummings, Paul. Twentieth-Century American Drawings: The Figure in Context. International Exhibitions Foundation, Washington, 1984.

Curry, Larry. John Marin, 1870–1953: A centennial exhibition organized by the Los Angeles County Museum of Art. Los Angeles County Museum of Art, Los Angeles, CA, 1970.

Cutler, Alan. "Notes from the Underground." The Sciences 35 (January/February 1995): 36–40.

Darling, Janina K. Margaret Rinkovsky: The “Odyssey Landscapes” Reconsidered. Art Museum of Santa Cruz County, Santa Cruz, CA, 1995.

Davidson, Susan. "Feminism for the Most Masculine: How Two Women Launched an Art Market." In Abstract Expressionism, edited by David Anfam. Royal Academy of Arts, London, 2016: 86–103.

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Davidson, Susan. “La messa a fuoco di un istinto. Il collezionismo di Peggy Guggenheim.” In Da Kandinsky a Pollock: La Grande Arte dei Guggenheim. Palazzo Strozzi, Florence, 2016: 55–83.

Davis, Bruce. Master Drawings in the Los Angeles County Museum of Art. Los Angeles County Museum of Art, Los Angeles, CA, 1997.

Dawson, Jessica Barrow. “Into the Black.” Washington City Paper, June 12, 1998.

de Brosses, Cordélia. “The Rothko Chapel: Painting the Night.” In Pagé, Suzanne, and Christopher Rothko, eds. Mark Rothko. Fondation Louis Vuitton, Paris, 2023: 285–295.

de Chassey, Eric. "Sublime Rothko.” Art Digest 20, no. 15 (May 1, 1946): 1.

de Kooning, Elaine. "Kline and Rothko: Two Americans in Action." Art News Annual 27 (1958): 86-97, 174-179.

Demetrion, James T. Selections from the Collection of Marion and Gustave Ring. Hirshhorn Museum and Sculpture Garden, Washington, 1985.

Dempsey, Bruce H. Abstract Expressionism: The Haskell Collection. Cummer Gallery of Art, Jacksonville, FL, 1992.

Dervaux, Isabelle, and Joseph Solman. The Ten: Birth of the American Avant-Garde. Mercury Gallery, Boston, 1998.

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Dickinson Roundell, Inc. 19th and 20th Century Works on Paper. New York, 2000.

Didrichsen, Maria. Didrichsenin taidemuseo. Didrichsen Art Museum, Helsinki, Finland, 2010.

“Die Farbfeldmalerei des Mark Rothko: Kunstwerk des Monats Januar 1981 im Ulmer Museum." Neu-Ulmer Zeitung, December 31, 1980: n.p.

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Dillenberger, Jane, and John Dillenberger. Perceptions of the Spirit in Twentieth-Century American Art. Indianapolis Museum of Art, Indianapolis, IN, 1977.

The Disappearance and Reappearance of the Image: American Painting Since 1945. Smithsonian Institution, Washington, DC, 1968.

Doss, Erika. "Makes Me Laugh, Makes Me Cry: Feelings and American Art." American Art 25, no. 3 (Fall 2011): 2–8.

Dückers, Alexander, et al. Linie, Licht und Schatten, Meisterzeichnungen und Skulpturen der Sammlung Jan und Marie-Anne Krugier-Poniatowski. Kupferstichkabinett, Staatliche Museen zu Berlin, Berlin, 1999.

Dumont, Shana, and William Trayes. Enlightened View: Artists Teaching on Cape Ann. Montserrat College of Art Gallery, Beverly, MA, 2006.

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Duthy, Robin. “Investor’s File: The Fortunes of Rothko.” Connoisseur 215, no. 886 (November 1985): 174.

Edwards, Kathleen A., ed. New Forms: The Avant-Garde Meets the American Scene, 1934-1949. The University of Iowa Museum of Art, Iowa City, IA, 2013.

Einreinhofer, Nancy. The Legacy of Surrealism in Contemporary Art. Ben Shahn Galleries, William Patterson College, Wayne, NJ, 1988.

Elderfield, John. The Modern Drawing: 100 Works on Paper from The Museum of Modern Art. Museum of Modern Art, New York, 1983.

Elger, Dietmar, et al. The Abstraction of Landscape: From Northern Romanticism to Abstract Expressionism. Fundación Juan March, Madrid, 2007.

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Evarts, Jeremiah. A Passion for Collecting: Modern Works from the Pérez Simón Collection. Di Donna Galleries, New York, NY, 2018.

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Facini, Michelle, Kathryn A. Dooley, Christopher Maines, Kathryn Morales, and John K. Delaney. “Investigating Mark Rothko’s Water-Based Paintings on Construction Paper from the 1930s.” Facture: Conservation, Science, Art History 5 [National Gallery of Art, Washington] (July 2021): 30–63.

Falconer, Morgan. Painting Beyond Pollock. London, 2015.

Falconer, Morgan. “Things Must be Pulverized: Abstract Expressionism.” In Painting Beyond Pollock, by Morgan Falconer. London, 2015: 10–45.

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Faxon, Susan C. Rothko entry. In On Paper: Masterworks from the Addison Collection. Addison Gallery of American Art, Phillips Academy, Andover, MA, 2004: 208–209.

Feldman, Morton. Six Painters: Mondrian, Guston, Kline, De Kooning, Pollock, Rothko. University of St. Thomas Art Department, Houston, TX, 1967.

Fer, Briony. “Rothko and Repetition.” In Seeing Rothko, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005: 159–175.

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Fer, Briony. The Infinite Line: Re-making Art after Modernism. New Haven, CT, 2004.

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Fine, Ruth, and Teresa Arcq. El arte de Mark Rothko: Selección de la Galería Nacional de Arte de Washington. Museo de arte moderno, Mexico City, 2005.

Fine, Ruth, Hyesoo Woo, and Moojeong Chung. The Art of Mark Rothko: Selections from the National Gallery of Art, Washington. Leeum, Samsung Museum of Art, Seoul, 2006.

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Francés, Fernando. Encuentros: diálogos de complicidad en la pintura internacional. Sala de Exposiciones del Palacio Episcopal, Málaga, Spain, 2001.

Franciolli, Marco. Da Kandinsky a Pollock: la vertigine della non-forma. Museo Cantonale d'Arte, Lugano, Swizerland, 2001.

Frank, Susan Behrends. American Art 1850–1960: Capolavori dalla Phillips Collection di Washington. Museo di arte moderna e contemporanea di Trento e Rovereto, Rovereto, Italy, 2010.

Frank, Susan Behrends. “Amerikas Weg in die Moderne. Duncan Phillips und die Phillips Collection.” In Von Hopper bis Rothko: Amerikas Weg in die Moderne, edited by Ortrud Westheider and Michael Philipp. Museum Barberini, Potsdam, Germany, 2017: 8–25.

Frank, Susan Behrends and Miriam Häßler. “Farbe und Raum. Malerei in den sechziger Jahren.” In Von Hopper bis Rothko: Amerikas Weg in die Moderne, edited by Ortrud Westheider and Michael Philipp. Museum Barberini, Potsdam, Germany, 2017: 212–215.

Frank, Susan Behrends. “Künstlerbiographien.” In Von Hopper bis Rothko: Amerikas Weg in die Moderne, edited by Ortrud Westheider and Michael Philipp. Museum Barberini, Potsdam, Germany, 2017: 232–243.

Franks, Pamela. "The Tiger's Eye": The Art of a Magazine. Yale University Art Gallery, New Haven, 2002.

Frye, Melinda Young. “A Spring Quintet: Five Washington Area Exhibits You Won’t Want to Miss.” Museum News 62, no. 5 (June 1984).

Fujieda, Teruo. “Special Feature: Mark Rothko.” Mizue 888 (March 1979): 6–57.

Fuller McChesney, Mary. A Period of Exploration: San Francisco 1945–50. Oakland Museum Art Department, Oakland, CA, 1973.

Fundació Joan Miró. Amèrica, Amèrica. Barcelona, Spain, 1977.

Fundacion Caja de Pensiones. Beuys, Klein, Rothko: Profecía y transformación. Madrid, 1987.

Fundación Juan March. Arte USA. Madrid, 1977.

Gagnon, Paulette, and Yolande Racine. L'Oeil du Collectionneur. Musée d'art contemporain, Montréal, Canada, 1996.

Galería Elvira González. Eduardo Chillida – Alabastros/Mark Rothko – Pinturas. Madrid, 1998.

Galería Elvira González. Mark Rothko. Madrid, 1995.

Galería Theo, Madrid. 20 Años Theo: Gran Formato, Pequeño Formato. Madrid, 1988.

Galerie Beyeler. America, America. Basel, 1976.

Galerie Beyeler. America: Art Fair 1971. Basel, Switzerland, 1971.

Galerie Beyeler. America on Paper. Basel, 1974.

Galerie Beyeler. American Abstract Expressionists. Basel, Switzerland, 1988.

Galerie Beyeler. Homage to Francis Bacon. Basel, 1992.

Galerie Beyeler. Magic Blue. Basel, Switzerland, 1993.

Galerie Beyeler. Mark Rothko. Basel, 1990.

Galerie Beyeler. Petits Formats. Basel, 1978.

Galerie Charles Lienhard. Appel t.e.m. Villon. Zurich, Switzerland, 1962.

Galerie Daniel Blau. Mark Rothko: "Multiforms," Bilder von 1947–1949. Munich, Germany, 1993.

Galleria Civica di Modena. Cronaca: percorso didattico attraverso la pittura americana degli anni 60 e la pittura europea degli anni 70. Modena, Italy, 1976.

Galleria Lorenzelli. Mark Rothko. Bergamo, Italy, 1971.

Galleria Nazionale dell’Umbria. Pittura Contemporanea in Galleria: Mark Rothko, Adrian Schiess, Phil Sims, Gunter Umberg, Ulrich Wellmann. Perugia, Italy, 1996.

Gallerie d'arte Martano. Mark Rothko. Turin, Italy, 1971.

Gamwell, Lynn. “Dream Archive.” In Dreams 1900 – 2000: Science, Art, and the Unconscious Mind, edited by Lynn Gamwell. Binghamton University Art Museum, Binghamton, NY, 2000: 211–300.

Gamwell, Lynn, ed. Dreams 1900 – 2000: Science, Art, and the Unconscious Mind. Binghamton University Art Museum, Binghamton, NY, 2000.

National Gallery of Art

© 2025 National Gallery of Art, Washington

Mark Rothko: Works on Paper will ultimately document approximately 2,600 works from public and private collections worldwide. Cataloging is ongoing, and works and information will be added to the site during the coming years.

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